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First off, let me unprejudiced say that I am a fan of the “Underworld” franchise and I do assume that Kate Beckinsale is one of the most pleasing women on the planet. Plus, I am also a sucker for tales about vampires and werewolves. That said, this newest installment of the franchise “Underworld: Rise of the Lycans” doesn’t have the previous two films’ director, (although Len Wiseman peaceful has credits for the memoir) and the absence of Beckinsale is of course to be expected (she is also married to Len Wiseman) considering that this film is a prequel and has taken set before Selene’s timeline. Seems like Hollywood have listened to the “cries” of die-hard fans of the franchise, and delivered a fun installment in a gothic period.

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In an undisclosed time in the past, the coven of vampires ruled the land, using slaves in the earn of Lycans to protect their empire. Lucian (Michael Sheen) may well be the first Lycan to be able to turn into human invent at will, and for reasons of his contain, vampire leader Viktor (Bill Nighy who reprises his role from the first film) decides to spare him and preserve him as his “favored” slave. However, things salvage a runt complicated when Lucian develops an undying care for for Viktor’s daughter Sonja (Rhona Mitra) and dreams of freedom for his Lycan brethren. Now, the lines have been drawn, and the war between Vampires and Lycans is about to initiate….

Patrick Totopoulos is now in the helm as director of “Rise of the Lycans” and while I’m not very familiar with his work, I have to say that Totopoulos does know how to execute an effective monster feature. The werewolves looked very defective and feral, even downright dirty, while the vampires have those blue contact lenses and wears appreciate medieval armor. The screenplay does conclude good to the mythos of the recent, but it also nicely blends hyper-kinetic violence, with a Shakespearean “Romeo and Juliet”, medieval backdrop in quite a unusual fantasy film about the roots of the struggle between the mythological creatures. This prequel does steal a life of its possess, and while fans are in very familiar territory, the film doesn’t exactly alienate original viewers.

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The filmmakers does pause within the style and feel of the unusual film with the dusky cinematography, bluish muted color schemes and the action sequences carry quite a bit in blood and gore elements–and those scenes are nicely placed. The action in “Rise of the Lycans” consists mostly of swordplay–beheadings are aplenty, limbs are torn and bodies are mutilated. Amid the CGI generated site designs, I was somewhat tickled that this prequel didn’t exactly earn upon the franchise’s past mistakes but it develops a new angle on the “Underworld” mythos. There are familiar characters to be seen in the film, and there are subtle hints of things to advance. The film also enforces a gothic element that wasn’t fully realized in the first sequel, and the screenplay does give room for its performers to have touches of melodrama, complete with very wintry, glum posturing.

I supposed the film’s main strength will have to reach from the effective performance of its cast. Michael Sheen and Bill Nighy does give a very heartfelt performance. Their chemistry as leaders of opposite sides are very nice to be privy to, as their interactions reveal to be the film’s central focus–a salubrious depart by the director since it proves to be a credible space procedure to score the franchise’s established formulas and romantic tragedies’ groundwork. Rhona Mitra is a refreshing presence and proves convincing enough as Sonja, the one major catalyst for rebellion of the Lycans. Of course, fans of the franchise knew exactly what happened to her, and the film honest fleshes out her relationship between Lucian, her father and the other vampires.

The film also touches on the vampires relationship with the humans living during this time, and as to how the humans managed to become the dominant species in our reveal time. The Vampires coven’s “Death Dealers” were supposedly the guardians of the human populace, who protect them from the beastly werewolves. Apparently, werewolves are those infected with no ability to change aid to human beget, and in this manner the commentary on social site is reinforced. Werewolves are to be killed on discover while Lycans are traditional as slaves. There is also some commentary on the politics of this mythical world, vampires rule, Lycans succor and humans provide silver. Werewolves are the outcasts. The vampires would do anything to contain onto their power disagreeable.

“Underworld Rise of the Lycans” may indeed be better than “Evolution” and the film does succeed as being a passionate period dismay adventure. There is very little window of opportunity to further invent on its mythos and it does do so quite well. The film’s weakness may well be that being a prequel, it is difficult to offer that many surprises, if there are any at all. The film is a fun experience and highly consuming to fans and even to those not familiar with the franchise. “Underworld Rise of the Lycans” is a bloody, stylish, visceral, melodramatic installment to further acquire the war between vampires and werewolves. It awakens the senses that this franchise is very grand alive, and left me wanting more.

Recommended! [4- Stars]

Seeing unusual movies these days is a challenge with a very active toddler. When Valentine’s Day came around, we dropped our son off with my parents and I let my wife grasp the movie. She of course picked the “vampire movie.” Which is why I like my wife.

As a mammoth fan of Kate Beckinsale and the World of Darkness role-playing game, the Underworld series mercurial became a celebrated. It featured mammoth budget special effects, lots of PVC and leather, and plenty of pouty vampires. It also featured a battle between vampires and werewolves, a idea that was so prominent in White Wolf’s World of Darkness series that it sparked a lawsuit.

Despite the lawsuit, Underworld continues to forge its maintain path, such that it now has prequels. You know your movie franchise has made it when executives are willing to pay to obtain what is essentially a history book. Fortunately, this bit of history is actually worth watching.

Werewolves and vampires have always been a bit of a mixed bag in Hollywood. The fact that Dracula could turn into a wolf seems to be one of the less plausible aspects of vampirism that were dropped in favor of the Ricean pouty goth. Thus the ability to transform into a wolf is exclusively the domain of the werewolf. But it wasn’t always this procedure.

The vrykolakas, draws its name from “vryk,” meaning “wolf” and lakas, meaning “fur” in current Slavic languages clearly meant “werewolf.” Vrykolakas in other countries, however, is stale to narrate vampires. This is because of the aforementioned ability of a vampire to turn into a wolf, which can be strictly interpreted as meaning that all vampires are actually werewolves.

Underworld: Rise of the Lycans turns this confusion into a state. In short, vampires and werewolves are descended from the same bloodline, but the vampires have risen to the role of aristocrat while werewolves are slight more than beasts. Or at least, that’s what the vampires acquire. To that slay, Viktor (Bill Nighy) the vampire lord treats domesticated werewolf Lucian (Michael Sheen) as his foster son, giving him blacksmith duties that ensure werewolves don’t transform with inward-pointing spiked collars. But Viktor’s benevolence has limits, and when he discovers that Lucian is having a dalliance with his daughter Sonja (the luscious Rhona Mitra, who quiet isn’t quite Beckinsale but comes exquisite darn discontinuance), he teaches Lucian a poor lesson. What Viktor underestimates is the kinship that Lucian has with his wilder brethren, a kinship that will spark class warfare.

Rise of the Lycans is basically what you rep when you give a serious goth injection to the elves from Lord of the Rings, rehash the area from Romeo and Juliet, and seize the feudal way of vampires and their human “cattle” from the World of Darkness series. Nobody speaks in contractions. Everything is viewed through a unlit blue lens. And lots of limbs earn hacked off.

The valid legend here is the werewolves. It’s their class struggle, after all, and the movie never shies away from the dire consequences of the characters’ actions. There is a high enough body count on both sides to execute Shakespeare proud.

Vampires. Werewolves. Vampires and werewolves killing each other. Two star-crossed lovers ride by their family allegiances and the curse of their blood. What more could you ask for in a Valentine’s Day date movie?

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