Streaming The Bourne Identity Online
Lundi, août 2nd, 2010 |
Streaming The Bourne Identity Online.
Movie Title: The Bourne Identity The Bourne Identity is available for streaming or downloading. |
First, I rate the MOVIE Bourne Identity and the older Collector’s Edition DVD both as 5-star. I expected the Extended Edition DVD to include all in the older Collector’s Edition DVD AND MORE. What you get with the Extended Edition DVD is a FREE TICKET (EXPIRES AUGUST 8th) to MOVIE Bourne Supremacy and a weaker DVD release that is largely a promotion for the new movie.
Buy,Download, Or Stream The Bourne Identity! Click Here
What you LOSE (Extended Edition DVD versus Collector’s Edition DVD):
an extended farmhouse scene; DTS sound; Doug Liman’s informative Director’s Commentary track.
Buy,Download, Or Stream The Bourne Identity! Click Here
What you DO NOT GAIN (Extended Edition DVD versus Collector’s Edition DVD):
the SAME alternate ending IN ROUGH, GRAINY QUALITY as in the deleted scenes of the Collector’s Edition; the SAME deleted/extended scenes (except for the ADDED alternate beginning noted below and the OMITTED farmhouse scene noted above); the SAME Extreme Ways music video by Moby and the SAME DVD-ROM access to web site; no featurette whatsoever providing director Doug Liman’s comments. (Did Liman tick off producer Frank Marshall or did he want to distance himself from this so-called upgrade by Universal?).
What you DO GAIN (Extended Edition DVD versus Collector’s Edition DVD):
a FREE TICKET (EXPIRES AUGUST 8th) to Bourne Supremacy movie; pain-in-the-arse indirect PLAY THE MOVIE via a Play SUB-menu to select theatrical vs extended version that STILL forces you to use MANUALLY your DVD player’s ANGLE button WHEN THE ALTERNATE ANGLE ICONS APPEAR ON YOUR SCREEN to access the bookended alternate beginning/ending version (both footages in UNFINISHED QUALITY that somewhat compromise the vendetta premise of the Bourne Supremacy); Special Features includes these SAME UNFINISHED alternate beginning and ending in isolation with producer Frank Marshall’s mea-culpa that this less-than-explosive footage was a post-production C-Y-A due to 9/11 that test audiences ultimately bounced anyway; some worthwhile featurettes regarding Robert Ludlum, CIA practices from retired CIA operative/film consultant Chase Brandon, and a real psychologist’s profile of Jason Bourne; a worthless transition promotion fluff to the Bourne Supremacy movie.
VERDICT: If DTS sound or Director Commentary tracks matter to you, DO NOT UPGRADE (yeah, right, upgrade); stick with or buy the older Collector’s Edition DVD. If you don’t already own the Collector’s Edition or these factors don’t matter and you intend to use the free Bourne Supremacy movie ticket BEFORE AUGUST 8TH, go with the Extended Edition DVD But shame on you, Universal for your promotional UPGRADE hogwash!!!
I’ll be honest, I haven’t read the Robert Ludlum novel, nor do I remember seeing the original film staring Richard Chamberlain and Jaclyn Smith. So I’m not able to point out differences or inconsistencies, if indeed there are any. Having said that, I can’t imagine its predecessors topping Doug Liman’s version of “The Bourne Identity.” This is the sort of film I like to watch pretty often and each time I find something new to enjoy.
The plot, while nothing very original, provides a useful framework around which we get to enjoy some of the most believable action sequences I’ve seen. Let’s face it, an assassin suffering from amnesia is not going to lead a dull life, particularly not after his “friends” decide he’s gone rogue. There’s only so many ways you can film stunts and action sequences like a car chase but Liman has managed to somehow make the many action scenes seem fresh. I particularly liked seeing what looked like a mini-minor out driving the police using skill and good planing, rather than a high-powered engine or death-defying jumps.
Most of the movie follows Jason Bourne, (Matt Damon), as he tries to reclaim his life and survive to see each new day. In this way, the audience is allowed to discover the pieces of the puzzle along with him. On the way he forms an unequal partnership with Marie Kreutz, (Franka Potente). It is good to see a female lead portrayed without either weakness or an unrealistic macho streak. Hopefully, this film will launch Franka’s Hollywood career because she has more than earned her stripes in German cinema.
Jason and Marie inevitably bond but despite not taking a major part of the narrative, I felt their stop-start romance suited the film. Perhaps a woman with no home makes a good match for a man with no past. I also liked the several times the couple tried to split up, to get Marie out of Bourne’s troubles but I especially liked the realism when they finally managed to part. The plot really doesn’t need her but it seems Liman used Marie as a means of reminding Bourne that there is more to life than survival.
To some it would be nice to wake up one day and discover you were a sort of superman; able to speak half a dozen languages, had tens of thousands in a Swiss bank account and could out-fight Bruce Lee. His boss said it best when he described Jason as a $30,000,000 weapon. But more than advanced skills, Jason was gifted with intelligence and the experience of years of spy craft, even if he couldn’t remember it. The thoughtful approach taken to achieve each objective, even on the spur of the moment, made the film almost educational. Hey, read a map before running from the police, use distraction and decoys to sidetrack you opponent, use the resources around you and think laterally. It’s all good stuff for budding spies.
While Matt Damon played the part with little emotion, deliberately I assume, some of the smaller roles were outstanding. Each seemed to wring so much depth from so few minutes of screen time that I felt like watching a spin-off movie for each of them. Probably the most affecting was the performance of Clive Owen, a fellow assassin who dies describing his constant headaches and bitter loneliness. Also of note is Julia Stiles, the overworked safe-house administrator; she exudes competence while complaining of limited resources. All of these performance gems must be a credit to Liman’s direction.
It would be easy to dismiss “The Bourne Identity” as just another action flick. The action was great, but the true heart of the film was Jason’s odyssey to reclaim his soul from the depths of a CIA black-ops hell. He used to be an amoral machine, doing his job without questioning the rightness of his work, just like the rest of them. But amnesia gave him the chance to step back from the abyss and evaluate his fate, eventually choosing to tear a new path into the future. The moral? Perhaps it’s that “freedom” is more important than “patriotism.”
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