Archive for the ‘In the Heat of the Night’ Category

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Mercredi, avril 28th, 2010
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Movie Title: In the Heat of the Night
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Sidney Poitier and Rod Steiger almost region the conceal afire in this film that deservedly won the Academy Award for Best Characterize in 1967. Superbly directed by Norman Jewison, the movie brings us into deepest Mississippi one summer midnight, when a northern industrialist with plans to accomplish a unusual factory is found murdered in the middle of Sparta’s main street. At the same time, Virgil Tibbs, a murky detective from Los Angeles, is waiting at the dwelling for the converse that will assume him assist home from visiting his mother. This being Mississippi, and a sad man out after shadowy, it must have been the gloomy man who committed the assassinate, upright? Tibbs is hauled into the sheriff’s office and brought face to face with Bill Gillespie, the epitome of every redneck law officer south of the Mason-Dixon Line. Gillespie’s reaction to Tibbs is first contempt (this is a unlit man after all), suspicion at his tubby wallet (”Boy, that’s more in a week than I fabricate in a month, now where did you procure that? “), and finally shock, when Tibbs hurls the response into his face, “I’m a police officer.” Gillespie is further tremulous to realize that Tibbs’ contempt for him is at least as astronomical as his for Tibbs, when he hears Tibbs telling his superiors over the phone “They got a slay on their hands, they don’t know what to do with it.” Tibbs’ boss volunteers Tibbs’s services as a homicide expert to Gillespie, who doesn’t particularly want to obtain, but he doesn’t have noteworthy of a choice; the industrialist’s widow says if her husband’s cancel isn’t solved and lickety-split, there won’t be any factory anywhere. The resulting reluctant partnership between the two men is a pairing unlike any seen on screen; they resent each other but they can’t solve the crime without each other; Gillespie needs Tibbs’ expertise, and Tibbs needs Gillespie’s protection from the local rednecks who want him insensible. The movie wonderfully evokes the atmosphere of a dinky town in the deep south, the abject poverty in which most of the blacks in the spot lived, and the attitudes of the whites in town that made it unsafe for any shaded man to stand mammoth as a man. At the movie’s destroy, Gillespie hasn’t changed his views about blacks, but he has arrive to respect Tibbs as a lawman and as a human being; and Tibbs comes to realize that inside of Gillespie’s hardshell racist attitudes is a decent man struggling to expose himself. The acting, the directing, and above all, Quincy Jones’s resplendent win, made this one of the best movies of the 1960’s and for years beyond.

“In the Heat of the Night” excels not only because of the anecdote but also because of a composite cast that works so well. The acting is sometimes over the top (as the director admits during the DVD commentary), but such shenanigans fit in this type of film. Multiple viewings relieve in the plan of how detective Virgil Tibbs (Sidney Poitier) unravels the mystery of who killed the rich Northerner in a Southern town. Though somewhat dated because of the racist subject, it level-headed holds together as a who-done-it and deserved better recognition from the American Film Institute when that group named its 100 best films of the century. Among that Top 100 was another 1967 Poitier film, “Guess Who’s Coming To Dinner,” which does not beget up well today. And for the characterize, Poitier was likely overlooked by the Academy Awards here because he starred in three box office bonanzas in ‘67, the third being “To Sir With Savor.” Instead, the Oscar went to ‘Heat of the Night’ co-star Rod Steiger. As for the DVD, there are some visible scratches in the film, and there is only a commentary track with no other extras. A “making of” documentary would have been nice, but the four-person commentary (director Norman Jewison, cinematographer Haskell Wexler and actors Lee Grant and Steiger) serves well. This one is worth owning for the extreme impress attached, although the video transfer and packaging could have been handled with more repect. It deserves it.
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