Watch What Ever Happened to Baby Jane?
Samedi, juillet 17th, 2010
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I decided to include this description in case Amazon doesn’t establish it up fair away. Here is what is included on the novel ‘Baby Jane’ Special Edition DVD due out May 30th, 2006!
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Whatever Happened to Baby Jane? (1962) - The legendary articulate between rival divas Bette Davis and Joan Crawford fuelled the fire both on- and off-screen in Director Robert Aldrich’s Whatever Happened to Baby Jane? Its Gigantic Guignol anecdote of an aging ex-vaudeville child star (Davis) waging a psychotic reign of alarm over her crippled ex-movie star sister (Crawford) became a shatter hit and nabbed Davis her 10th Academy Award nomination for her acid portrayal of the title role. Nominated for an impressive five Academy Awards (winning for Best Costume Fabricate), Whatever Happened to Baby Jane? is a mirthful masterpiece of the macabre.
DVD Special Features:
New 16×9 digital transfer from the current camera negative and restored audio elements (Enhanced for widescreen televisions)
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Commentary by author and film historian, Charles Busch and film historian John Epperson (a/k/a “Lypsinka”)
3 unbelievable documentary profiles of the movie and its 2 immortal stars:
Bette and Joan: Blind Ambition (A current making-of documentary)
All About Bette, Biographical profile, hosted by Jodie Foster
Film Profile: Joan Crawford
Vintage featurette “Leisurely the Scenes with Baby Jane”
The Andy Williams Show
Theatrical Trailer
Languages: English & Français
Subtitles: English, Français & Español (feature film only)
Oh yeah! I’ve been waiting quite awhile to partake in this slab of metaphysical weirdness! Needless to say, “Whatever Happened to Baby Jane? ” is everything you’ve heard and more. People went support and forth, frothing at the mouth in anticipation of a Freddy Krueger versus Jason Voorhees duel in “Freddy vs. Jason,” but if you want the right deal all you need do is check out Joan Crawford versus Bette Davis. By all accounts sworn enemies in trusty life, “Baby Jane” finally brought the two powerhouses together for a knock down, budge out fight of account proportions in a movie that is so utterly insane it really does defy description. Every thing I will write about the film below won’t do it justice. I imagine this movie is a lot like the Taj Mahal or the Gigantic Canyon–you can gape at pictures and say “Wow! That looks unbelievable,” but a two dimensional photographic image won’t give you the beefy enact. You’ve got to go there to delight in such natural wonders, and you’ll have to rent or select this DVD to indulge in the wonder of Bette Davis on autocamp as a musty child star grown up into, well, read on and ogle.
Jane Hudson (Bette Davis) had it all when she was a child. A hit song insured that mammoth audiences turned out to glimpse her execute on the stage. Unfortunately, shrimp Jane suffered from an ego the approximate size of Wyoming, an ego that resulted in temper tantrums with her parents and her sister Blanche (Joan Crawford) . Eventually her raging sense of self torpedoed her career even as her sister’s began to glide when the film industry blossomed. Jane Hudson sank into obscurity, liquor, cigarettes, and a repulsive case of mental illness that greatly accelerated when a tragic accident keep Blanche in a wheelchair for life. Now the two sisters live together in a decrepit house reminiscing about the weak days. Well, at least Blanche reminisces. Jane Hudson spends her time stalking around the house in pancake makeup and a gossamer gown now tattered and spattered, spewing sarcasm and veiled threats at her sister, the neighbors, and the maid who arrives once a week to perceive how things are going. Hudson unexcited thinks it’s possible to resurrect her long dull celebrity if only she can figure out a scheme to rid herself of the onerous burden that is Blanche. Obviously, she finds a map. She begins tormenting her sister by placing disgusting things in her food and making her sound crazy to outsiders. When that fails to work fleet enough, she resorts to out and out physical violence.
With Blanche under lock and key in a bedroom upstairs, Jane begins the rigorous training all performers undertake to return to greatness. She hires a down and out musician by the name of Edwin Flagg (Victor Buono) to descend by the house for mutter and dance lessons. Now the loyal insanity starts as Hudson lickety-split devolves support into her childhood persona. She prances about the house singing her broken-down musical numbers, giving it her all without realizing how incredibly grotesque the plan of an elderly woman imitating a child is. Flagg thinks Jane is crackers, and he’s apt more than he could possibly know, but a paycheck is a paycheck. Until he finds out what is going on in a bedroom upstairs, that is. Faced with the distasteful presence of the local constabulary and the probability of a lot of probing questions about what’s been going on between the two sisters, Hudson packs Blanche in the car for a run to the beach. I won’t spoil the conclusion of this cult classic for you, but let’s fair say a startling revelation at the seashore proves to be the straw that finally pushes terrible Jane Hudson over the edge. The denouement is upsetting, the sort of ending that has you putting your hand to your mouth in a “oh my” gesture.
“Whatever Happened to Baby Jane? ” is a masterpiece of casting, directing, and performing. The conception of putting these two lionesses of the silver veil in the same characterize was a stroke of genius on the allotment of director Robert Aldrich, although many questioned his sanity for making such a decision. Wouldn’t the two actresses slither each other apart on area? Apparently not, but there were a few confrontations–including a thrown befriend and some accurate kicks delivered in a positive scene–and sniping that hinted at the turmoil unbiased under the surface. Aldrich moved forward, crafting a film that is both claustrophobic in its place pieces and one that uses the dark and white photography to tremendous advantage. The film really succeeds, however, because of Bette Davis. She blows Joan Crawford out of the water in this movie, although to be fine Davis from the commence had the meatier role. Her garish appearance and screeching protest allege the chills to the nth degree, and her progressive decline into total insanity is homely and absolutely convincing. Davis was nominated for an Academy Award for her disturbing portrayal of Jane Hudson, and rightfully so. She should have won. I’ve seen hundreds if not thousands of anxiety films, and Davis’s Jane Hudson ranks as one of the most disturbing characters I have witnessed in any of them.
Sadly, the DVD doesn’t give us mighty in the draw of extras aside from cast and crew biographies and a few pages of text describing the production. Then again, it’s unlikely we would hear about the movie from the famous figures keen in its production since they are all long uninteresting. Perhaps a commentary track with a film historian or a similar person could have been establish on the disc; I know of other films that do this. Anyway, if you haven’t seen this film you’ve got to hurry, not trip, to accept a copy. It’s that splendid, it’s that disturbing, and it’s that memorable.
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