Stream Atragon Online
Lundi, juin 28th, 2010 |
Stream Atragon Online.
Movie Title: Atragon Atragon is available for streaming or downloading. |
Geez, Louise…if’n it ain’t a giant monster trashing Tokyo, it’s some uppity, advanced civilization of war mongering peoples living on a continent that sunk to the bottom of the ocean long ago desperate to win that which they lost, specifically domination over the entire planet…Atragon (1965), originally known as Kaitei gunkan (1963), directed by the legendary Ishirô Honda (Godzilla, Godzilla, King of the Monsters!, The Mysterians), features a strong cast of Toho regulars including Tadao Takashima (Son of Godzilla), Yôko Fujiyama (Dagora, the Dwelling Monster), Ken Uehara (Mothra), Jun Tazaki (Raze All Monsters), Kenji Sahara (Ghidrah, the Three-Headed Monster), and Yu Fujiki (Yog: Monster from Dwelling) .
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The first half of the film introduces us to many of the main characters in the yarn, and also relates how an former civilization called the Mu empire has begun to try and procure control of the world, apparently something they had in the past (they claim all surface plot peoples are colonies of the Mu), but lost due to the fact the continent they were living on had the nerve to sink to the bottom of the ocean some 12,000 years ago. Okay, seems to me if these people were so advanced, they would have moved to another, more stable continent before or around the time theirs took a nose dive rather than go through all the worry and grief to originate a broad, undersea city, but what the heck do I know? I’m objective a gaijin…anyway, the Mu empire, perhaps tired of pruned fingers and smelling like fish, commence a campaign to subjugate the peoples of the Earth using their qualified technology delivering destruction and mayhem, threatening to slay everything unless the receive elephantine compliance. To display they mean business, they blow up…a cargo ship…seriously…but then they near tubby on with the damage wiping out Tokyo utilizing underground earthquakes. Okay, that’s a bit more impressive. Seems the only thing the Muans dread is a sophisticated submarine called the Atragon, created by a Japanese naval officer Captain Hachiro Jinguji (Tazaki) who ran off at the ruin of WWII rather than face the disgrace of surrendering, and has since been in hiding, developing this improbable vessel with the intent on returning someday and serving his country. Given the threat of global destruction, some of his fellow countrymen manage to locate the captain and his secret sinister, and try to convince him to arrive out of hiding to face the Mu threat, but he’s too wrapped up in his have patriotism to care about what happens to the rest of the world, wanting only to return for the glory of Japan…or something like that. Anyway, all bets are off when the Muans kidnap the captain’s daughter, threatening to feed her to their giant sea serpent called Manda if he doesn’t agree to slay Atragon. Captain Jinguji subsequently kicks it into high gear, unleashing the paunchy power of Atragon against the Muans, with the fate of the planet at stake.
I had a large time watching this film, not only because of the unbelievable effects employed throughout, but also because it had a really solid sage as a backbone. The first ten minutes or so might be a minute confusing, as there’s bits with various individuals being kidnapped by nasty looking types, but things determined up soon enough once past the opening credits, as more of the tale presents itself. Honda’s direction is extremely strong, keeping things paced well, especially given the complexity of the legend and the lack of sincere action in the front raze of the feature…and this would probably be my only gripe that I wanted to notice more of the dapper sub in action. What we do collect is loaded up mainly in the last twenty minutes or so of the film. The battle scenes we do witness are really impressive, so grand so I lost contemplate of the fact most all of it was done with miniatures, given the apparent intense amount of detail and attention given to their construction. The effects work here, under the direction of Eiji Tsuburaya, is top notch, especially given the time the film was made, in the early 1960s. As far as the Atragon, it’s a exact fraction of work, featuring bewitching parts, further helping to manufacture a sense of realism. The sub was a spoiled long, cylindrical tube with a giant drill bit on the front, along with various blades that deployed from the sides, allowing it the ability to not only waft the seas, but burrow into the Earth. And not only that, but it could skim! It had a fairly normal complement of both offensive and defensive weapons, along with something called an instant freeze cannon, which does exactly what it sounds like it does…my well-liked sequence in the film is when Captain Jinguji goes balls-to-the-walls attacking the Muans head-on by dumb through the sea floor and busting through into the Muan core power center for some awesoma destruction. In a nice touch, Captain Jinguji did offer a chance for peace, but the Muans declined (agreeable thing too, as otherwise the yarn would have died out fleet) . The giant monster called Manda, whom the Muans saw as their deity’s messenger, did ogle a shrimp hokey, but given it’s cramped amount of veil time and the many strengths in this feature (the directing, the acting, the effects, etc.), this was a minor aspect for me. Another first-rate element of this film is the fresh musical scoring by Akira Ifukube, who seemed to have an innate sense in creating music befitting these types of films. I don’t normally peruse the accompanying music in films unless it’s really awful and ill fitting, or unless it’s really outstanding and correct on the money, the latter being the case here. There were two things in this film I could have done without the first being that massive, Muan native dance sequence, which was impressive, but pointless, and the second being the photographer’s funny assistant. There must have been a clause in some Toho contracts that forced the inclusion of at least one comically challenged silly relief in their films, one who manages to survive all the plan through, mighty to my dread. It wasn’t as awful here as I’ve seen in other films, but the presence of such character didn’t go unnoticed. Regardless, Atragon is a expansive film, especially if you indulge in early Japanese science fiction adventure films.
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Media Blasters/Tokyo Shock provides an splendid release here, with a dazzling looking widescreen (2.35:1) anamorphic transfer. Also included are a number of audio tracks including Dolby Digital 5.1 Surround in both English and Japanese, along with Dolby Digital mono, again in both English and Japanese (I’d recommend the Japanese audio with available English subtitles) . Special features include an unusual theatrical trailer for the film, along with a feature length commentary track with Koji Kajita, who served as chief assistant director on the film. Also thrown in are previews for other worthwhile Media Blaster DVD releases like The Mysterians (1959), Varan the Improbable (1962), Dogora (1964), and Mantango: Attack of the Mushroom People (1963) .
Cookieman108
ATRAGON is a fun movie. The synopsis of the movie is that the sightings of “burning” mutants leads to the discovery of an undersea kingdom called Mu that destroys Tokyo. Seeking revenge, a secret unfriendly on a diminutive island launches the flying submarine/battleship Atragon which attacks Mu and battles a sea serpant monster called Manda. Unfortunetly, Manda only gets a 5 microscopic camouflage appearence even though he is brought up several times before then. Manda later appears in Ruin ALL MONSTERS, GODZILLA`S REVENGE, Scare OF MECHAGODZILLA and both him and Atragon appear in GODZILLA FINAL WARS. Anyway, ATRAGON is an almost perfect movie.
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