Watch Message to Love - The Isle of Wight Festival Movie Online
Samedi, septembre 4th, 2010 |
Watch Message to Love - The Isle of Wight Festival Movie Online.
Movie Title: Message to Love - The Isle of Wight Festival Message to Love - The Isle of Wight Festival is available for streaming or downloading. Click Here to Stream or Download Message to Love - The Isle of Wight Festival |
Director Murray Lerner and his film crew were hired by the Isle of Wight Festival promoters to make a movie of the events and music that took place from August 26-31st 1970. Due to financial problems and lack of interest from the film distributors, the film footage sat unreleased for twenty-five years (although bits of Hendrix, The Who & Free’s performances surfaced in other presentations). Before the 1995 movie was released I absolutely hungered to see anything of this footage. Admittedly, my anticipation for the film was incredible. Eventually I got my wish. Fortunately, I was generally satisfied with MESSAGE TO LOVE, although I did have reservations. First the good: I was able to see The Doors, Moody Blues, Jethro Tull, Joni Mitchell, Miles Davis, Free, Taste, etc. in their prime. These are classic performances, mostly well played. The scene of Kris Kristofferson getting booed off stage haunted me for weeks; I felt sorry for the guy. Too bad they didn’t show his come-back performance a few days later, where he was better received.
The dissapointments: I want more footage. A lot of the music performances are extremely edited-down. Donovan is only seen for like three seconds. John Sebastian’s show stopping performance is poorly edited too as they come in for the ending of his song. Performances from Tony Joe White, Melanie, Cactus, Procol Harum weren’t even included in favor of “Machine Gun” (Hendrix) “All Right Now” (Free) “Young Man Blues” (The Who) …redundant footage, because they were all available in other presentations.
Lastly, the film is generally downbeat, focusing in on the problems that plagued the festival. Actually, the violence and unpleasentness is overplayed. This was actually a good festival, with good bands and a lot of positive aspects. Too bad Lerner couldn’t focus more on this. Nevertheless, it’s still a fine film and I hope to see more footage released to the public.
Most of the performances are good, although a little too brief (and some songs are probably edited), which is why I had to dock this review one star. This is more of a documentary of the event than anything else. You’ll see the promoters and the crowd get almost as much time on the camera as the performers. The Isle of Wight wasn’t exactly Britain’s answer to Woodstock (Altamont ended the Woodstock spirit and this is Hippydom’s last true hurrah), but still a great festival.
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This has poignant moments, like Jimi Hendrix’ final performance featuring “Message to Love,” “Machine Gun” and “Voodoo Chile (Slight Return),” one of the Doors’ final performances (Jim Morrison looks sad and out of it) featuring “When the Music’s Over” and “The End” and Joni Mitchell bursting out in tears after one rambunctious hippie interrupts her set while playing “Woodstock” (he’s lucky he didn’t try interrupting the Who’s set!). She carries on singing “Big Yellow Taxi.” After instances like Altamont, the promoters add security like a metal fence dividing the young teens and adults (some English, some American) who’ve paid admission and those who haven’t and police dogs. So, naturally, there’s plenty of arguments between the promoters and the music fans. Due to the war between them, Kris Kristoferson is unduly booed onstage. Folks are too busy trying to get in to listen to the original “Me and Bobbie McGee.” Joan Baez, after her performance of “Let It Be” is interviewed. She’s honest and says “This is my job, so naturally, I expect to be paid.” A humorous moment is Tiny Tim singing via megaphone “There’ll Always Be An England.” A sad moment is when one hippie says he’s given his young son LSD (nowadays, a social worker would probably take the son away from him). It’s amusing to see a young thin Ian Anderson perform with Jethro Tull (”Whoever said we wouldn’t perform tonight is full of…”) on “My Sunday Feeeling” and a young thin Paul Rogers perform “All Right Now” with Free. This is also Emerson, Lake and Palmer’s debut performance (each of them celebrates in full flamboyance by Emerson nearly destroying his organ, Lake setting off a cannon and Palmer removing his shirt while performing “Pictures at an Exhibition/Blue Rondo a la Turk”). It’s also one of the Moody Blues’ 1st performances live. Fortunately for the freeloaders (nowadays one would find it extraordinary that they would spend a lot of money on crossing the boat to the Isle and not schill out 3 English pounds), the fence is taken down and all hold hands in peace, while a guitar plays “Amazing Grace.” You really sympathize with Rikki (one of the emcees), as he bears his heart with the audience that he and the other promoters will have lots of fees to pay for this decision. As the festival comes to end, Rikki later sums it all up when he says “This is the last great event.” One of the carpenters looks a little like Jerry Garcia!
An edition with more complete performances would be great in the future. In the meantime, this will have to do. By the way, this is a 2 sided disk (at least my copy is) and if it ends with Joni Mitchell singing “Big Yellow Taxi,” turn the disk over and you’ll get Miles Davis and the rest of the program.
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