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Film Noir Classic Collection, Vol. 2 (Born to Kill / Clash by Night / Crossfire / Dillinger (1945) / The Narrow Margin Streaming. Movie Title: Film Noir Classic Collection, Vol. 2 (Born to Kill / Clash by Night / Crossfire / Dillinger (1945) / The Narrow Margin Average customer review: Film Noir Classic Collection, Vol. 2 (Born to Kill / Clash by Night / Crossfire / Dillinger (1945) / The Narrow Margin is available for streaming or downloading. Click Here to Stream or Download Film Noir Classic Collection, Vol. 2 (Born to Kill / Clash by Night / Crossfire / Dillinger (1945) / The Narrow Margin

I had the privlege of borrowing this boxed set from a critic-pal of mine, as it hasn’t hit the street yet. My copy is already on order.

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After delivering one of the best boxed sets of 2004 with their first FILM NOIR COLLECTION, Warner Brothers once again hits the bell with a gorgeous collection of 5 stellar noirs, with great transfers and beautiful packaging.

Noir hero Lawrence Tierney stars in two entries here, the underrated BORN TO KILL, and the rarely seen Monogram programmer DILLNGER. He had an amazing screen persona, which makes it doubly sad that his personal problems put the kabosh on his screen career. But in these two films, he is at his best, especially in his breakthrough role in DILLINGER, which most certainly is a hard-boiled film noir that had to be made at B-studio Monogram, because the major studios weren’t allowed to “glorify” criminals in that era.

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My favorite film in the pack is Richard Fleischer’s THE NARROW MARGIN, which moves along at a break-neck pace, and is presented here not only in a sparkling print, but with comments on the audio track from the director.

One of the greatest of all directors, Fritz Lang, created a tense and brooding drama of lust and betrayal with CLASH BY NIGHT, boosted by terrific performances by noir legends Barbara Stanwyck and Robert Ryan, and an early, but memorable performance by Marilyn Monroe who looks as magnificent as ever.

Last, but certainly not least, is the heralded classic CROSSFIRE, with Robert Mitchum and Robert Ryan, in a smoldering tale that deals with hatred, murder, and anti-Semitism. This was a breakthrough film, and comes with a great commentary track that features comments from its late, great director Edward Dmytryk.

No serious cinephile will be disappointed in this splendid collection.

The first set of the Film Noir Classic Collection was chock full of great movies, so I was naturally looking forward to the second set. Volume 2, happily, is also a good collection, not quite at the par of the first set but still with five decent-to-great movies. And if they play a little faster and looser with the definition of film noir in this set, that doesn’t deprive the collection of its value.

First viewed (I tried watching them in chronological order) is Dillinger, a fictional biography of the real-life criminal John Dillinger. This movie stars Lawrence Tierney as the title character, a generally cold-hearted killer who is a cunning bank robber. For those most familiar with Tierney from his role as a crime boss in Reservoir Dogs, this is a showcase for the actor in his prime. The movie itself is more of an old-fashioned gangster movie (similar to the ones in the Warner Gangster Collection) than a true noir movie, but it is nonetheless good, though too much the B movie to be great.

Second is Crossfire, a more true noir film dealing with anti-Semitism. Starring three Roberts - Ryan, Young and Mitchum - it gets somewhat preachy towards the end which makes it merely good instead of great. Although the focus of the story shifts from character to character, the true star is Ryan as a hateful psychopath. Mitchum is good but underutilized and Young is competent but relatively boring.

The gem of the collection is Born to Kill, with Lawrence Tierney and Claire Trevor in a tale of classic film noir complete with femme fatales, murder and plenty of shady characters. Tierney plays a man on the lam after killing his girlfriend and her date (an ill-conceived attempt to get Tierney jealous). Soon he meets Trevor, but finding her engaged, woos and marries her wealthy step-sister. That doesn’t stop Trevor and Tierney from their own star-crossed romance and soon enough there is more death. Directed by Robert Wise (also responsible for The Set-Up, and in other genres, The Day the Earth Stood Still, West Side Story and Sound of Music), this is one of the classics of the noir genre.

