Archive for the ‘All About My Mother’ Category

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Jeudi, septembre 2nd, 2010
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Movie Title: All About My Mother
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“Todo Sobre Mi Madre,” or “All About My Mother,” revolves around the life of an organ transplant coordinator, Manuela, who was briefly shown in one of Almodovar’s most recent movie “The Flower of My Secret”. After the death of her only child, Manuela sets off from Madrid to Barcelona to find both his father and the traveling troupe who performs “A Streetcar Named Desire,” throughout Spain.

Argentinian actress Cecilia Roth is both excellent and convincing as Manuela. Her performance for an actress not from Spain is original, since most of Almodovar’s leading startlets are Spaniards. Marisa Paredes as Huma, a fading starlet, reminded me of her performance in “High Heels,” wher she played a similar character. However the two emerging standouts in this film are Antonia San Juan as Manuela’s drag-queen friend (fact: although she looks like a man, San Juan is actually a woman) and the beautiful Penelope Cruz, who plays a HIV-positive pregnant nun (only Almodovar can bring us such characters). Cruz, who radiates natural beauty and style has become Spain hottest export to Hollywood since Antonio Banderas. Keep an eye out for her in the near future.

The visual arrangement of colors, patterns, and clothes brings the film so much beauty it is unbearable not to watch and adore it. Almodovar’s camera illusions, especially watching a grieving Manuela run to her injured son, Esteban, after he is struck by a car (the camera looks like if the victim is watching his mother run in the rain) and the trick of watching Esteban write in his journal (we see his pencil move through a glass that is supposed to be his pad) is amazing. Only the pure genius that Almodovar is could have thought of this.

This happens to be Almdovar’s best film in the past 10 years. Truly, if you are an artist, an admirer of Spanish culture, or just love art films, then this film will fascinate you. A true gem in the evolution of Spanish cinema.

A flashy, sophisticated swirl of color, design, and art nouveau excess courtesy of the city of Barcelona frame a melodramatic core of prima donna antics and suffering mujeres. These women are way past a nervous breakdown–Cecilia Roth’s raw emotions set the tone for much of the film; the transgender Antonia San Juan provides the madcap Almodovar wit of his earlier movies. Penelope Cruz stands out–a dark beauty who gives a haunting, fragile performance as an HIV-infected, pregnant nun. Throw in Marisa Paredes as an aging diva with ruby hair touring in a production of A Streetcar Named Desire and the stage is set for Almodovar’s tribute to suffering womanhood, replete with wistful references to All About Eve. Not as consistently enjoyable as some of his earlier work but perhaps more mature and sad, more resigned to the vicissitudes of love and death. It’s amazing that Almodovar–the greatest Spanish director since Bunuel–could have remained true to his sensibility and have won an academy award. He’s Bunuel with none of the bitterness–Bunuel with a smile and a wink at the absurd.
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