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Vendredi, mai 21st, 2010
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This is a scrumptious film. The Broadway accept, already one of the finer scores for its time, with the classics “Taking a chance on savor” and “Cabin in the sky”, was further improved with the addition of “Happiness is objective a thing called Joe”. There are several other fantastic numbers, including the Duke Ellington number with some grand dancing, and “Bubbles” singing “Shine”. The cast was the finest sad talent of the day, and the movie demonstrates why Ethel Waters was considered the greatest singer and entertainer of her day. In this movie, she also demonstrates that she is a splendid actress and a fair dancer. It’s a pity that the racial climate of the time didn’t allow her more films - she’s as magical on cover as she was, by all reports, in person. The remainder of the cast includes a resplendent young Lena Horne, surely one of the most heavenly women ever to appear on cover, and who is here allowed to be smolderingly sexy, Eddie “Rochester” Anderson, who’s an endearing Puny Joe, Rex Ingram as Lucifer Jr, and smaller but memorable appearances by Louis Armstrong, Butterfly McQueen, and “Bubbles” of Buck and Bubbles. Seeing Waters issue “Taking a chance on adore”, “cabin in the sky”, “Happiness is unprejudiced a thing called Joe” and her noxious reprise of “Honey in the honeycomb”, complete with some dance steps that will floor you, is more than enough to recommend the movie, but all performances are toothsome, and the songs and background music are ample. If we purchase it as a “legend”, as we are counseled to do at the beginning, then I don’t peer it as a racist or dated film. The characters are almost all well delineated and believable within the “legend” context, and are no more stereotypical in this context than numerous films of white people at the time that were also fantasies.
It’s a pleasure to peep from beginning to slay - clearly a timeless classic, especially notable for archiving for all time the classic Waters performance and the edifying acting, singing, dancing and comedic skills of some of the greatest murky talent pre-World War II.
Ethel Waters repeated her Broadway role of Petunia Jackson, a woman who fervently prays for her husband to mend his gambling ways for the mask with colossal success, as she sings and dances her contrivance into our hearts. Petunia is the central character in the film, and has most of the songs. The film was also instrumental in making Lena Horne a star, and even though her allotment as the devil’s handmaiden, Georgia Brown, is not a ample one, she is shapely, and makes the cloak sizzle with her sensual beauty.
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Petunia’s husband, Runt Joe, is played by Eddie “Rochester” Anderson, and Miniature Joe’s soul is in the balance, as Lucifer Jr. (Rex Ingram) battles The General (Kenneth Spencer) for where it will exhaust eternity. The scenes with Lucifer and his minions, who include Louis Armstrong, are hilarious, as they site the best procedure to tempt Tiny Joe. The talent, music, and humor in this film get it well worth watching as entertainment, and also for its historical value of being one of the best all-black cast vehicles Hollywood produced.
“Cabin in the Sky” was the directorial film debut for Vincente Minnelli (he had directed the Broadway exhibit), and some others in the terrific cast are John William Sublett, Butterfly McQueen, and Duke Ellington and his Orchestra. Music is by Harold Arlen, E.Y. Harburg, and more. The song list is: “Cabin in the Sky,” “Happiness is Unprejudiced a Thing Called Joe” (nominated for a Best Song Oscar), “Taking a Chance on Care For,” “Life is Burly of Consequence,” “Li’l Dark Sheep,” “Shine,” and “Honey in the Honeycomb.” Total running time is 98 minutes.
Buy,Download, Or Stream Cabin in the Sky! Click Here
Buy,Download, Or Stream Cabin in the Sky! Click Here
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