Watch Frenzy Movie Online
Samedi, mai 1st, 2010 |
Watch Frenzy Movie Online.
Movie Title: Frenzy Frenzy is available for streaming or downloading. |
Frenzy was a homecoming of sorts as it was Hitch’s first film shot in the UK since he left during the 40’s. I would disagree with those who claim that Frenzy can’t stand with Hitch’s best work; Hitch’s comical and dusky sense of humor change what could have been a bustle of the mill thriller into a minor masterpiece. The best bits in Frenzy are every bit as startling and remarkable as those in Rear Window, Vertigo and North by Northwest. Although his wife Alma’s heart attack couldn’t have informed the pre-production stages of the script and film, it certainly had an impact on the atomsphere captured in the film. There is an underlying darkness here only hinted at before (most explicitly in The Birds, Vertigo and Marnie) .
The performances are uniformly wonderful. The fact that Hitch chose stage actors and lesser known British film actors for this film gives it a bit more grit and reality than his earlier films. Anthony Schaffer’s script plays with the routine cliches of suspense films. A number of sequences (including the scene where the murderer is trying to retrieve a bit of incriminating evidence from one of his victims) flirt with sardonic humor. The dialog like most of Hitch’s films is outstanding. Here Schaffer, again, turns many of the cliches (some from Hitch’s hold films) from film dialog into a comical commentary on both the action and the film audience as observers.
The extras included on this DVD are particularly outstanding given the standing this film has with most film buffs. The fresh interviews with Anna Massey, Jon Finch and others sheds worthy light on Hitch’s methods during the making of the film and discounts a number of myths about him (including the concept that he didn’t really work distinguished with the actors. While he trusted the actor’s instincts he also recognized that a well rehearsed film is akin to a storyboarded film; it’s sure that preparation for both aspects were equally necessary) .
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Why is this film a “lesser” Hitchcock for most critics? It probably has to do with the more contemporary edge in some of the scenes. Frenzy has more in current with the brutality evident in early Hitchcock classics like Cancel than with Rear Window or Shadow of a Doubt (a film that shares a lot of the same themes although Frenzy is a darker, more contemporary seize on the same type of record) . Frenzy clearly is Hitch’s last large film and although it occasionally slips, its best moments are every bit the equal of his best films. On the whole the strengths of Frenzy outweight the weaknesses and fabricate this terrific film a must for Hitch fans. One spicy observation in closing about Frenzy. Everybody points to Hitch’s classic films as influencing Brian DePalma. It’s distinct that DePalma (who had already begun making films prior to 1972) borrowed more from Frenzy than other Hitchcock classics. Even a film like DePalma’s Sisters (released the year after Frenzy) owes a huge debt to this film.
Think about this.The man was 70 when he directed it—6000 miles away from home.For someone who had enjoyed the comfort and routine of shuttling each day from Universal to Bellagio Road for the last twenty years,this was fair radical—and it couldn’t have been any picnic sitting all day on those wet,frosty London streets either. I never appreciated all of this at the age of 21 when I was running “Frenzy” as a 16mm college rental.At that time,I enjoyed a capable,tense—maybe not top drawer,but certainly up to standard—Hitchcock thriller.Having seen it many times in the intervening years, I have modified my opinion—”Frenzy” is a Spacious Hitchcock thriller.I won’t say “one of his best”,because how distinguished room do we have in a pantheon that includes “Shadow Of A Doubt”,”Distinguished”,”Strangers On A Shriek” and so many others? Let’s unbiased say that “Frenzy” is utterly different from the rest—-another dauntless stroke from a director who was always ahead of the cutting edge. It’s also one of the wittiest pictures ever made—funnier than any one of a hundred notorious comedies I can contemplate of.Anthony Shaeffer had a lot to do with that—he was the writer—and it’s a masterful job he turned in—if only these two could have done a whole series of thrillers together!Besides the eminent set-pieces(the potato truck,the back-tracking shot from Barry Foster’s doorway,etc.),there are so many fabulous limited throwaway moments to treasure—Jon Finch stepping on the grapes,Foster picking his teeth with the tie pin—so many priceless details.Hitchcock obviously loved being in that Covent Garden—it’s teeming with engaging crates of fruits and vegetables—people hiding out among the deliveries,casually picking samples and eating—it’s all so relaxed and evocative—you feel as though you’re lawful there in the run of a typical London day. It’s ample that Hitchcock was able to portion such a shiny and shining homecoming with us—the fact that it’s such a marvellously shocking and zigzag saunter is like the icing on the cake.Yes,the first rape/murder scene is truly disturbing,and I wish he’d toned it down,but Hitchcock was clearly pushing the limits here—releasing a few of those demons that had been pent-up through so many of the code-compliant pictures he’d made for so many years.It’s a lapse in taste,but I’ve forgiven it.There’s so great to admire in “Frenzy”,it’s hard not to—besides,you’ve all got fast-forward buttons.MCA should release this on DVD—truly a buried cherish among Hitchcock classics.
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