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Stream The General (The Ultimate 2-Disc Edition) Online

Mercredi, septembre 8th, 2010
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Movie Title: The General (The Ultimate 2-Disc Edition)
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It was with some trepidation and annoyance that I found myself plunking down more hard-earned money for my fourth copy of Buster Keaton’s immortal silent comedy,”The General.” I am pleased to report that the investment was a worthy one.

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The public domain versions of this film are undeserving of comment and should be avoided at all costs. I made the misfortune mistake of buying one of these hack jobs first and was rewarded with a poor transfer with completely inappropriate music. I then purchased the double feature of “The General” and “Steamboat Bill, Jr.” offered by Image. The picture quality was greatly improved in regards to clarity and contrast. My personal complaint regarding the Image version is the musical accompaniment provided by the Alloy Orchestra. Clanky and mechanical, their score is more a cacophany than a symphony and works against, rather than complements, much of the action in the film. Next, I procured Kino’s original version of “The General”, which, to my disappointment, was softer and less sharp than the one offered by Image. It does feature a more pleasing score by Robert Israel. This brings me to Kino’s updated and restored version, and I can affirm that my quest for the best version of this film has come to an end.

Why go into such nauseating detail regarding the purchasing process? For one, it demonstrates how much I appreciate this film and how important it is to obtain it in its preeminent form. I also hope it will convince those mulling over the different available versions of this film that the Ultimate 2-Disc Edition is the version to buy.

Other reviewers have mentioned the techniques used to restore the film, and it is indeed the most lustrous version I have seen. The nighttime sequences are suffused with a rich dark blue, and the sepia tone used give this version the appearance of a Matthew Brady daguerrotype more than ever before.

Special mention should be made of the three musical scores. Robert Israel’s orginal score has been retained, and a fine organ score by Lee Erwin is also an option. But for my money, the film is best enjoyed with Carl Davis’ 1987 score for Thames Television. Those familiar with his scores for “Ben-Hur”, “The Crowd”, “The Big Parade”, and many others know how he can elevate the emotion of a silent film. He does the same here, interweaving distinctly Amercian music that works perfectly.

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As for the film itself, it is not mere hyperbole to state that it is one of the undisputed masterworks of American cinema and not just the silent period. It was derided by the critics of its age as not being funny. To be honest, it’s not funny in a conventional sense, rather it is sublime. Some have criticized Keaton’s film as too mechanical, but there is always an insistent humanity fighting against the mighty contraptions Keaton is laboring to free both himself and the woman he loves from.

“The General” is in many ways a cinematic obstacle course. The first half finds Johnnie Gray being deprived of his two loves: Annabelle and his locomotive. He has to negotiate all manner of hardships in order to be reunited with both of them. The second half has him fleeing for home and employing the same sorts of means to discouarage his pursuers that were once used against him.

In terms of narrarive, chronology, and geometry, “The General” is a mirror image. It is also a film that must be watched closely and patiently in order to be fully appreciated. Beause of this, it merits repeat viewings and provides new insights each time. It is a film for the ages that has at last received the proper format to be fully enjoyed and appreciated.

The General was not terribly popular when first released, but is now generally recognized as being Keaton’s finest film. It has a combination of comedy and drama which made it a radical departure from previous silent films. It is perhaps this fact that contemporary audiences found difficult. After all, it was unexpected to see people actually killed in a comedy.

Keaton went to great lengths to make his film as authentic as possible. His stunts are real and really dangerous. He made great efforts to have trains that looked as if they were from the Civil War and to clothe his extras in period costumes. In this regard he perhaps tried a little too hard. The southern soldiers look just a little too tidy. They all seem to have the same hats and they all seem to have shoes. This does not quite fit in with the history of the period. It does not matter however, for Keaton was not making a history film. There are critics who emphasize the historical accuracy of The General, but this emphasis can go too far. Keaton is not suggesting that we believe that the actual historical event, that his film is based on, happened this way. His film is a comic version of the events not a representation of the events themselves. It is thus that he can successfully find laughter in the most tragic conflict of American history.

The print on the Kino DVD is very good. Most importantly it is shown at the correct speed. I have seen a video version of The General which ran 107 minutes, but it did not include any more material than this DVD. Rather it was shown at the wrong speed, so that everything ran slowly. This was disastrous for Keaton’s films depend on speed, for his comedy depends on his quickness of thought and action. The print on the Kino DVD is furthermore, well tinted mainly in sepia with night scenes appearing blue/grey.

The music which is played during the film is on the whole fine. It is mainly a selection of tunes from the Civil War period. The only time I found the music questionable was when `The Teddy Bears Picnic’ accompanies Buster’s meeting with a bear. The childlike imagery it evokes is quite wrong.

This DVD is good value for it also includes two of Keaton’s best short films. The Playhouse is very funny, but is also noteworthy for being technically ingenious. Cops is another chase film, but in the end is more pessimistic than The General. It includes the famous image of Buster’s hat on a gravestone which, in way, sums up his whole comic career.
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