Watch The Dreamers Movie Online
Jeudi, août 5th, 2010 |
Watch The Dreamers Movie Online.
Movie Title: The Dreamers The Dreamers is available for streaming or downloading. |
…this film is (for the lack of a better word) a dream–a dream you would not willingly want to wake up from. Completely and utterly mesmerizing, “The Dreamers” pays homage to film, Paris, the 60’s, and love. Apart from some of the awkward moments this movie tends to present sporadically, the movie itself was not mired by the abnormalities of some of the main characters. Though, this movie is one of the greatest I’ve ever viewed, it is not for everyone and cannot be readily recommended without reviewing some of the pros and cons I caught.
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CONS:
-First off, if you’re offended, in any way, by frontal nudity from either sex… caution: it contains a lot!
-For some, if the ending is a chief factor in deciding that you like a movie, it is possible you could be dissapointed (it ends in an unlikely manner). But if you can appreciate the ending, it doesn’t hurt the film at all… Maybe people were disappointed by the ending because they didn’t want it to end 
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-If not accustomed to slower-moving movies, based on a load of story depth or the like opposed to action or thiller movies, then it could be a let down.
But the cons are heavily outweighed by the pros…
PROS:
-For film buffs, Bertolucci doesn’t dissapoint. The b/w segments intermingled within the storyline are anything short of genius and, for me, was the most beautiful and spellbinding part of this movie.
-For anti-censorship viewers, this movie could seem to be sent from heaven, because it doesn’t leave much out.
-The acting is on a par with almost perfection, all three main characters are played flawlessly and completely take on the people they are supposed to evoke… Eva Green is especially amazing.
-The soundtrack is excellent as well. The tone that the music sets is completely appropriate and only adds to the dreamy atomsphere of the film; totally reminiscent of the 60’s.
-A perfect representation of Paris in the 60’s; eventhough the film’s centerpoint is the main characters and their relationship with one another, the artist’s home of Europe couldn’t be portrayed to be more gorgeous (with the exception of the student riots in foreground).
It is difficult to stop thinking of this movie, even between viewing other movies… if I could i’d give it six stars.
Bertolucci’s revolutionary film takes place in the tumultous summer of 1968 in which a young American, Matthew (Michael Pitt) has come to Paris to study French. He becames a cinephile and a frequent patron of the Cinemateque Francais, the breeding ground for the New Wave movement. Shortly after the firing of Langlois, he meets fellow cinephiles Isabelle (Eva Green) and Theo (Louis Cassel) and scores an invitation to dinner.
That’s how it begins, but this movie isn’t linear and it cannot be deciphered merely by the order of events. Quite frankly, I was amazed by Fox Searchlight releasing what may be one of the most revolutionary and sexually progressive films of recent years. In the streets, the young and old found their revolutionary voices in 1968 and fought to institute governmental changes, but inside this chic apartment another revolution is taking place as well only this one involves fewer persons.
Matthew is clearly enamored of Isabelle and Theo (though this latter relationship isn’t as developed as in “The Holy Innocents”, which I found took away from the storyline) but he is not transfixed by them. He realizes that though they observe the world, they purposely keep themselves outside of it. Theo’s father correctly observes early in the movie that to understand the world and change it, you have to become part of it. This is a lesson Matthew is constantly aware of and tries to pass on to his new friends. The first inkling of how grounded he is in this reality comes with the Zippo scene (my favorite) in which his casual observation of how a simple lighter fits into every possible place. Life allows us to fit into many possible spaces as we constantly change and constantly search for the ideal spot, but the cosmic lesson in it is that we will fit into them and consequently, will fit ideally into the one we pick out. We must allow ourselves to inhabit the spaces and become part of them in order to test the waters all the while and we do this by leaving the comfort of our original spot and become part of the overall world.
The sexual relationship between Isabelle and Matthew was passionate, realistic and completely believable. We live in very hypocritical times where nudity has become more taboo than violence and it was a pleasure to see young people making love with all of the intimate gestures that take place between lovers. It obviously takes a great director to pique our cinematic memories and remind us that it takes two nude bodies to make love. The nude scenes between the brother and sister were a bit troublesome to the audience I saw this movie with, but the incestual nature of their relationship in the book has been erased. To me, they just seemed dangerously, asphixiatingly bound to each other, the nudity being just part of said obsession.
All three actors do a fine job, but it takes a brave director to end a film with a police action about to take place to the sounds of Edith Piaf’s “Je Ne Regrette Rien”. Bertolucci understands his young protagonists and knows the many errors they will continue to commit before they pick and choose what is right and what is wrong because he has been there himself. And he regrets nothing. We should all be so lucky.
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