Gone with the Wind Streaming
Lundi, août 30th, 2010![]() |
Gone with the Wind Streaming.
Movie Title: Gone with the Wind Gone with the Wind is available for streaming or downloading. |
It seems like a ‘new, improved’ edition of “Gone With the Wind” has appeared every couple of years, offering the ‘ultimate’ in picture and sound reproduction, and extras. It can become expensive keeping up, and frustrating (much like buying a classic Disney DVD, when you know a more complete “Special Edition” will soon render your “First Time on Video” copy obsolete), but the new GWTW Four-Disc Collector’s Edition most assuredly deserves a place in your collection.
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First off, the picture and sound quality is astonishing. Warner’s Ultra-Resolution process, which ‘locks’ the three Technicolor strips into exact alignment, provides a clarity and ‘crispness’ to the images that even the 1939 original print couldn’t achieve. You’ll honestly believe your TV is picking up HD, whether you’re HD-ready, or not! This carries over to the Dolby Digital-remastered sound, as well. All of the tell-tale hiss and scratchiness of the opening credit title music, still discernable in the last upgrade, is gone, replaced by a richness of tone that will give your home theater a good workout. (Listen to the brass in this sequence, and you’ll notice what I’m talking about…)
The biggest selling point of this edition is, of course, the two discs of additional features offered, and these are, in general, superb. Beginning with the excellent “Making of a Legend” (narrated by Christopher Plummer), Disc Three offers fascinating overviews about the film, the amazing restoration, footage from the 1939 Premiere (and the bittersweet 1961 Civil War Centennial reunion of Selznick, Leigh, and de Havilland), glimpses of Gable and Leigh with dubbed voices for the foreign-language versions, the international Prologue (tacked on to explain the Civil War to foreign audiences), and a 1940 MGM documentary on the “Old South” (directed by Fred Zinneman) memorable today for it’s simplistic view of the time, and stereotypical portrayal of blacks.
Buy,Download, Or Stream Gone with the Wind! Click Here
Disc Four is a mixed bag; the long-awaited reminiscences of Olivia de Havilland are more chatty than informative (with the 90-year-old actress more interested in discussing her wardrobe than on-set tension…although a prank she pulled on Gable is amusing), and the Clark Gable Profile is superficial (A&E’s biography of ‘The King’ is far superior). Things improve, however, with the insightful, sympathetic TCM biography of Vivien Leigh (hosted by Jessica Lange), and a WONDERFUL section devoted to brief bios of many of the GWTW supporting cast, narrated, again, by Christopher Plummer (although I wish the filmmakers would have included bios for Ward Bond, Victor Jory, Fred Crane, and George ‘Superman’ Reeves).
All in all, the GWTW Four-Disc Collector’s Edition isn’t perfect, but offers so much terrific material that it is CERTAINLY the one to own!
I used to think that this Hollywood classic was for everyone. However, after reading nearly 300 reviews of the film, I think that isn’t true anymore. This movie is NOT for you IF 1) you think a movie must be as historically accurate as a history book, 2) you think a 1939 movie should reflect the values of the 21st century, 3) your attention span is so short that you must only see movies from 90-120 minutes in length, 4) you can only accept politically correct films, particularly in terms of racial issues, 5) you are so DUMB as to think widescreen movies were made before the 1950s (although to be fair, Selznik originally intended to use a special widescreen process for the so-called “burning of Atlanta” sequence but gave up on the expensive idea), 6) you can only accept computerized special effects as they appear in modern films, or 7) your idea of great acting is to be found in slasher or teen films being made these days.
GWTW is NOT a documentary on the Civil War period. It is NOT a history of slavery in America. It is NOT a story of perfect people behaving perfectly at all times.
It IS an adaptation of a novel written by a Southern woman who, as a child, sat and listened to the stories the old Confederate veterans told about the old days before, during, and after THE war. It IS a love story, probably about the novelist’s grandmother, which reflects the attitudes left over from that long-ago time.
To criticize this film for so many unrelated issues is silly. It stands on its merits as a masterful film that tells of bittersweet love and lost fantasy. That it succeeds so well is a tribute to the actors and filmmakers of over sixty years ago.
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