Almost as good is Narrow Margin, the one movie with lesser stars such as Charles McGraw and Marie Windsor. The story is about a cop escorting a reluctant witness on a train ride from Chicago to Los Angeles; also aboard the train are killers who don’t know what the witness looks like, but are certain that McGraw is protecting her. This leads to mix-ups and plot twists that are ironic but rarely comic. This is one of the great “train thrillers,” a neat sub-genre that includes such classics as The Lady Vanishes and North by Northwest.

Finally, there is Clash by Night. Although the use of lighting and dialogue is noirish, this movie is not film noir but rather a soap opera with a romantic triangle of Barbara Stanwyck as the woman with the past, Paul Douglas as her benevolent but rather simple husband and Robert Ryan as the callous friend who insinuates himself into her life. Marilyn Monroe has a small role but as always, steals her scenes. Playing her boyfriend is Keith Andes, a guy who was supposed to be the next big thing but never made it.

All the discs come with commentaries that are often illuminating. Born to Kill and Narrow Margin are five-star flicks; the others are four stars. That averages to 4.4, but I will round up because of the extras. Even if these are not all truly film noir, this is a great collection and well-worth the viewing if you enjoy classic movies.

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Watch Fender Presents: Getting Started on Acoustic Guitar — A Guide for Beginners Movie Online. Movie Title: Fender Presents: Getting Started on Acoustic Guitar — A Guide for Beginners Average customer review: Fender Presents: Getting Started on Acoustic Guitar — A Guide for Beginners is available for streaming or downloading. Click Here to Stream or Download Fender Presents: Getting Started on Acoustic Guitar — A Guide for Beginners

This DVD has clear instruction, starts with the basics, gets a beginner launched correctly. No other DVD I’ve seen has looped backing tracks. The professional drums and bass (not midi imitations) allow you to play with a “band,” and they loop, so you can work on a chord progression or solo technique over and over until you get it. I have tried the other DVDs - I unfortunately own them - and I can tell you that this one (and it’s electric counterpart) are the most professional, effective, well-presented beginning guitar lessons available on DVD.

This DVD, as well as the electric guitar version, are among the most well-produced and pleasant to watch videos on the subject (A lot of the other instructional videos I have seen are poorly produced and photographed). There is over three hours of material, much more than most videos. Keith Wyatt is an excellent instructor and communicator and I enjoy his presentations. While I agree with a previous reviewer that this video is no substitute for guitar method instruction, it is an excellent tool for getting new players started playing songs, and is much more fun than using typical guitar method books which include a lot of playing scales and the other not very enjoyable exercises. This DVD is well worth the price!
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Streaming Dr. Strangelove Or How I Learned to Stop Worrying and Love the Bomb Online. Movie Title: Dr. Strangelove Or How I Learned to Stop Worrying and Love the Bomb Average customer review: Dr. Strangelove Or How I Learned to Stop Worrying and Love the Bomb is available for streaming or downloading. Click Here to Stream or Download Dr. Strangelove Or How I Learned to Stop Worrying and Love the Bomb

…Kubrik masterminded Dr. Strangelove, loosely basing the movie upon the book “Red Alert” (the book is a completely serious Cold War nuclear war scenario, but Strangelove is a complete and total farce). “Strangelove” came out a year or two after the Cuban October missile crisis, a year after US President John Kennedy was assassinated as well as 2 other contemporaneous films, the brilliant and paranoid “The Manchurian Candidate” and the serious treatment of the same book, “Fail Safe.”

Kubrik originally set out to do a serious treatment of the book. But Kubrik found as he tried to develop the screenplay that he kept running into scenes that he ended up writing as satire. Recognizing the challenge, Kubrik enlisted the talents of one of the best comedic screenwriters in Hollywood, Terry Southern, to do the screenplay.

Casting the film was part genius and part hit-and-miss happy accident. … Somehow Slim Pickens’ name came up and Pickens accepted the role of the B-52 bomber pilot. Even more ironic yet, Slim Pickens was more conservative than Dan Blocker, but Pickens never caught on during the film’s production that Dr. Strangelove was a comedy, much less a satire and a farce unsympathetic to the official propaganda of the cold war.

