Archive for the ‘The Day the Earth Stood Still’ Category

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The Day the Earth Stood Still Streaming

Mardi, septembre 14th, 2010
The Day the Earth Stood Still Streaming. The Day the Earth Stood Still Streaming.

Movie Title: The Day the Earth Stood Still
Average customer review:

The Day the Earth Stood Still is available for streaming or downloading.

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Watching this recently, it amazed me how little action there is in this movie, and yet it remains as captivating and enthralling as ever. There are none of the set pieces we have come to expect in modern genre films: no explosions, no gory deaths, one small chase scene. Tension is developed through character development and the wonderful performances of Patricia Neal and Michael Rennie, with some wonderful supporting work from Sam Jaffe and Frances Bavier (Mayberry’s Aunt Bea!)

There are very few special effects: the odd tank disappears in a glow of light, but other than that, this is a film driven by character development. Taut direction by Robert Wise, straightforward writing from Edmund North and impressive cinematography by Leo Tower create an intelligent, literate, adult science fiction film that appeals to all ages.

Special mention must be made of Bernard Herrmann’s haunting score. One of the first film scores to use Leon Theremin’s eerie and eponymous electronic instrument, which unfortunately became a genre cliché, the music adds immeasurably to the tense and unsettling atmosphere.

Modern audiences may find the film’s message heavy handed and obvious, relying on 1950’s atomic paranoia and the absolute power it brought. In fact, Klaatu’s proffered peaceful solution borders on totalianarianism. But these are minor considerations considering this is a simple story stunningly told.

The DVD contains many interesting extras of interest to film buffs and collectors, including a shooting script, extended discussions on the evolution of the film from idea to release, and an odd look at the people fascinated with collecting 1950’s sci-fi film props and paraphernalia.

First and foremost, this is a review for the 1951, black and white, 1.33:1 aspect ratio, 2-disc, special edition DVD and NOT for the remake (Gort! Keanu barada nikto :)

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Okay so here’s the lowdown; as I now have both this new edition and the original single, flipper disc, version, and having watched all of the bonus features on the new 2-disc set, I can tell you this: keep the old disc!

Why, because the 73 plus minute, making of, on the original disc is gone, replaced with a new 23 minute fluff piece that only skims the surface of the story, of the making of this film.

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Gone are the lengthy on camera interviews with the producer, director and female lead, replaced instead with film historian’s inane babble, with the odd snippet of voice recordings of the director and producer, taken from the 73 plus minutes, making of, from the original disc (without the on camera picture).

Also gone, is the very interesting, “Collectors”, segment, tacked onto the end of the original making of, which had several prominent collectors showing off such treasures as the original flying saucer model and Gort statue, used in the actual film, with anecdotes about the film, and where the props they now owned, had ended up after the filming.

As for the extra stuff added to the 2-disc set, nothing is worth the non-inclusion of the original making of from the first disc (most of the new stuff has nothing to do with the film, but instead conveys the political tensions of the world at that time, which, although slightly of interest, is not worth upgrading for).

And on a new extra note for the new 2-disc set, the reading of, Farewell To The Master, is poorly executed, with a static picture with simple playing instructions, present throughout the entire reading (where as they could of has stills from the film playing throughout the reading, while the soundtrack played quietly in the background) and trying to maneuver through the reading is a nightmare, as there are three chapter stops, which are about 10 plus minutes each, with no way of fast searching through the 10 plus minute segments, so if you stop playing the reading at 9 minutes, you can’t start the playback where you left off but instead have to listen to the whole thing from the start of the chapter (I know this because I stopped the playback for a minute, and when I hit the play button on the remote, the film started to play, so I had to go back to the menu and start the reading again, and listen to the stuff I had already heard. I would have preferred that an onscreen text version of the short (45 pages - not so short in my books) story be included instead).

So unless you are a completes, then this 2-disc version isn’t worth the money, and even if you are looking to buy this for the first time, I’d HIGHLY recommend that you pick up the original DVD release, as the picture quality is the same, and you get the far superior 73 plus minute, making of, along with the director’s commentary, picture galleries and original trailer.
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Stream The Day the Earth Stood Still Online

Dimanche, août 29th, 2010
Stream The Day the Earth Stood Still Online. Stream The Day the Earth Stood Still Online.

Movie Title: The Day the Earth Stood Still
Average customer review:

The Day the Earth Stood Still is available for streaming or downloading.

Click Here to Stream or Download The Day the Earth Stood Still

There is a reason why the original DAY THE EARTH STOOD STILL (1951) is a classic and the remake (2008) is not. The FX of 1951 were minimal, but the emphasis on plot, acting, allegory, and scripting combined (as they so rarely do) to produce a film that is watchable even after many viewings. Where Keanu Reeves sleepwalks through his role as Klaatu, Michael Rennie invests his with a riveting performance as a pseudo-human who slowly and naturally learns what it means to be human. Hugh Marlowe in the original is totally believable as the weasly love interest for Patricia Neal. Marlowe’s sliminess paired off well with Rennie’s saintliness. In the remake, there is no one, except perhaps in a collective sense, who can distract the audience long enough to see Reeves as anything more than a mobile pained automaton who is only slightly more interesting than Gort.

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Rennie causes the earth to stand still in a manner that emhasizes his godlike powers. His assumed name of Carpenter further allies himself as one who must suffer, die, and be reborn himself so as to save humanity from itself. Reeves arrives on earth determined to exterminate human life as a prerequisite for maintaining it in its supposed pristine state. His argument that John Cleese artfully exposes that Klaatu’s own race avoided self-immolation only after arriving at a precipitous tipping point is exposed as a sophomoric inability to connect one moral thread of one race to a similar thread of another.

In the original, director Robert Wise uses deliberately blurred camera angles to present Rennie as one whose true nature can be only slowly revealed. Recall Rennie’s introduction when he arrives at the boarding house to seek a room. Compare that masterly hiding of face and form with Scott Derrickson’s inability or unwillingness to show Reeves’ face as no more than a perpetual scowl. Kathy Bates as the Secretary of State manages to invest her role with the film’s only note of authenticity as she correctly notes the inevitable results that occur when a technologically advanced culture collides with a significantly less advanced one.

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Unless the audience manages to care about the lead (it does with Rennie but not with Reeves), then the director has no place to go but with FX. And for the umpteenth time, the revised version of TDTESS proves that the lack of acting and scripting cannot elevate a film to the point that FX can salvage.

I’ve been beaten to the punch by a lot of really fine, insightful reviews. I’ll only add that, like so many movies we seem to see today, this is one that could have been so much better.

It is poorly paced, and miserably directed, with such an imbalance of emphasis between Klaatu’s heavy-hearted, planet-wide mission, and the irritating, recurrent focus on the “cute kid” character (Jaden Smith) who becomes as welcome in the story as an insect at a picnic.

Jennifer Connelly is wholly unbelievable as a “world class” super-scientist, but at least the director resisted the temptation to create some smarmy love-affair concoction between she and Klaatu. Given how uninteresting the rest of the story was, I was afraid that he might resort to such a technique to breathe life into this otherwise prosaic rendering of the original science fiction classic.

The special effects… well, yes, they were good. It’s 2009. The special effects always ought to be good. But as we’ve all known for a long time, good special effects do not necessarily make a good movie.

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