Buy Evita Blu-Ray
Vendredi, juillet 23rd, 2010
I unbiased purchased this DVD and I remembered instantly why I enjoyed this film so considerable when it came out. I would unbiased like to retort some of the critiques listed here.
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1) The character of Ché was always meant to be a nemesis to Evita, but not the steady character as such . In the stage production that I saw, it was a man with the typical beret and machine gun singing to the side of the action. It would have been ridiculous and historically unsuitable to describe Ché as such in the movie version. Ché Guevara was serene a medical student when Eva died. I judge it is very effective to blend Ché into various characters because it represents the calm and not so peaceful opposition to the Perón Revolution. The only time the two characters meet for accurate interaction is when Evita is having delusions. The song argued in that moment perfectly clashes Ché’s “idealism” with Evita’s “realism.” Ché is always there in some develop, yet Evita is oblivious to his presence, brushes him off with a snappily lyric or purposely chooses to ignore him. This adds a metaphysical dimension to the state as if Evita were increasingly self-justifying her growing power as a simple tool to back the impoverished.
2) The soundtrack to the movie is not an operatic stage version but the songs are presented using the operatic techniques of repetition. This was done on purpose, not due to a lack of creativity.
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3) When I saw this off off broadway, the people that were with me were straining to understand the singing beside the fact that they had no conception about the history of post WWII Argentina. I don’t believe they enjoyed it as noteworthy as they wanted to let on.
4) Madonna sings very well and is completely understood. I had the argument with some friends that heard the soundtrack and opinion she was singing off key on the last couple of tracks… Ummm. Not really. She was about ready to pass away in those scenes which in the movie are close-ups. It would have been ridiculous to have anyone belt out the lyrics in such an intimate moment before passing on. It sounds like she is dying, because she is…
5) The cinematography is simply wonderful. The funeral scene at the very beginning was amazing as well as the scene where Eva puts her foundation to work. Pictures of the true Evita meeting the Pope and others perfectly match the costumes broken-down in the movie.
6) For me, the main focus of the movie is the strategy of propaganda and how it can dominate reason. The mystery lies in how worthy of the persuasion was authentically from the heart of the Peróns and how remarkable of it was naked manipulation. The movie captures both aspects and yet leaves them unanswered…Powerful like the historical analysis of Eva Perón.
This movie is an awesome production …
Boy do people miss the point on this movie. You can’t exhibit a movie like a broadway expose. Everytime this has been attemped, historically, the results are abominable, most adaptions of illustrious shows are only OK at best, some are dreadful. The medium is totally different, the demands are different, the singing is different, the acting style is different. Yes, the shows usually are “better”, in a sense, that’s how it was originally written, as a stage play. You have got to really change things to beget a successful movie.
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So how pleasant an ADAPTION is this? Very great indeed. The chronicle was changed to very effectively fit the medium. Madonna stretched herself unbelievably to do this role, and I mediate she did very well. You may quite validly take the stage version of Evita (I like both), but its almost like apples and oranges. As marvelous as Patti Lupone and Mandy Patinkin were, they would, if they played it the same intention anyway, reach off mannered and absurd in a movie context. All the conventions of the stage would be funny. (unless it was simply, of course, an trusty filmed stage production) . On the other hand, Madonna and Banderas are not nearly strong and polished enough for a stage. Most of the changes (a few I don’t understand), beget a lot of sense, when you deem how a movie has to waddle.
As for this movie not being deep or historical, its a musical for Pete’s sake, not “Saving Private Ryan.” I don’t know enough about Eva Peron to really say, but I don’t leer how you could prove a steady historical drama in a musical context. I judge the spot is people don’t like or understand opera, which this essentially is. Most of the vast operas have ludicrous myth lines! Also if you are going to go in luminous you “dislike” musicals, “detest” Madonna, then elegant, this is not to your taste. Banderas is not a polished singer, but his rough edged singing is very absorbing and effective in this context.
The cinematography, costumes are outstanding, and support the anecdote well. Only as the dying Evita, do I gain Madonna not very believable. I judge Evita is thrilling, its one of my common movies of modern years.
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I adore the note Evita, and I care for this too, but in a very different intention.
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