In of itself, it was a comic master stroke telling Pickens play the role seriously. Pickens was apparently no great wit, so Kubrik was able to keep Pickens completely unaware that Pickens was actually playing in a comedy, not a serious war movie (one can only assume that the humor of the situation was not lost on the other cast members, including James Earl Jones who played Capt. Kong’s bombardier.. “Don’t tell Slim this is all a big joke, we have to let him think this is a real war movie.” ).

Other than Peter Sellers’ roles, George C. Scott (later in “Patton”) and Sterling Hayden delivered memorable performances. Both were obviously instructed to play their roles “over the top.” Kubrik instructed Scott to overact the role of the cigar-smoking, gut-slapping, martini-drinking & womanizing General Buck Turgidson (get it? Turgid-son?). In the scene in the war room where Turgidson exuberantly proclaims the spectacle of a B-52 bomber evading radar by hedge-hopping, Kubrik instructed George C. Scott to deliberately overact the part. Kubrik had Scott re-take the scene several times, asking Scott to make it even more over-the-top than before. On the last take of that scene, Scott practically performed it as a burlesque parody, which was of course, the final take that Kubrik actually used.

Sterling Hayden delivered a brilliant performance as the psychotic Brigadier General Jack D. Ripper, the Air Force general who unilaterally orders the nuclear strike against the USSR. The confusion of Cold War paranoia, paranoid psychosis and false sexual power in Hayden’s scenes is the blackest of black satire. Totally over the top, ludicrous and frightenlingly possible (what if one of your top military brass really went insane and over-rode all the safe-guards against nuclear war?). The insane babblings of General Ripper set the film’s direction and act as its centerpiece, delivering both Kubrik’s satire of anti-communist propaganda and the air of impossible odds for the rest of the film’s characters to overcome that they might somehow avert doomsday.

Peter Seller’s performances as the President, the British officer and Dr. Strangelove (a left-over Nazi scientist) are memorable, Sellers delivers the title role as the deranged wheelchair-bound Nazi scientist who suffers from involuntary palsied “Seig Hiels!” in his right arm. Again sex is the real underlying motive to yet another character and the opportunities for a sexually prodigious post-apocalyptic eugenic world brings the deranged Strangelove to a frenzied outburst of libidinal energy: “Mein Fuhrer! I can vwalk!” But as much as I enjoy Sellers’ roles, they seem overshadowed by the rest of the film’s characters. P>It comes probably of no surprise that the U.S. Air Force refused to assist Kubrik in shooting the movie. Having to choice, Kubrik had to resort to mocking up the B-52 flying scenes and bomber interior cabin scenes as best he could (the bomber interior was apparently such a good replica of the real thing that the FBI launched an investigation into who gave Kubrik such a detailed layout of a B-52’s flight deck). Appropriately, the exterior B-52 flying scenes hold a comic flaw if you look closely enough: In one scene, as the damaged bomber hedge-hops across the Siberian taiga (northern boreal forest), you can see that the underlying shadow of the plane is actually that of a four-engine propellor aircraft and doesn’t match the profile of the overlaid B-52 model.

Suffice it to say, when the movie came out, it was not universally received or even widely understood. It was drummed by political commentators and movie reviewers who found it to be tasteless and sophomoric. The studio was very concerned about the potential a negative backlash from its release (consider that in the same year, the Manchurian Candidate was withdrawn from theaters after Kennedy was assassinated). An internal memo described Dr. Strangelove as “a huge, sick malefic joke” and questioned the wisdom of even releasing the movie at all. After all, the movie starts off with B-52’s and tanker planes copulating during mid-flight refuelings, displays Air Force “Peace is Our Profession” billboards in the midst of a fire fight between the US Army and Air Force security, depicts two Air Force generals as complete sex-obsessed baffoons, one a psychotic and the other a braying ass, delivers a deranged Nazi scientist and finally a cowboy pilot bucking the biggest phallic bronco of his career (never mind blowing up the world).

