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The West Wing - The Complete Sixth Season Streaming

Mardi, avril 27th, 2010
The West Wing - The Complete Sixth Season Streaming. The West Wing - The Complete Sixth Season Streaming.

Movie Title: The West Wing - The Complete Sixth Season
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The West Wing - The Complete Sixth Season is available for streaming or downloading.

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. . . a far cry from the first four.

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As has been much mentioned and debated in reviews at this website of the 5th season, all West Wing seasons after the first four (after which series creators Aaron Sorkin and Thomas Schlamme who had created the distinctive tone of the show were shown the exit by NBC) have to be considered as almost a completely different show. Even when thought of in this way, the 5th season was something of a disaster, both ratings-wise and creatively.

So this 6th season really had nowhere else to go but up. Yet, more than just going up, by mid-season the series started to hit a bit of a stride and find a new voice (whether you prefer it to the first four seasons is debatable — personally I do not — but at least it was watchable and good for what it was). This is the season in which the narrative of the show fractures, as most of the characters exit their original roles and take on new assignments. This includes C.J.’s unrealistic promotion from press secretary to Chief of Staff (quite an improvement for a character who didn’t know what the census was for in the first season and is now the President’s chief adviser on all policy issues), Josh leaving the White House to manage the presidential campaign of Rep. Matt Santos (unevenly played by Jimmy Smitts), Donna quitting the White House to work on the Vice-President’s campaign, Toby doubling as press secretary, Charlie becoming a Special Assistant for C.J., and Leo becoming general wise man for the White House, with no real role except to recover from his heart attack.

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The first part of the season deals with the Arab-Israeli peace talks and the aftermath of the death of Admiral Fitzwallace and Donna’s injuries in the Gaza Strip. Concluding with a bitter fight between Leo and the President that leads to the aforementioned heart attack by Leo (a sadly prescient plot line given John Spencer’s real life death last year from a heart attack) and C.J.’s elevation, this segment segues into the meat of the season, which is the Democratic Primary Season. While providing many interesting campaign episodes and plotlines as a result (an area the show didn’t really explore as much when Bartlet ran for re-election), it also means that the amount of screen time for most characters is drastically reduced as the show rushes to cover so many different long-term plotlines. Moreover, the fragmented storytelling also de-emphasizes the West Wing part of “The West Wing,” except mainly to do national security issues to give an excuse to include stories for the totally uninteresting character of Mary McCormack (involving Cuba and Castro and whatnot). Why they wasted so much screen time on her stories is beyond me. More interesting in her addition to the cast is Kristen Chenowith as Asst. Press Secretary Annabeth Schott, who becomes an even better character in Season 7.

The final part of the season deals with the Republican challenger, Senator Arnold Vinick (certainly the most interesting and complex character introduced in the post-Sorkin era and very appealingly played by Alan Alda) and ends with a chaotic Democratic Convention that leaves Leo as the surprise VP candidate to (surprise) Jimmy Smitt’s character managed by Josh. The season also ends with a ripped from the headlines storyline involving the leak by a West Wing staffer of sensitive national security information . . . all leading to Season 7 — the final season of the series and certainly the best season since the first 4.

Overall, the season isn’t bad and has a narrative drive created by the election season that helps sustain interest even when individual plotlines fizzle here and there. While the dialogue is a pale ghost of what it was, some of the campaign situations are interesting to ponder and several bit campaign players acquit themselves nicely. If you’re still buying West Wing DVDs at this point, then this season isn’t a bad buy (certainly much more worthwhile than the previous season in which you swear your favorite characters are possessed by pod people) but Season 7 is really the season to wait to purchase.

The West Wing’s Sixth Season was certainly a step up from its disastrous fifth season, which managed to cut the show’s viewership in half and nearly got the show cancelled immediately after it. The viewing public didn’t particularly take to the tenser version of TWW, complete with cliched TV spots a la Third Watch: for the episode Gaza, the narrator literally intoned “Someone from the West Wing won’t be coming home.” John Wells went back to his roots, and the result was unmitigated disaster. Rarely during the Sorkin era were there genuine crises to deal with (except at the end of the season, usually). West Wing is a show that you tune into for solid drama and smart, funny dialogue, not defibrilation.

Indeed, this season really proves superior to its predecessor, even though it does devolve to cheap narrative tricks at times to get people to tune in–that’s right, I’m talking about making C. J. Chief of Staff when such a move in real life would make no sense, but they did get in an episode about “who’s it going to be”, and if it had been Josh, well, people would have been disappointed. After the wrapping up from the previous season, the show picks up with its story about the presidential race, even though the show’s timeline is off by about a year. Initially there are a number of different candidates–for the Democrats, there’s “Bingo” Bob Russell (Gary Cole), the replacement Vice President who might have moderate appeal but certainly has no brain; there’s John Hoynes (Tim Matheson), the disgraced guy who used to have Russell’s job and fancies himself a candidate, despite an adulterous scandal that involved leaking classified information. There’s the Pennsylvania Governor, Baker (Ed O’Neill), who isn’t in it for very long; and finally the dark horse, Texas Rep. Matthew Santos (Jimmy Smits), the moderate yet forceful unknown who eventually takes the lead. From the right, it’s all Arnold Vinick (Alan Alda), who steals the show as a moderate California Senator who plays the game and manages to capture the nomination. Both the major candidates have a supporting cast: Vinick has Pamela Richardson (from Home Improvement), his wife/campaign manager, as well as the brilliant Stephen Root (from NewsRadio) as an adviser. Santos has Josh Lyman (Bradley Whitford), plus Teri Polo as his wife.

It’s undeniable that part of the reason people still watch is the wish-fulfillment factor, even though that was the point in the first place. President Bartlet was a Clinton-era wish for a White House with a strong moral compass. With the nation currently under a right-wing president who is rapidly losing the support of even his most ardent believers, Republicans can watch to see a president who does, in fact, read the newspapers and make decisions based off of facts, not his “gut”, and Democrats can similarly find some satisfaction in a candidate who has liberal convictions and is not ashamed of what he believes, but is politically savvy enough to avoid the culture wars. However, John Wells’ conservative views are more apparent here, since Vinick is the hero of the show. In fact, it is Vinick who tells a group of corn farmers during the Iowa Caucuses that he opposes ethanol, a very gutsy move that all the candidates agree with but nobody except him says. Much like Bartlet was the ideal Democratic President, Vinick is being represented as an ideal Republican Commander-in-Chief. And say what you like about TWW, it still is much better than the show “Commander-in-Chief”.

It’s been said to death, but the show still ails from the departure of Aaron Sorkin. Additionally, people who tuned in only because they liked Bartlet’s politics will be disappointed (although Santos is an admirable character as well). However, this season at least set up the show’s final season well so that The West Wing can die with dignity instead of its last words being “Bring it on” as shouted by Josh to the Capitol Dome, or something said by the muppets, or “someone will not be coming back alive.” The West Wing again becomes at least a watchable show, although one wonders if the payoff is worth the cost.
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