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Stream The House with Laughing Windows Online

Mardi, août 31st, 2010
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Movie Title: The House with Laughing Windows
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THE HOUSE WITH LAUGHING WINDOWS (1976): Stefano (Lino Capolicchio), an art specialist, is hired by members of a rural Italian village to perform restoration work on a disturbingly violent fresco of Saint Sebastian painted on a decaying church wall. He meets and falls in love with a beautiful teacher, Francesca (Francesca Marciano), while staying for free in a house once owned by the sisters of the long dead artist. Stefano gradually learns that the painter and his sisters were monstrously depraved sadists who bloodily tortured people to death as inspiration for his horrific art. Various murders ensue and Stefano realizes that the killer is attempting to stop him from learning more of the village’s secrets.

This shocker may be filled with lunatics, violent killings and an undeniably horrific climax, but it is filmed without any of the sleazy exploitation one might expect from the above synopsis. Pupi Avati directs the gruesome proceedings with masterful precision, utilizing a careful, leisurely pace in order to slowly build up a truly palpable sense of malice. While not failing to resort to some tried and true suspense techniques throughout, Avati finds it equally important to linger with moody, loving attention on the exceedingly desolate landscape surroundings and claustrophobic interiors. Cinematographer Pasquale Rachini’s beautiful imagery creates a sure sense of place and atmosphere and helps make Stefano’s growing feelings of isolation and dread all too real.

Lino Capolicchio plays Stefano with seriousness and intelligence, and his excellent performance is greatly responsible for the film’s overall success; its impossible not to care about what happens to him in the film’s disturbing, ambiguous finale. Francesca Marciano is equally fine as Stefano’s love interest; their relationship is presented in a fairly realistic manner, and although inserting a romance into the storyline is more than a tad formulaic, Marciano is so charming and beautiful its certainly easy to see why Stefano falls for her so quickly.

Director Avati may have developed a solid international reputation as a serious auteur with a lengthy filmography full of critically acclaimed “arthouse” character studies like THE STORY OF BOYS AND GIRLS, but in the U.S. his reputation rests mostly on two cult horror films, ZEDER and THE HOUSE WITH LAUGHING WINDOWS. ZEDER has long been the most visible of the two, having managed a domestic release on videotape in the 1980’s with the more exploitable title of REVENGE OF THE DEAD, as well as a (disappointing) DVD release in 2000 under its proper title. HOUSE, on the other hand, has languished in relative obscurity since its 1976 release in Italy, despite critical raves across the board, including from such estimable sources as Phil Hardy’s THE OVERLOOK FILM ENCYCLOPEDIA: HORROR and VIDEO WATCHDOG magazine.

Now, finally, HOUSE has received a much deserved DVD release as part of Image Entertainment’s Euroshock Collection. Thankfully, the print used is in stunningly pristine shape; the movie literally looks brand-new. The film’s beautiful visuals are presented in their original aspect ratio, letterboxed at 1.85:1 (although the DVD’s box claims 1.78:1). The Italian language soundtrack has optional English subtitles. Extras include a still/lobby card gallery, a surprisingly boring trailer and, most impressively, a short (subtitled) Italian language retrospective/documentary featuring a fascinating interview with Avati who obviously feels great love for this gem of a horror film. And so will you.

I put this on at two in the morning after work one night and sat through it (and the subtitles) with nary a yawn… and was quite creeped out by the end credits. It has everything that makes a great giallo- intriguing camera shots, a plot that ravels itself back together in the last few minutes, picaresque locations populated by physically and emotionally twisted subcharacters (and I thought America had cornered the market on twisted rednecks- Get a load of the altar boy!). An artist on a restoration project begins recieving death threats and investigates further after a friend gets pushed from his window, leading to a reel tape of the artist (not a spoiler- it’s in the opening credits) describing his flesh tortured in conjunction with his art (how pomo). Kudos to Image for releasing this film undubbed because you’d miss out on the eerie flavor of the phone calls and that reel tape - probably the creepiest tape used in a film after the opening credits of “Klute”. On a technical note, remember to click in the subtitles option before viewing the film, and don’t watch the making of until after the movie - it has spoilers. You may need to watch it after anyway, just to have a better transition to shutting off the t.v. in a dark house! So, overall, one of the more plot oriented giallos that still can carry itself into suspension of disbelief, and with very little lost relevancy.
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