I can think of few other films whose film makers so defied convention and created a story that really turned conventional wisdom on its head. Dr. Strangelove keeps coming at you as one outrageous scene after another, interspersed with segments of complete straight-faced dead-pan, piling them all on until the fateful end. When Pickins died in 1983, CBS news anchor Dan Rather delivered the obituary replete with the out take of Pickins riding the bomb (Perhaps DeForest Kelley topped that and made good on his threat to have “He’s dead, Jim” engraved on his tombstone….).

There are some things you just can’t live down: Being the face that gets a great closing falling scene that leads to the end of all life on Earth happens to be one of those things. Poor Slim, he’s probably suffering in a purgatory of a Liberal Methodist heaven.

In closing, I have to agree with that long-forgotten studio executive who wrote in the memo: Dr. Strangelove *IS* a huge, sick malefic joke. But it is one of the finest huge, sick malefic jokes ever created, and stands as a film masterpiece. Those who extoll the virtues of this fil

I doubt that you could imagine how much it would pain me to give a single-star rating to an edition of the film I consider to be the singular greatest contribution to the motion picture. However, the new “40th Anniversary” edition of Stanley Kubrick’s Dr. Strangelove, Or: How I Learned To Stop Worrying And Love The Bomb is, unquestionably, requiring of such a rating. Why?, you ask.

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Because about fifteen to twenty percent of the screen image has been removed!!!

If you take a look, you will see that this new “Special” edition of Dr. Strangelove is presented in anamorphic widescreen, with a 1.66:1 aspect ratio. This, as you can find from examining older editions of the film, is the first time the film has ever been presented in such a manner. The reason why (and you may cross-check this with the Internet Movie Database [IMDb] or any book on Stanley Kubrick worth its salt) is because Dr. Strangelove was NOT FILMED in 1.66:1. It was technically filmed with a varying aspect ratio (the reasons for which are still not fully explicated, as far as I’ve seen), but, in general, it was filmed in about 1.33:1.

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So, you ask, how does a film shot in 1.33:1 get presented in 1.66:1? Did someone return to the original negative and uncover material previously hidden from sight, lost on every print and VHS, Beta, laserdisc and DVD copy heretofore released?

NO!

They simply cut off the top and bottom of the screen!!!

Such things are not unprecedented. An extremely similar case is the so-called “panoramic” Gone With The Wind. The film, made in 1939 (before there was anything BUT 1.33:1, the “Academy” aspect ratio), when released in the Panavision/Technorama age of the mid-1960’s was similar chopped and changed to magically become 2.35:1. This edition was released on video and DVD a few times before, finally, it was restored to its original 1.33:1 glory.

Stanley Kubrick was absolutely notorious for his perfectionism and auteur status in the film industry, and I cannot believe that a company proposing to release a definitive “Special” edition of his greatest masterpiece would be so heartless as to unnecessarily delete a good portion of the screen.

Please avoid this new, bastardized Dr. Strangelove, Or: How I Learned To Stop Worrying And Love The Bomb. While the few new extras thereon are of interest, they can easily be seen via rental from the local video store, as suplemental to the last “Special Edition” of the DVD (which, incidentally, clearly states on the back that it is “Presented in the original aspect ratio of approximately 1.33:1″.

Thank you,

Marc-David Jacobs

P.S. For those of you interested in seeing the terrible editing job for yourselves, feel free to go out and rent the new edition and the previous edition and go to seven minutes and forty-eight seconds, which is the extreme tight shot of the B-52’s CRM-114 decoder book. As you will see, an entire line of text on the top, and about one-and-a-half on the bottom are not completely missing.
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The Val Lewton Horror Collection with Martin Scorsese Presents Val Lewton Documentary Movie Streaming. Movie Title: The Val Lewton Horror Collection with Martin Scorsese Presents Val Lewton Documentary Average customer review: The Val Lewton Horror Collection with Martin Scorsese Presents Val Lewton Documentary is available for streaming or downloading. Click Here to Stream or Download The Val Lewton Horror Collection with Martin Scorsese Presents Val Lewton Documentary

This new set from Warner Home Video will contain the exact same titles as the currently sold Val Lewton Collection except there will be a documentary - “Martin Scorsese Presents Val Lewton Man in the Shadows”. The documentary will be available separately for just under twenty dollars for people who already own the other five discs as part of original Val Lewton Collection.

