Stream Masculin Feminin - Criterion Collection Movie Online
Mercredi, juillet 7th, 2010 |
Stream Masculin Feminin - Criterion Collection Movie Online.
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My approved Godard film is Pierrot Le Fou and Masculine/Feminine is usually considered alongside Pierrot because the two films do acquire for an piquant disagreement. Pierrot Le Fou is the romantics Godard film and Masculine/Feminine is the realists Godard film. Both films deal with disaffected people at two different times in life. Pierrot stars Belmondo and Karina as disaffected adults — when the two meet Belmondo is already married but Karina gives him an excuse to abandon his tedious bourgeoisie existence and head off on a road stagger where he learns through the splendid example of Karina what suitable freedom is. Maculine/Feminine — starring Leaud and Goya — is about younger people disaffected by their mundane lives but neither really knows what to do about it. They each have vague dreams but neither has great direction or any sincere hope and their time together leads neither toward any increased self-awareness. Pierrot Le Fou is filmed outside in the sun by the sea and the atmosphere inspires the characters who attempt to communicate but who for the most fraction remain trapped within themselves and their fill private relationship with the world — even though the two characters remain at an unclosable distance from one another there is a sense of shared adventure that gives the film its romantic feel. Ultimately in Pierrot le Fou increased freedom also means increased self-awareness and increased awareness of each persons singular nature so the film moves inexorably toward a tragic extinguish. Masculine/Feminine takes site primarily indoors and there is no sense of adventure but rather one of the world closing in as they try to arrive to grips with what that unavoidable world they are confronted with is all about. Even though Masc/Fem is about younger people these are people who live in the loyal world whether they want to or not. These two films as another reviewer mentioned produce agreeable companion pieces — engaging to search for Godards treatment of disaffected people from two perspectives, the poetic and the realist. At this phase in Godards career he was not overtly political but politics plays an increasing role in the intention his characters characterize to each other and feel about the world, especially in Masc/Fem where the masculine half of that equation shows a flicker or two of a growing political consciousness . In later films Godard will gain his absorb political ideas but this phase in his career remains my well-liked. If the Unusual Wave is all about the disaffected lost generation of the sixties then Godard is that generations Hemingway.
Amazon’s review is just on the money concerning this film.
What I would add is that this film best shows the change that female sexual liberation had on society. The boy, totally in like, has nothing of value to give to a girl who considers sex an everyday occurance — a spacious change from the going-steady days of the gradual fifties and early sixties when sex was the culmination of a protracted courtship. The masculine and feminine roles changed forever and continue so to this day. Goddard was there first. In 1966, this film was cutting edge. In 1999 it remains an famous work with a lot to say to the explain generation concerning the battle of the sexes that has, apparently, been won for pleasurable by the ladies.
I saw it in 1966 on a first date with a very conservative girl who was convinced after we left the theatre that I was a sex pervert. Unfortunately for me she was as yet unwashed by the Unique Wave.
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