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Mozart - Don Giovanni / Furtwangler Movie Streaming. Movie Title: Mozart - Don Giovanni / Furtwangler Average customer review: Mozart - Don Giovanni / Furtwangler is available for streaming or downloading. Click Here to Stream or Download Mozart - Don Giovanni / Furtwangler

I had never before seen the Furtwängler Don Giovanni, but I knew that it was considered by many to be one of the greatest productions of this great loved opera. This production was filmed shortly after its wildly successful speed in Salzburg, Austria in 1953. It has lost none of its appeal nearly a half century later. This is the most rivetting sage I have ever seen, live or on video, of Mozart’s “dramma giocoso”, which in this production definitely tilts towards the “dramma” aspect. The singing is extraordinary from all members of this stellar cast assembled in the early 1950s. The Wiener Philharmoniker plays with a right feeling for this opera under Furtwängler. Indeed, this is a highly atmospheric production on all levels. Cesare Siepe is regarded as one of the all-time tall Giovannis, and you will watch and most importantly hear why in his highly dramatic portrayal of the lascivious don. Siepe not only sings the allotment flawlessly, but he can truly act, too. The final act will have you on the edge of your seat, to be definite. After brazenly lunging at the statue of the Commendatore with a knife, he recoils in panic when his action has no carry out. After a brief moment of panic, he regains his composure and defiance. The emotions of Giovanni are conveyed by Sierpe in the most subtle of ways, a gesture here, a facial expression there, and of course via his singing. I’m obvious everyone reading this knows the rest of the anecdote, but you may be surprised at how brilliantly Siepe brings it all about, with his actions as worthy as his singing. I found myself feeling considerable more sympathetic towards the doomed Giovanni in this production than I have in most others, and that is entirely due to Siepe’s quick-witted portrayal. The rest of the cast is equally or very nearly as strong as its lead character. I watched this performance in jabber amazement from initiate to enact, and cannot recommend it highly enough. It is in color, although the colors are on the pale side (not a pickle!) and the sound format is in a high-quality mono (please don’t let that steer you away from this masterpiece!) . The sets are very realistic, and unlike many other operas on DVD, the characterize is obvious and the color safe even in the night scenes (of which there are many in this opera) . Included is a very informative booklet that gives background of this production as well as a summary of the opera. The relate format is 4:3, so it will absorb your entire cover, and the playing time is 177 minutes. Subtitles are in English, Italian, Spanish, French German and Chinese. This is an opera DVD not to be missed, as it captures a historic performance that is nothing short of beautiful. I would definitely gross this Don Giovanni in the top 5 best operas on DVD that I have seen.

Every DVD on DON GIOVANNI I have seen has it’s problems. The Film with Ramondi is a snore with a director who didn’t know what the hell he was doing. The Karajan legacy Video is ruined by a uninspiring final scene. The La Scala production suffers likewise. This version is the only one I have seen that is compleatly luscious.

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Furtwangler and the Weiner Phil. are really honest improbable here. From the opening bars of the overture to the final bars of the Banquet scene, they pick Mozart’s masterpiece and prefer it to a modern level. The production by Paul Czinner is sizable, especally in the final scene, where Clemens Holzmeister’s rather piquese plot walls are suddenly transformed into the very gates off hell, with red flames and devilish shadows playing off the walls.

The cast is uniformaly first-rate. it is Ceasere Siepi was THE don of his day. Here you can leer why. His Don is extraordinary, an demon in a nobleman’s clothing. So seductive with Zerlina, so violent and cruel with his manservent, and in the final moment of retrobution, his acting is pleasant, the best I’ve seen yet, and his shout of panic as he is dragged off to hell by shrouded demons, is not one to be forgotten. Plus he sings like a dream, his bass stutter outdoing any Competertors.

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His supporting cast is uniformaly well-behaved, Otto Edelmann is an capable foil to Siepi, with a strong sigh and impecable silly timing. Elisabeth Grummer’s Anna is simply awe-inspiring, tossing off her arias with not only vocal perfectgion but pleasant acting. Lisa Della Casa is perhaps not the best Donna Elvira of the era (That would be Schwarzkopf, who she was a last miniature replacement for) but her acting is suited, and she stands out amoung a enormous cast as truely agreeable. Anton Dermota’s sweet Ottovio loses his act one aria (a comon stage cleave of the day) but makes up for the missed opertunity elsewhere, showing Ottovio’s gigantic noblilty, rather than honest a henpecked, rather boring wimp, as some recount him. Erna Berger is a shrimp thin-voiced for Zerlina, but she is kindly enough to pull off a first-rate coquettish portral. Denzo Ernster’s Commendatore is rather stiff in the confrontation at the raze (but then again, he IS a statue) but he cuts an impressive figure, both vocaly and physiclly. We even have a Young Walter Berry, some years away from perfecting Papagano and Don Alfonso for Kempler and Bohm respectivly as a really astronomical masetto.

DON GIOVANNI is a hard opera to create, and likewise to design a DVD of, and I have yet to leer a production I felt was “Upright” in every arrangement. but this one comes terminate. Really, really halt. Infact, it’s at an almost minescule distance away from profection, prohibated only by the cuts to the net. But mild, what a performance!

5/5
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