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Val Lewton is not a well known name in the horror genre for most people. Everyone knows about Universal’s reputation in horror during the 1930’s and 1940’s even though, today, most of those early monster films have dated rather badly, though they still retain an atmosphere that makes them worth watching. Lewton came to RKO in the 1940’s and had a very brief output of high quality films. He was pretty much given ready-made titles and his job was to turn a profit for the studio, not make art. Strangely enough, though, he managed to do both and came up with a series of films that retain an interesting psychological aspect even today. Thus he is often remembered as the producer of “the thinking person’s horror films”.

If you haven’t already bought the Val Lewton Horror Collection, wait and get this expanded one. If you have, you can either pick up the documenary separately, or you can just watch the documentary when it premieres on Turner Classic Movies on January 14th at 8PM (EST). From the Warner Press Release: “Scorsese and writer/director Kent Jones take the viewer on a journey into the life and psyche of the man who left his mark in film history through the creation of such timeless thrillers as I Walked with a Zombie, Cat People and The Body Snatcher, to name but a few. The new documentary features insightful analysis, on-screen interviews with Lewton collaborators, and, best of all, an abundance of classic Lewton film clips.”

All of the films in this set are excellent, for reasons described in numerous other reviews on Amazon. The new documentary hosted by Martin Scorsese also provides a nice, atmospheric recap of Lewton’s life and career.

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But be forewarned — the documentary contains a LOT of very serious spoilers for almost all of the best films in this set! So, enjoy the documentary by all means, but do so *after* you watch all the films. Happy viewing!
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Triple Feature: Free Willy/Free Willy 2 - The Adventure Home/Free Willy 3 - The Rescue Movie Streaming. Movie Title: Triple Feature: Free Willy/Free Willy 2 - The Adventure Home/Free Willy 3 - The Rescue Average customer review: Triple Feature: Free Willy/Free Willy 2 - The Adventure Home/Free Willy 3 - The Rescue is available for streaming or downloading. Click Here to Stream or Download Triple Feature: Free Willy/Free Willy 2 - The Adventure Home/Free Willy 3 - The Rescue

When I was young I loved to watch Free Willy with my grandmother. I thought I had grown out of it, but I fell in love with it all over again. It doesn’t matter what age you are, a great movie is a great movie.

This is a really great bargain for 3 excellent family movies! We used them for movie night for 3 consecutive weeks, and we all couldn’t wait for the next one!
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Roughnecks - The Starship Troopers Chronicles - The Hydora Campaign Streaming. Movie Title: Roughnecks - The Starship Troopers Chronicles - The Hydora Campaign Average customer review: Roughnecks - The Starship Troopers Chronicles - The Hydora Campaign is available for streaming or downloading. Click Here to Stream or Download Roughnecks - The Starship Troopers Chronicles - The Hydora Campaign

“Roughnecks: Starship Troopers Chronicles- the Hydora Campaign” continues the story of Razak’s Roughnecks, an elite unit in the Mobile Infantry as they face the ‘bugs’, a terrifying alien race bent on the destruction of humankind.

After discovering the ‘bugs’ on Pluto, the Roughnecks follow the threat to Hydora, a world covered in water. Hoping to find the bug’s home world, the squad discovers a planet that is one of the Arachnid’s conquered worlds. On missions ranging from reconnaissance to search-and-destroy, our heroes face new perils with every new bug species. The Hydora campaign comes to a climax when the Roughnecks discover a brain bug, a massive swollen grub that acts as the unifying mind of the bug armies. Only Carl Jenkins, the squad’s psychic has any hope of facing the bug and destroying it.

