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Stream Curse of the Demon / Night of the Demon Online. Movie Title: Curse of the Demon / Night of the Demon Average customer review: Curse of the Demon / Night of the Demon is available for streaming or downloading. Click Here to Stream or Download Curse of the Demon / Night of the Demon

The distributor advertising this DVD as a “Double Feature” stretches the truth a bit. “Curse of the Demon” is merely the shortened American version of the British film “Night of the Demon.” The American version runs thirteen minutes shorter and is by far the weaker cleave of the film, if serene a radiant fraction of work. It’s a nice feature to have the complete American slash on this disk for the sake of comparison with the modern, but this is hardly a “double feature.” And there’s no reason to glance the edited, shorter version when you have the top-notch British novel of one of the seminal panic movies of all time on the same DVD.

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“Night of the Demon” hit theaters in 1957 and marked a turning point in macabre cinema. Director Jacques Tourneur had made some significant 1940s fear films (”Cat People,” “Leopard Man,” and “I Walked with a Zombie,” as well as the film noir classic “Out of the Past”) that moved against the grain of the gothic fantasies that Universal produced during the 1930s. With “Night of the Demon,” Tourneur cemented the opinion of the unusual terror film, where the terrors of the gothic, demonic, and supernatural appear within the realm of the unique, everyday world — the essentially rational setting of the contemporary times. The success of this film would eventually lead to such movies in the following decades as “Rosemary’s Baby” and “The Exorcist,” which took station in the recognizable contemporary world, where the invasion of supernatural forces seemed all the more cross.

The screenplay comes from the short sage “Casting the Runes” by master Victorian ghost sage writer M. R. James. (You can glean this account in an apt and currently in-print volume of the same name.) In the memoir, a professor and practitioner of the unlit arts, Karswell, has found a device to send demonic forces against his academic foes by passing them a stagger of paper covered with magical runes. The movie expands the premise: Karswell (Niall MacGinnis, who played Zeus in “Jason and the Argonauts”) leads a witchcraft circle and uses his rune-tracker to send a demon after his opponent, professor Harrington. After Harrington’s death, his American friend, psychologist Holden (Dana Andrews), comes to America to learn more, but scoffs at the concept that anything supernatural could lurk leisurely Harrington’s death. Unfortunately for Holden, Karswell feels threatened enough to choose to send his murdering monster after the American.

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Tourneur brilliantly films the movie in a split style, dividing between realistic, bland daytime scenes, meant to have an almost documentary feel, and increasingly warped and bizarre nighttime scenes as the curse of the demon moves closer and closer to Holden and it becomes harder for him to mutter the truth of what is occurring. The demon itself is a point of controversy among film students. Tourneur was noted for keeping his horrors hidden, and some people occupy that he never planned to point to the demon at all, but the producer forced him to shove it up front. The appearance early in the film of the paunchy demon might have been an error (it would have worked better to set aside it for the finale), but its materialization at the raze is heavenly amazing and it’s hard to beget that Tourneur wouldn’t have wanted the ending any other blueprint. This is (excuse the pun) one hell of a demon. Designed by Ken Adam (who would later produce the sets for most of the James Bond films, as well as “Dr. Strangelove”), the monster looks like it leaped from the freakiest medieval woodcut representation of Hell. The special effects and sounds accompanying it are also eerie and disturbing.

Andrews is a bit stodgy in his section, but Niall MacGinnis makes up for it with his scene-stealing role as Karswell. MacGinnis is both a bumbling, whimsical British professor (complete with a doting and scolding mother), and a cold-blooded sorcerer — often both in one scene. The ending of the film, intelligent the passing of the runes, is both humorous and incredibly tense, leading to one of the most shapely climaxes in scare films. Peggy Cummins as the cherish interest is delightfully perky and knowing, distinguished more so than female leads in most terror films.

The only extra on the disk is the inclusion of the American cleave. However, the film is in perfect condition, and is finally shown in the novel aspect ration of 1:1.66 (a typical European hide format infrequently seen in the U.S.; it’s halfway between the shape of a TV veil and the typical 1:1.85 that most American movies are shot in today) . “Night of the Demon” is distinguished anxiety film viewing for anyone who wants to understand the development of the genre into its novel build. (And I have to divulge it, that’s one helluva demon!)

There is really only one thing significantly unpleasant with the 1957 awe classic “Curse of the Demon” is that the producer insisted the “demon” had to effect its appearance at the beginning and ending of the film. The better go would have been to leave the appearance of the monster up to the audience’s imagination as director Jacques Tourneur intended, but you know producers. Smooth, “Curse of the Demon” (originally released in England as “Night of the Demon”) is a colossal apprehension film. The film is based on “Casting the Runes” by M. R. James, with a literate screenplay by Charles Bennett and Hal E. Chester. The tale deals with a curse cast by an bad magician, supposedly based on the self-proclaimed English sorcerer Aleister Crowley. The tone for the film is amply established in the opening sequence where a vexed Professor Harrington (Maurice Dehnam) comes to the home of Dr. Julian Karswell (Niall MacGinnis) . Harrington the scientist had led an show of Karswell’s devil cult and made the mistake of telling the sorcerer “Do your worst.” Now he wants Karswell to call off the demon, but, of course, it is arrangement too unhurried for that now.

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The protagonist in this narrative is Dr. John Holden (Dana Andrews), a renowned American psychologist who comes to England to wait on with the investigation of the cult. Holden does not gain in the occult, but then Karswell slips him a parchment marked with runes and learns the rules of our itsy-bitsy game: whoever holds the parchment will die on an appointed day UNLESS they can pass it on to a WILLING recipient. Sounds like spacious time fun, factual? Holden tries to own on to his skepticism, but in due course he becomes a good believer. Allied with Joanna Harrington (Peggy Cummins), daughter of the behind professor and Holden’s positive romantic interest in the film, the pair try to turn the tables on Karswell.

The star of this film is Karswell as portrayed by Niall MacGinnis, who manages to give nice shadings to his villain. When Holden first meets the man trying to destroy him at Lufford Hall, Karswell is dressed up as Dr. Bobo the Shapely consuming the local orphans. He even gives Holden a chance to recant his disbelief and when the psychologist becomes even more insulting Karswell summons a cyclone to hold the American down a peg. One of the best sequences involves Holden breaking into Lufford Hall only to be attacked by the wizard’s demon familiar. Andrews manages the passage from disbelief to thought and panic adequately, but Karswell steals every scene. Even with the cheesy monster, “Curse of the Demon” is a classic anxiety film featuring a first rate script, solid performances, and artful direction. This may well be the proverbial best terror film you never heard of.
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