Archive for the ‘What's Up, Doc?’ Category

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Stream What’s Up, Doc? Movie Online

Jeudi, août 5th, 2010
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Movie Title: What’s Up, Doc?
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WHAT’S UP DOC? is a “Streisand” movie, but the supporting players are just as much responsible for its success. I echo the previous reviewer and dare you to take your eyes off of Madelaine Kahn as Eunice. (”Eunice? That’s a person called Eunice?”) She is absolutely hilarious as she counts to ten, badgers fiance Howard Banister (”as in ‘up the…’”), and reads “A Woman’s Guide To Sex” in bed — a hilarious character moment.

The script by Buck Henry is full of little comic gems of lines. One of my favorites:

“Has anyone ever told you that you’re very sexy?” “Well actually, no.” “They never will.”

Streisand is gorgeous with her long hair and tanned body. Ryan ONeal is very good as a bewildered musicologist. Streisand gets a great singing moment perched on top of a piano as she seduces ONeal with “As Time Goes By”.

There are so many funny moments in this film: the chase through San Francisco, the courtroom scene at the end (”First there was this trouble between me and Hugh.” … “You and me? ” .. “No, me and Hugh.” … “Stop that! Make him stop saying that! “) and of course, Streisand in the towel out the window.

This is truly a funny, madcap kind of old fashioned movie. I highly recommend it. Let’s hope for a crystal clear DVD version that includes all of those hilarious Bogdonovich outtakes — are you listening out there?

WHAT’S UP, DOC? has to stand as one of the finest remakes of a great original ever made. By and large, remakes of classics are profoundly stupid. Although the remakes virtually never match the originals (and admittedly this one is no exception), most are merely pale imitations. Although this one does not come close to supplanting BRINGING UP BABY, it nonetheless manages to bring enough originality to make it utterly delightful. Ever since I first saw it, it has remained my favorite Barbra Streisand film, and is delightfully kooky in a way completely different from the way that Hepburn is kooky in the original. Ryan O’Neill is indeed a pale imitation of Cary Grant, but then, who wouldn’t be? But Madeleine Kahn, on the other hand, is a remarkable addition to the storyline. This was, for all practical purposes, her film debut, and she makes the most of it.

This was director Peter Bogdanovich’s second hit film in a row, following his marvelous THE LAST PICTURE SHOW. The next year he would make PAPER MOON, and for all intents and purposes he seemed to be the next great American director. But then for whatever reason his gifts seemed to desert him, and while he has occasionally reemerged with a decent film, he has never managed to reascend to the level of these three films. He has, however, managed to write a great deal of film criticism, along with one of the greatest collections of interviews with directors ever published. But in this film his direction was fine, and if the comedy towards the end sometimes seems less screwball than Keystone cops, I find it easy to forgive him.

I repeat that this is my favorite Barbra Streisand film. I know people are divided on her looks, but when I look at her in this one, I think she is remarkably beautiful, and her personality is so infectious that she manages to dominate the screen every second she is onscreen. She was so superb in this film that I wonder why she didn’t try to undertake similar parts in the future. She did the follow up to FUNNY GIRL, but she never really tried anything this goofy again. It’s a tremendous loss, because she obviously excelled at it.

I’m surprised at how well this film has aged in thirty years. Sometimes you go back and see a film two or three decades after you first saw it, and it can be shocking how aged it appears. I had that experience with both TOOTSIE and ROXANNE, and both now seem hopelessly outdated. But this one, despite the early seventies clothes and decor, remains truly fresh.
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