“Roughnecks” represents the best CGI animation that ever came to TV. Animated by Foundation Imaging (who also did digital effects for Babyon 5 and Star Trek: Voyager), the series has a sophistication and realism never before accomplished on the small screen. In Hydora, I was amazed by the superior water effects, atmospheric ‘haze’ and first rate character animation. What is equally remarkable is that the story and characters are sophisticated enough for even this adult to enjoy. If you’ve seen the earlier DVD’s (Pluto campaign and Tesca campaign) you know what I’m talking about. If you haven’t seen this series yet, you’re in for a real treat! Any serious fan of science fiction, computer animation or good storytelling will love this series.

Campaign numero two. Hydora. A water planet. After pursuing the huge Transport Bug from Pluto, the SICOM MI troopers find themselves at a water planet where the Transport Bug lands to refuel itself.

In this campaign, the characters continue to grow and develop. Carl Jenkins develops his mental powers to a new height when he confronts the first appearance of a brain bug.

Hydora is a planet of apparently dense water that doesn’t allow itself too much for boiyancy and swimming. So the troopers wear a inflatable life perserver in case they fall in. Which, unfortunately happens a lot. However there is land on this planet but it’s mainly just like corral reef type stuff and caves. While being a water planet, we get to see a lot of new hardware. Water skiffs, jet ski type thingies and some weapons that go kablooey.

In this campaign we see basically one type of bug. The Ripplers, who this time are animated a bit better than they were in Pluto. The Ripplers’ main weapon is a volley of sharp barbs that come from their mouths. This of course provides a new problem for our MI troopers. However we do see some regular warrior bugs, but being a water planet, the Ripplers are more suited for this planet.

Now the action once again is top-notch. We see a lot of nice explosions of bugs going kablooey. There’s a really great scene at the end with lots of stuff going on. Be sure to check out the technical commentary during that section.

But all in all, this campaign is quite exciting, but a bit tedious at times due to the static environment they’re in.
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Watch The Greatest Adventure Stories From the Bible: The Miracles of Jesus Movie Online. Movie Title: The Greatest Adventure Stories From the Bible: The Miracles of Jesus Average customer review: The Greatest Adventure Stories From the Bible: The Miracles of Jesus is available for streaming or downloading. Click Here to Stream or Download The Greatest Adventure Stories From the Bible: The Miracles of Jesus

This was a wonderful movie that my kids love! I would much rather them watching this than the garbage cartoons that are on every channel.I even got something out of it.
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The Sandlot Movie Streaming. Movie Title: The Sandlot Average customer review: The Sandlot is available for streaming or downloading. Click Here to Stream or Download The Sandlot

There really is no plot, yet you don’t care. There’s no real subtext to the entire thing, but that doesn’t matter. The actors are all kids and they play baseball…and it’s SO SIMPLE.

One of those little films that walked quietly into theaters in 1993 and left just as quietly with little fanfare(which is probably why Fox was hesitant on releasing a DVD) not ONLY happens to be one of the greatest SLEEPERS of all-time, it’s also one of the greatest SPORTS films of all-time, ranking with “Field of Dreams”, “Bull Durham”, “Major League”, “The Natural”, and “The Longest Yard”, to name a few.

This movie is good, so sweetly and innocently GOOD, that you don’t care if the obnoxious happens or that a main plot-point happens to be the kids retrieving a prize/signed baseball(by Babe Ruth of all players) from the jaws of a dog-beast-monster-thing.

No, if there was something that James Earl Jones was right about in FIELD OF DREAMS(and he’s in here too as a modern-day Boo Radley), it was that baseball brings us back to the times when we were young and apathetic to the world around us. The same applies here.

This film will make you forget about your problems and redirect your focus on your youth and the times you had fun with your best friends.

No matter if those times were spent on a surburban street where the foul poles were really parallel phone poles on either sides of the street or you sat on the porch watching us while drinking lemonade and listening to Ray Charles, those are the good times we remember…

Take a look for yourself…

The DVD has a beautiful 2:35.1 widescreen transfer(it was originally shot in 70mm Panavision) but is lacking in extras. Still, a good cheap DVD with a great film…that’s all we ask for sometimes.

