Rome: The Complete Series Blu-ray Description:
Four hundred years after the founding of the Republic, Rome is the wealthiest city in the world, a cosmopolitan metropolis of one million people, epicenter of a sprawling empire. But now, the city’s foundations are crumbling, eaten away by corruption and excess…And two soldiers unwittingly become entwined in historical events, their fates inexorably tied to the fate of Rome itself. The entire award-winning, critically-acclaimed series will be available as a Blu-ray gift set, just in time for the holiday season.
- Amazon Sales Rank: #2856 in DVD
- Released on: 2009-11-17
- Aspect ratio: 1.78:1
- Formats: AC-3, Color, Dolby, DTS Surround Sound, Subtitled, Widescreen
- Original language: English
- Subtitled in: English, French, Spanish, German, Castillian, Polish, Dutch, Danish, Finnish, Norwegian, Swedish, Greek, Hebrew, Portuguese, Romanian, Turkish
- Number of discs: 10
- Running time: 1320 minutes
Customer Reviews:
Phenomenal! Best depiction of Rome ever!
When I was younger, I used to love watching movies like Spartacus, not so much because they provided particularly great depictions of ancient Rome, but because they were the way anybody get any sense of the grandeur of the Roman empire. In fact, looking back, those films were often quite cheesy. Hollywood stopped making movies about ancient Rome for a long while, until Gladiator came out in 2000. As a movie, Gladiator was awesome and showed a vastly more realistic yet grander Rome than ever before seen in Hollywood. Yet, as history, the movie had its flaws (most notably that it distorted the historical record quite bit). However, I’d despaired that it would be the pinnacle of our ability to visualize Rome.
I was pleasantly surprised to find that HBO did an excellent job at recreating the ancient Roman empire in its miniseries Rome. At first, I was suspicious, worried that Rome would become twisted by HBO, the same creators of Sex and the City. Yet, the series is awesome. In terms of the production quality, it looks and feels like a big budget movie (indeed, the cost of the series eventually doomed it). The acting, visual effects, and soundtrack are exceptional (be sure to get Jeff Beal’s soundtrack Rome: Music from the HBO Series).
HBO also took care to portray Rome in a somewhat historically accurate fashion. HBO hired expert historians and consultants for every detail. Unlike most movies about ancient Rome, HBO did not shy away from portraying the less glamorous sides of Rome. In fact, much of the series deals with everyday citizens, from prostitutes to roving gangs. This in turn means that the series includes a lot of explicit sex and violence. While this means the series isn’t appropriate for kids or the faint of heart, it does mean that Rome shows Rome as it actually was.
One thing I love about this series is that it deals with the last years of the Roman Republic, one of the most compelling eras in history. Most movies and TV shows shy away from historically important events, but HBO tackles it with gusto. The show manages to remain historically accurate while using actual historical to provide the drama in the show. HBO did a great job finding actors to portray Julius Caesar, Pompey, Mark Antony, Cato, and the rest of the dramatis personae (although I wasn’t as pleased with their choices for the Augustus side of the family - see below). At times, you almost feel like you traveled back in a time machine to witness these epic events. If you’re interested in this period, I’d recommend Tom Holland’s Rubicon: The Last Years of the Roman Republic for more depth on events during the period. I only wish the series had been longer rather than only two seasons - it would have great to have seen the Battle of the Teutoberg Forest in 9 AD, or the end of Augustus’ reign. However, apparently the budget for the show grew so large that HBO (foolishly) decided to cancel it.
My only criticism of the show is the portrayal of Augustus and his mother, Atia (Polly Walker). Historians don’t necessarily have accurate information on the personalities of these figures, and there probably isn’t a “definitive” interpretation of their lives. Still, I thought the show took a few too many liberties. While Atia in real life was probably cunning and ambitious, Polly Walker’s version of Atia makes her into a psychotic and sadistic woman. In one scene, she even has a torture room and tortures Servilla. There’s no historical basis for any of that, and it does seem a bit outlandish. For his part, Augustus as played by Simon Woods seemed a bit too dull and cynical. Again, while I’m sure Augustus must have had excellent political acumen to rise so high, he was also a brilliant administrator and did have a vision for Rome. I just didn’t think HBO’s depiction of either character stood up well or resembled what I had read in Anthony Everitt’s excellent Augustus: The Life of Rome’s First Emperor.
A quick note about the DVDs themselves. They are excellent quality and include hours of bonus materials, including deleted scenes and “making of” featurettes. I found some of the commentary about the interpretation of the characters pretty interesting. IF you or anybody you know loves ancient Roman history, Rome should definitely be on your Christmas list.
Sellar!
To paraphrase the United States recording industry mega hit, Superlatives are not enough.
