Watch Notre Dame de Paris Movie Online
Samedi, juin 19th, 2010 |
Watch Notre Dame de Paris Movie Online.
Movie Title: Notre Dame de Paris Notre Dame de Paris is available for streaming or downloading. |
With the mountainous success of such sizable musicals as LES MISERABLES and THE PHANTOM OF THE OPERA, it was perhaps definite that sooner or later Victor Hugo’s classic of care for and fate, NOTRE DAME DE PARIS (AKA “The Hunchback of Notre Dame”) would also obtain the musical treatment. Disney had already done it before as an racy film, but this time, the tragic myth would be presented as a sizable operatic musical production. The ruin result would be somewhat mixed as NOTRE DAME DE PARIS became a theatrical box-office hit in both France and Canada, while underwhelming British and American audiences. (Share of this could be blamed on an English translation that proved to be both repetitive and banal.)
This DVD of NOTRE DAME DE PARIS presents the production in its modern French with the option to access other language sub-titles, including English. There is also a 15 slight documentary covering the making of the musical. NOTRE DAME DE PARIS is indeed a sprawling production on a great scale. It tells the tale of the fair gypsy Esmeralda and of the three men who are enthralled by her: the soldier Phoebus, the priest Frollo, and Notre Dame’s hunchbacked bell ringer, Quasimodo. When Esmeralda is accused of a crime which she did not commit, Quasimodo rescues and shelters her in the sanctuary of Notre Dame. However, things drop apart with tragic results.
Garou does a astonishing job of capturing the afflict and humanity of Quasimodo. With his plaintive gravelly mutter, his is a touching performance. Helen Segara makes for a wonderfully heavenly, if somewhat distracted, Esmeralda. Daniel Lavoie is appropriately tortured as the wicked Frollo, while Patrick Fiori is solid as the shallow Phoebus. Julie Zenatti makes the usually minor role of Pheobus’ fiancée an effectively strong one, while Bruno Pelletier keeps things united as a poet/narrator. The costumes, which basically suggest the story’s medieval timeframe, are only partially successful in that some of the original touches are far too jarring for the sage. The choreography also suffers since some of the numbers become far too sprawling and unfocused. There are fantastic touches throughout, however, including the sobering heart-felt finale which is factual to the recent. (Something that most filmed versions of this classic tend to avoid.)
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Despite its flaws, NOTRE DAME DE PARIS is definitely a display that respects its source material. As a result, it deserves attention and is definitely worth a recommendation.
When you perceive the French musical “Notre Dame de Paris,” you’ll procure the feeing that you’ve stumbled upon a rare and extraordinary gem that nobody else has been lucky enough to know about, but you. Thankfully, the video of this extraordinary musical is readily available for anyone to gape, but this doesn’t gain it any less of a gem!
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The epic is that of Victor Hugo’s “The Hunchback of Notre Dame,” and as people here have mentioned before, this musical sticks incredibly discontinuance to the storyline of the new. Unlike Disney or many Broadway shows, “Notre Dame” doesn’t try to gloss up Hugo’s tragedy or shroud up its many controversial themes with glad endings or peppy puny dance numbers.
The setting is the Notre Dame cathedral in Paris, and the time, pre-Renaissance. A poet named Gringoire is the storyteller as he opens and closes the musical with a song about the old cathedral and of the many conflicting unusual changes, inventions, and used values that seem to be causing unrest in Paris at the time. A band of wandering gypsies, led by Clopin, enter the gates of Paris in order to originate a life in the city. Esmeralda, a young Spanish gypsy girl, catches the behold of Phoebus, a Parisian soldier, and is in turn attracted to him. Phoebus is engaged to a young firl named Fleur De Lys, and his heart becomes torn between the racy foreigner Esmeralda, and his duty to Fleur De Lys and to the city. Meanwhile, inside the cathedral, both the priest Frollo and the deformed bellringer Quasimodo inspect Esmeralda, and topple in care for with her. Frollo, unable to ever have Esmeralda as his maintain, becomes consumed by jealousy. Events near a climax as there is a assassinate… a framing… and an innocent thrown in jail.
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The most fantastic aspect about this musical is that everything is told in song and dance, with hardly a speaking line. The music is very certain, dominated by mostly acoustic guitar, former instruments, and easy Andalusian beats that give you a flavor of the time and dwelling, without sounding outdated. There are few broad, overwhelming, sweeping musical numbers, which makes the music grand more character-centered. And also, because music and song dominate the entire 2 + hours instead of only having only five or six standout tracks to listen to repeatedly, none of the music ever “gets mature,” and you’ll pick up that the tunes are impartial as unique the thirtieth time around as the first. (Contain me on this one!)
The singing is improbable. My common singer is Bruno Pelletier (Gringoire) who has a sure, very considerable baritone. Another star is Garou (Quasimodo) whose surprising,emotional raspy growl is perfect for the role of the tortured Quasimodo. The two main women’s voices are relatively softer than most Broadway musical actresses’, but their softness fits perfectly in their roles as a kind gypsy, and a young innocent girl.
If you have even the slightest interest in musicals, please remove this one up. It might be on the expensive side, but contain me, the music, singing, and emotional storyline will finish inside your DVD player, and inside your memory for a long time to reach.
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