– Matt

Back in 1993, two movies involving baseball and children, The Sandlot and Rookie of the Year, came out in the theaters about the same time, both being released by Twentieth Century Fox. I remember Rookie of the Year was pushed hard by the studio while The Sandlot got much less advertising and publicity, which was too bad because I always thought The Sandlot was a much better film.

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Scotty Smalls, his mother (Karen Allen), and his step dad (Dennis Leary) just moved into the neighborhood and Scotty is having problems acclimating himself to his social surroundings. An intelligent boy (an egghead), he lacks certain abilities most boys have, like knowing how to catch and throw a ball, any basic baseball rules, or who’s the Great Bambino. The movie does an excellent job in providing just enough depth into these characters to provide a sense of the family dynamic given that Allen and Leary have limited screen time. In attempting to join a neighborhood pick up game, Scotty’s lack of rudimentary baseball skills is made painfully apparent, to which all the boys except Bennie, the best player of the bunch, let their derisive comments fly. Bennie, feeling a bit sorry for the new kid, gives Scotty a couple of tips and a little extra help in a well hit fly ball that gives Scotty a measure of confidence and helps bring him into the gang. Once Scotty’s accepted into the group the movie delves into a plot involving a priceless baseball and a local dog with a mythical reputation. What I really liked was how all the boys came together to help a friend in need, and it was an automatic response. If someone in the circle needs help, the group rallies around, regardless, as they would have done the same for any other member. While a seemingly natural trait in children (atleast in this movie), it seems to be one that becomes lost as we grow older, as seen in Scotty’s step dad and his reluctance to play catch with Scotty because he has too much work and doesn’t have the time. What is so great about this movie is while it’s set in the 50’s, the story appeals to most anyone. Whether or not we all had that one great summer or just fond remembrances of childhood friends and activities in general, the movie serves to help recall days when things were simple, and summers were made up of endless possibilities. While watching this movie, I thought about friends I had when I was a kid, phrases we used, nicknames, activities, etc.

No real extras on this disc, but a great presentation of a wonderful movie. My favorite part involved one of the boys called Squints, a smaller boy with great, big glasses, and scene with curvaceous, older, female lifeguard at the local pool.
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Streaming Global Warming: A Scientific and Biblical Expose’ of Climate Change Online. Movie Title: Global Warming: A Scientific and Biblical Expose’ of Climate Change Average customer review: Global Warming: A Scientific and Biblical Expose’ of Climate Change is available for streaming or downloading. Click Here to Stream or Download Global Warming: A Scientific and Biblical Expose’ of Climate Change

Millions of lives are at stake, especially in Africa. So is the economic stability of the world’s most generous nation, the USA. This documentary combines interviews of highly qualified scientists–including PhD climatologists, PhD astrophysicist, PhD chemist, ecomomist and others–with footage from Gore’s “An Inconvenient Truth” and “The Great Global Warming Swindle” to show that signing onto the Kyoto Protocol is highly likely to HURT the poverty sticken and starving people who so desperately need the energy that Al Gore’s radical environmentalist ideas would continue to withhold from them. Republicans and Democrats and ALL political backgrounds need to see and share this DVD.

If global warming is important to you, then you have to view this documentary. It presented many scientific facts that I had not heard anywhere else. For example, the ocean releases massive amounts of CO2 when heated (much like a carbonated soda releases gas when heated). Therefore, measuring the amount of CO2 in the atmosphere doesn’t necessarily mean that CO2 is causing the warming. My eyes were opened to the fact that many different factors could be the cause of global warming, not just man-made CO2 emissions. I was also shocked to see how anti-global warming efforts could be costing the lives of millions of the most disadvantaged people on the planet by discouraging their access to plentiful energy. All of the “hot topics” are discussed including polar bear populations, CO2 emissions, sea levels, solar flares, and more. If you believe mankind should be a responsible steward of the Earth, then I highly recommend that you add this DVD to your knowledge base.

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