Roman history, while always fascinating, has always seemed cool and static in North America. HBO, in “Rome”, has breathed life into well documented time period. Those who not historically minded, will merely see this as a very well produced HBO drama. Being hstorically minded, I am thrilled that this period of history can see life.
In two seasons, viewers across North America thrilled to the power struggles within the Roman senate played out in venues from Gaul to Rome. Caesar and his men, in battle and out, realized that the power of plebian popularity. The death of Pompeys’ wife, Julia, leads to a struggle for wifery, and eventually his death. The power play between Mark Anthony, Casesar, Vorenus, Pompey, Cato, and Brutus is fascinating. Social standing is valued, to the extent of sacrificing personal happiness. Integrity is merely the price of success. Ambition is the currency of Senate success.
The episodes included in the set are:
Stolen Eagle
How Titus Pullo brought down the republic
An Owl in A Thornbush
The Ram Has Touched the Wall
Egeria
Pharsalus
Utica Triumph
The Spoils
Kallends of February
Passover
Son of Hades
These Being the Words
Tortoise and the Hare
Heroes
Phillipi
Death Mask
Necessary Fiction
No God Can Stop A Hungry Man
About Your Father
Dramatically speaking, this is a stellar production with outstanding performances. In reading about Rome, I was fascinated that full size sets were constructed for the series accurate to the period. Full scale models of actual artifacts were used in the production, and that is ambitious. I can imagine that once season 2 was finished, a museum is now well stocked, and even a Roman style theme park is now fully functional.
The bonus features just add more integrity to the series that was overdue, and will be missed.
I cannot say enough about this series. It is unfortunate that more episodes were not produced, but I can imagine that the production cost was prohibitive. Perhaps a Medici period drama might be next…
Tim Lasiuta
Hail Caesar
‘Rome’ raises the bar for history-inspired TV shows
THE SERIES
Rome wasn’t built in one day, we all know that and its story can’t be told over 2 seasons but this is probably the best we’re going to have, audio-visually, for a long time to come. This is an interrupted, extremely ambitious and, eventually, unaffordable HBO project meant to illustrate the process though which an up and coming but flawed - expansionist, aristocrat driven, slave labor dependent - republic morphs into an equally or more so flawed, unsustainable empire. [Hmmm… lessons to learn? Anyone? Anyone?]
HBO and the producers of the show should be commended for doing everything in their power to stay as close as artistically possible to the historical record, whatever was available, of the period - and ‘Rome’ covers Cesar’s climb to power and the period shortly thereafter, up to Octavian’s triumph and transformation into ‘Augustus’ - the struggles, the intrigue, the atrocities - and how the events it triggered affected the aristocrats and the plebes, rich and poor, citizens, free men and slaves. The point of view and the storytelling shifts or swings between the history makers - Cesar, his family, Octavian, the aristocrats opposing Cesar - and two more or less ordinary Forrest Gump-like Roman soldiers who find themselves involved with almost everything historians wrote about those years and are also depicted during their more ordinary moments.
‘Rome’ is a feast to the eye, at least in the Blu-ray version that I’m watching. The colors are vibrant and the details on ornaments, wall graffiti, costumes, makeup are as accurate as they come. I would say almost the same about the sounds of Rome but we know so much less about the music of antiquity… Due to obvious budget constraints, camera angles are almost always narrow, focusing on specific buildings or people with the occasional, probably CGI-produced, panoramic shots. And no large, uber-expensive battle scenes but that’s okay because the overall story is told well. I don’t believe we ever see more than a few dozen humans on any scene but we should admire the director and the camera people even more for their ability to maintain our suspension of disbelief with the limited means at their disposal. Having some of the scenes shot on location - ‘Rome’ was made in Italy at the Cinecita studios - makes watching even more enjoyable.
THE BLU-RAY EDITION
The Blu-ray edition excels in every aspect, from packaging to the quality of the actual episodes to the Blu-ray specific extras.
The two season’s 22 episodes of about one hour each are delivered on 10 discs. They come inside an amazingly beautiful book-like binding with each disc on its own 2-page presentation/display that consists of one picture on the left page and some details on each of the episodes on that specific disc on the right-side page which also holds the disc. There are additional pages that contain titles or some artwork for a total of 30, thick cardboard, full color pages. It’s nice that a cloth bookmark was added to help keep track of where one may be with the viewing. The box the book slides in is color-coordinated with the book covers - dark, weathered dried-blood reddish-brown with gold lettering and accents. Simply amazing.
Each episode is presented in 1080p, 16:9 screen and DTS-HD Master Audio 5.1 Surround sound for English and German as well as DTS Digital Surround 2.0 for Spanish, French, Castilian and Polish (voice over). Subtitles are available in dozens on languages.
