Archive for the ‘Roman Holiday - The Centennial Collection’ Category

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Streaming Roman Holiday - The Centennial Collection Online

Mercredi, juin 16th, 2010
Streaming Roman Holiday - The Centennial Collection Online. Streaming Roman Holiday - The Centennial Collection Online.

Movie Title: Roman Holiday - The Centennial Collection
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Roman Holiday - The Centennial Collection is available for streaming or downloading.

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This was Audrey Hepburn’s debut in a starring role. She was 24-years-old and had appeared in two or three other movies but objective in bit parts. Here she plays a reigning European princess visiting Rome who would like an hurry from her daily regime of official duties, thus the title and theme of the movie, a Roman holiday.

Gregory Peck plays an American newspaper reporter living in the Eternal City. We first gape him playing poker with his cronies, and losing. His relative “poverty” and Princess Ann’s astonishing wealth and dwelling point to a formidable barrier to their ever finding factual cherish and marital happiness. Piece of the fun of the script is in seeing how this will play out and how their differences are resolved in the extinguish. I will give you a itsy-bitsy hint: very carefully!

The script comes from a myth by Dalton Trumbo who is perhaps best known as the author of the anti-war unusual, Johnny Got His Gun. Trumbo was one of the “Hollywood Ten” who were blacklisted from working in the industry during the excesses of the McCarthy era. He went to Mexico and continued working on film scripts but under assumed names or had his scripts presented by “fronts.” In this case Ian McLellan Hunter fronted for Trumbo and won an Academy Award for the tale. Later the Academy awarded Trumbo a posthumous Oscar for his work.

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Long time Hollywood studio director William Wyler directed the film entirely on station in Rome. He has a formidable list of credits going well support into the tranquil film era including such outstanding films as Wuthering Heights (1939), The Letter (1940), The Miniature Foxes (1941), etc. His determined directorial style and his attention to detail work well here. The sets in Rome are charming, especially Peck’s bachelor apartment. The bit players, especially Peck’s landlord are valid and the events are dreamy in honest the diagram a romantic meeting in Rome ought to be. Wyler is especially effective in presenting Audrey Hepburn in the most flattering light and getting the audience to identify with her.

Gregory Peck’s character should be a bit of an adventurous rake who finds that cherish is more primary than money or fame, but it is impossible for Peck to play a morally compromised character, and so even as he appears to be using Princess Ann for his bear ends, his behavior is always legal. I was somewhat amused to leer that at all times Peck appears wearing a tie! Eddie Albert plays Peck’s friend, a photographer/artist. It is though-provoking to trace how Hollywood’s perception of the paparazzi has changed over the years. Here blood-sucking, intrusive greed does not exist. Instead we have safe self-sacrifice!

I have seen most of Miss Hepburn’s movies and I can say that she was never more though-provoking than she is here. She is pretty and cute at the same time, charming and waggish, sweet, regal and very winning. In a sense she started at the top with this film, garnering her only Oscar as Best Actress in 1953; but as her fans know she never came down off that pedestal. Even playing awful Eliza Doolittle in My Glowing Lady (1964), there was never any doubt about the quality of her style and character.

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This is the most romantic film I have ever seen, perhaps partly because Miss Hepburn is so astounding, but also because the script in a sense turns the usual woman’s romantic fantasy upside down. Instead of the woman finding that the man she is in esteem with has wonderful wealth and state, it is the other arrangement around!

The ending manages to be realistic yet romantic. There is a hint of something almost spiritual beyond what happens. So convincing are Hepburn and Peck that one can almost contain the chronicle is true; and indeed I am clear that Trumbo lifted the essentials of the state from some primitive yarn.

I have a weakness for movies about unrequited treasure, or cherish that goes on forever, or treasure that is caught at some perfect moment and lives eternally in that moment. Roman Holiday is one of those advance perfect movies that plays beautifully upon one of these themes.

ROMAN HOLIDAY should appeal to everyone who loves a great romance, and this one is a broad one. The rest us of will be well affirm with the splendor of Rome and the chance to explore the much Audrey Hepburn in her debut movie. In other words, ROMAN HOLIDAY has something for every palate.

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The situation? Princess Ann (we’re never quite definite which country she’s princess of) is enduring a grueling tour of European nations. Weary to death of the royal treatment, one night Ann escapes into the Roman night. Unfortunately for her she had a while earlier been given an injection to attend her sleep. The drug takes finish while she’s out and about, and reporter Joe Bradley (Gregory Peck) discovers her asleep on a street bench. Believing she’s inebriated, and being a gentleman, he tries to utter her safely to her home. That thought fails and, being a gentleman, Bradley arranges for the young stranger (he doesn’t learn she’s the missing princess until the next scene) to sleep on the sofa in his microscopic, one-room apartment.

Cary Grant was originally offered the fragment of Joe Bradley and he turned it down. One of the dvd’s specials tells us he refused the role because he didn’t want to play second fiddle to an ingenue. Maybe so. It’s tempting to resolve, on the basis of this scene, that Peck was woefully miscast. Ann, nearly asleep on her feet, asks Bradley “Will you benefit me undress? ” A natural enough quiz coming from royalty, I guess. Bradley fumbles around with her neck scarf, unties it, hands it to her and says “You can handle the rest.”

Peck plays the scene for a smile. Grant would have made it one of the highlights of the movie. After savoring the opportunity for the audience’s delight he would have removed the tie and given the camera a posthaste inspect, as if to say “Listen here, I know this is a cliched, comical station. But doesn’t this gape like fun. Don’t we produce a fine couple? ” Grant was a supple pagan god who drank more than once from the well of hedonism, and he was always careful to bring the audience along for the advantageous times. Peck was an Customary Testament prophet, a puny too stern and stiff to give himself over to pleasure.

What Peck brings to the role is authority and a fine arm for Hepburn to rest on. Grant would have distracted us, and ROMAN HOLIDAY is best when our attention is focused squarely on Audrey Hepburn. She delivers a tour de force performance, and you can understand the excitement she generated even after a half century.

Buy,Download, Or Stream Roman Holiday - The Centennial Collection! Click Here

The specials include the documentary “Remembering ROMAN HOLIDAY”, which surprised me with all the people who were alive to and dropped out of the production of the movie. “Edith Head: The Paramount Years” is a short biography of the illustrious and talented fashion designer. “Restoring ROMAN HOLIDAY” shows us a number of before and after shots - this is a VERY tidy print. There is also a trio of theatrical trailers and a stills photo gallery.
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