Watch Kundun Online
Vendredi, mars 12th, 2010 |
Watch Kundun Online.
Movie Title: Kundun Kundun is available for streaming or downloading. |
One of the beauties of KUNDUN comes from the arrangement it preserves and recreates a culture that is now almost ancient, of a Tibet which is now almost completely destroyed. And it is a delicate culture, where almost every detail is related with spiritual value, the very values that our contemporary culture is in the verge of completely losing them, yet collected so indispensable to human life. To scrutinize this film is, first and foremost, like a meditation.
Dante Ferretti’s construct recreating faithfully the archaic costumes and building with a substantial reality, with Roger Deakins magnificent cinematography (which depth, nuances and richness of colors are so beautifully transferred on this DVD), as well as Philip Glass’s music, accomplish KUNDUN a visual poem. Also must be celebrated is Thelma Schoonmaker’s complex editing which explores and reveals the complexity of the anecdote and giving them a shapely, almost musical rhythm. According to Mr. Scorsese, the climatic Sand-Mandhala montage sequence that cross-cut the Dalai Lama’s exile to India and a religious ceremony was her concept, and it brings the film up to an amazing spiritual level. Yet, Scorsese does not explain Tibet as an idyllic and idealized society. By using the young Dalai Lama’s point of understanding as a legend strategy throughout the film, by showing almost everything through his eyes, the film also glimpses at the complexity of the Tibetan society and its enjoy problems; “I didn’t know monks has guns” “Is there a prison in Potala” says the 12 years used Dalai Lama.
Violence, or human hurt to be more staunch, is also exhibit in this film. An extraordinary nightmare sequence shows the Dalai Lama in the midle of thousands of dumb monks. A typical Scorsese image? Well, in fact, it is a faithful recreation of a dream that the Dalai Lama himself has told the filmmakers. In this sense, KUNDUN is also a documentary as distinguished as it is a beautifully created dramatic part. A particulary poignant moment is when the Dalai Lama gives audience to his people, an worn woman starts saying something in Tibetan, as if she was posessed by her traumatic experience. This scene, according to Mr.Scorsese, actually happened as they started to shoot the scene. They build a photo of the right Dalai Lama, and the woman started to talk like that. All the filmmakers did was to film her, and leave it as it is in the film, without even a translation. We can’t notify what she says, but we understand the deep sorrow, the truth of her emotion. This is indeed one of the most emotional scene Scorsese, the ultimate filmmaker of emotiin, has ever presented us.
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As different as it may seems on the surface level, KUNDUN also explores the familiar Scorsese themes, of the pickle between religious spiritual values of human trying to be noble, and the harsh reality of the world they live in and their contain human vulnerabilities inside them; a conflict that has been always show in his films since WHO’S THAT KNOCKING ON MY DOOR and MEAN STREETS, the problem that drove Travis Bickle to a burst of bloody violence, the demon inside that Jake La Motta had to fight, the conflict of divinity versus humanity in Jesus.
But KUNDUN takes a different direction. Instead of being obsessed with his contain plight that drives him reach self-destruction (as did so many Scorsese heroes), the Dalai Lama goes beyond that to become the human incarnation of not divinity, but of ultimate compassion. It is wonderful how, after witnessing so worthy violence and arouse, he could approach such a station of peace in mind.
Most of the people in the film are non-actors; actual Tibetans (the Dalai Lama’s mother is played by one of his enjoy niece), and though their performance are not as dramatic as De Niro, Keitel, Pesci, Dafoe, Day Lewis and Pfeifer et all, they bring a truthfulness to the mask.
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Mr.Scorsese told me in an interview last year “It was almost like a prayer to gain this movie. And my life has changed, to distinct extent”. I bear this film has the same effects, to determined extent, to us viewers as well.
The film also carries an vital political– Mr.Scorsese says he remove the word “human”– message: “Non-violence is the only revolutionary understanding left to us”, says Martin Scorsese.
I’m really cheerful to search for so many definite reviews! I appreciate this movie. Martin Scoresese. Phillip Glass. The Dali Lama. How can you go wicked? I remember watching this the first time and liking it, but feeling like it lacked cohesion. It does pick awhile for the Kundun to used to an adult so we can identify with him and care about him.
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But now I perceive at the film as being almost two seperate parts. The first half shows us the Dali Lama as a child who must consume on the role of Kundun and gives us a very expressionless (and heavenly) sense of envioronment and atomosphere. It also queitly sets up characters that will grow in importance as the film continues. The second “adult half” of the movie focuses on the Kundun having to deal with an agressive communist China closing in on him and his people.
I feel like many people (including Ebert who said this is the only Scorsese movie he would not want to examine again…) view it once and say it was expressionless and they didn’t care about the Dali Lama character enough. Well if you only witness it once you won’t be able to survey the detail (like the shot of the Kundun looking at Mao’s shoes, or the baby Kundun separating the fighting beatles) , and depth that create up the fabric of this movie. There are all kinds of colossal shots and posthaste edits (the 3 seconds of violence in this film are more grand then the lengthened violence in other films) , and symbolism that you simply can’t fetch your mind around the first time you contemplate this movie. Having said all of that, the cinematogrophy alone would perform this movie worth getting. And at $10, you develop out like a bandit.
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