Blu-ray specific extras include the invaluable “All Roads Lead to Rome” - a historian presents the historical fact as the episodes run, a ‘must watch’ when ‘Rome’ is viewed the second time around because the abundance of information would make watching it the first time too distracting. Also Blu-ray specific is ‘Bloodlines’, another interactive guide that shows and helps us understand the connections between the various Roman families.
In addition, 13 of the 22 episodes come with audio commentary alternative sound tracks from the cast and crew - presumably to be listened to on the third watching of the series. There are also a number of the usual ‘behind the scenes’ and ‘how did we make this’ featurettes.
MY RATING
Not surprisingly, I will rate ‘Rome’ as a 5-star. It’s not perfect but it doesn’t need to be so to earn its stars - Amazon’s five stars mean ‘I love it’ not ‘it’s perfect’. And I absolutely love it. In fact, I am going through the second watching now - the one with ‘All Roads Lead to Rome’ turned on - and I love ‘Rome’ even more.
My only issue is that which earned ‘Rome’ its MA (mature audiences) rating. I am quite frustrated for not being able to watch ‘Rome’ with my kids in the same room. I know that some would call it ‘butchery’ but Blu-ray technology should allow for a ‘cleaned’, PG-13 version that kids could watch too because I can see how watching a show like this, especially with the historical interactive guide turned on, would make some curious enough to actually read more on the topic.
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FAIR WARNING
Anyone considering watching ‘Rome’ in a ‘family’ setting should be aware that the show is rated TV MA and for good reason. ‘Rome’ attempts to accurately depict the Rome of 2000 years ago where sexual inhibitions were all but absent, most women were viewed as ‘property’ and slaves were numerous. You WILL see explicit sex, frontal male nudity and covering your kids eyes won’t be enough - consider earplugs or frequent use of the ‘mute’ button because the sounds of sex are even more explicit than the images. Besides engaging in sex largely for amusement, violence was part of the Roman way of life - torture, gladiator and other arena fights, assassinations were common. Well… those were the Romans - love them or hate them.
Amazon.com
Family dysfunction. Treachery. Betrayal. Coarse profanity. Brutal violence. Graphic (and sometimes brutal) sex. No, it’s not The Sopranos, it’s Rome, HBO’s madly ambitious series that transfixed viewers with its lavishly mounted spectacle and human dramas of the historical figures and fictional characters. Set in 52 B.C., Rome charts the dramatic shifts in the balance of power between former friends Pompey Magnus (Kenneth Cranham), leader of the Senate, and Julius Caesar (Ciaran Hinds), whose imminent return after eight years to Rome after conquering the Gauls, has the ruling class up in arms. At the heart of Rome is the odd couple friendship between two soldiers who fortuitously become heroes of the people. Lucius Vorenus (Kevin McKidd) is married, honorable, and steadfast. Titus Pullo (Ray Stevenson) is an amoral rogue whose philosophy is best summed up, “I kill my enemies, take their gold, and enjoy their women.” Among Rome’s most compelling subplots is Lucius’s strained relationship with his wife, Niobe (Indira Varma), who is surprised to see her husband alive (but not as surprised as he is to find her upon his homecoming with a newborn baby in her arms!). Any viewer befuddlement over Rome’s intrigues and machinations, and determining who is hero and who is foe, disappears the minute Golden Globe-nominee Polly Walker appears as Atia, Caesar’s formidable niece and a villainess for the ages. In the first episode alone, she offers her already married daughter as a bride to the recently widowed Pompey, and the viewer eagerly awaits to see what (or who) she’ll do next.
Season 2 begins in the wake of Julius Caesar’s assassination, and charts the power struggle to fill his sandals between “vulgar beast” Mark Antony (James Purefoy) and “clever boy” Octavian (Simon Woods), who is surprisingly named Caesar’s sole heir. The series’ most compelling relationship is between fellow soldiers and unlikely friends, the honorable Lucius Vorenus and Titus “Violence is the only trade I know” Pullo, who somewhat reverse roles when Vorenus is overcome with grief in the wake of his wife’s suicide. Season 2 considerably ups the ante in the rivalry between Atia, who is Antony’s mistress, and Servilia (Lindsay Duncan) with attempted poisonings and sickening torture. Another gripping subplot is Vorenus’s estrangement from his children, who, at the climax of the season opener are presumed slaughtered, but whose true fate may be even more devastating to the father who cursed them.
Rome is a painstakingly mounted production that earned well-deserved Emmy nominations in such categories as costumes, set design, and art direction. In writing Rome’s epitaph, we come to praise this series, not to bury it. Although two seasons was not enough to establish a Rome empire, it stands as one of HBO’s crowning achievements. –Donald Liebenson
Stills from Rome (Click for larger image)
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