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Dimanche, septembre 26th, 2010 |
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“Waitress” is one of the best films I have had the privelege to witness so far this year. It is honest up there with “Namesake.” I loved everything about this movie: the directing, acting, writing. Let’s begin with the directing. Honest as Scorsese did in “After Hours” and Truffaut did in “The 400 Blows,” Shelly showed her heartfelt and artistic vision in “Waitress.” There’s one particular scene sequence that comes to mind that exemplifies this vision. It happens true after Jenna made appreciate to Dr. Pomatter. There’s a humorous afterglow on her face. You glimpse it when she’s carrying trays in the restaurant. You gawk it when she’s making pies. And you especially inspect it when she’s sitting on a bench, waiting for the bus. That view on her face and the device the film was crop with those mercurial scenes left a profound impact on the viewer. You knew you were in a moment of brilliance. You can honest feel how gratified and liberated Jenna felt at that moment in the movie. Now let’s talk about the acting. Everyone was perfectly cast. I liked how Jenna was cool as ice at the beginning of the movie, warm-hearted in the middle, and assertive by the demolish. I liked how Dr. Pomatter was nervous at the beginning, tranquil in the middle, and love-struck by the slay. But the character I was impressed by the most was Earl. Here is someone who could’ve been one-dimensional. In most movies he would’ve been a actual jerk with no redeeming qualities. That’s not the plot Earl was portrayed in “Waitress.” Yeah he was a control freak with fits of temper. But there was a reason for his unacceptable behavior: he was petrified and required constant approval by Jenna. That scene in the restaurant where he broke into the wedding reception, I was obvious he was going to beat the living crap out of Jenna. Instead, he cries like a baby because he wants to know why Jenna hid money all over the house. This scene–which brings up the terrific writing–exemplifies how this movie is not a cliche and very staunch to life. I could go on and on about how terrific this movie is, but I highly recommend you to experience it for yourself.
While “Waitress” is not flashy, it puts a smile on your face. Kerri Russell will probably forever be tagged as TV’s Felicity - Senior Year Collection (The Complete Fourth Season) . As Jenna, she turns in a droll & varied performance that bounces between joy & despair, submissiveness & assertiveness. Under director Adreienne Shelly’s deft touch, the film handles the subject of domestic abuse with sensitivity and caring.
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Jeremy Sisto who will probably be remembered for his appearances on TV’s Six Feet Under - The Complete Third Season plays Jenna’s controlling husband Earl. I kept flashing on the Dixie Chicks’ song, but it was never passe in the film that has a big musical selections. Sisto plays the role as a bruiser, but also with levels of dependency and desperation. His selfish nature only buys into Jenna’s pregnancy when she promises not to treasure the baby more than she loves him. As she promises, the irony is that she does not like him at all and lives in complete scare. Each time he grabs the money she makes from her, pulls up and demands that she meet his needs, as an audience we cringe.
As I watched the movie, I did not know that the waitress Dawn was also the film’s director or that she was murdered before the film’s release. These real-life events give the film a haunting feel. Shelly’s performance is affecting as the girl who wants cherish so badly that she sets up five-minute dates so she won’t be disappointed.
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Nathan Fillion who was in “Slide” and six episodes of the TV series “Drive” this year plays Dr. Pomatter who finds himself irresistibly attracted to Jenna. The sparks that coast between the two build a smile on our face, despite the fact that we are watching two married people carry on an affair. Again, Shelly’s touch is magical as a subject that should not be droll or romantic is given such a human face that we win ourselves drawn into their world.
Cheryl Hines from the film Cake & TV’s “Curb Your Enthusiasm” plays the third waitress, Becky. She has one of those unbelievable smiles and embraces the character lovingly. The theme of an affair is repeated again as we catch that Becky cares for a disabled spouse and finds a runt secret joy.
North Carolina well-liked Andy Griffith plays Faded Joe who owns the pie shop. His banter with Jenna shows a crusty aged geezer who observantly dispenses advice. It is an respectable cameo that could provide a sentimental shaded horse Oscar nomination. Lew Temple who was in “Domino” plays the diner manager Cal who badgers the waitresses every time they head to the bathroom to discuss matters. Shelly gives him some touching levels as we notice the scene where he dispenses his philosophy of life to Jenna. Eddie Jemison who has been in all the Ocean’s films (11, 12 & 13) almost steals the point to as the oddball romancer Ogie whose on-the-spot poetry is hysterically touching and unpleasant at the same time. Shelly’s screenplay reveals so many levels for each of the characters that we feel like we have been dropped into their real-world universe. This estimable small-budget film deserves gigantic rewards at the box office. Relish!
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