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At first gawk, during the music and opening sequences of THE HUNTING PARTY, it is difficult to ascertain if the film about to be seen is a comedy or a docudrama about a genocidal maniac. Once the repartee of dialog sets in we realize that journalists require a clear mindset and vantage that allows them to veil war and other atrocities and once that tenor is adjusted the film makes solid sense.
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Based on a fair chronicle by Scott Anderson (a journalist) THE HUNTING PARTY (written for the veil by Richard Shepard who also directs) deals with a top notch journalist Simon (Richard Gere) on the skids and his buddy cameraman Duck (Terrence Howard) and youngster journalist Benjamin (Jesse Eisenberg) who meet up after Simon’s self imposed exile to follow a lead to ‘interview’ The Fox (Ljubomir Kerekes), the most wanted war criminal from the Bosnia/Croatian war. Their rush follows life-threatening chases and captures and escapes until they display what the CIA has been doing to prevent - the remove of this evil maniac. While the atmosphere is rather grim, the production is pitch perfect and the performances by Gere, Howard, and Eisenberg manage to disclose the complexities of the mental states and bizarre outlooks of journalists who elect to be proper next to the horrors of war and crime in order to yelp a legend. Food for idea here, and a great different come to the life of correspondents than we’ve had before. And, it is based on fact! Grady Harp, January 08
“Only the Most Ridiculous Parts of the Narrative Are Lawful”
As I read this brief title card at the beginning of the current Richard Shephard (”The Matador”) film “The Hunting Party”, I suddenly realized something. For months, I have been watching a trailer for a different film. Comical thing is the film I saw was better than the film promoted by the trailer. Let me elaborate.
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Over the course of many months, I saw the trailer for “The Hunting Party” many times. Every time I watched it, the film was painted as a fairly typical war anecdote. Richard Gere plays a reporter covering stories in various war zones, Terrence Howard plays his cameraman. Together, they dodge a lot of bullets and explosions. Jesse Eisenberg (”Noah and the Whale”) plays a young newbie along for the trail. Every time I watched the trailer, I couldn’t aid suppress a yawn. It appeared to be too primitive to have anything fresh to say.
Then, a couple of weeks ago, I saw a television commercial for the film. This commercial was different; mentioning the film was directed by Richard Shepherd. Richard Shephard? The director of “The Matador”? “The Matador” was an fresh film, a dismal comedy featuring vast performances by Pierce Brosnan and Greg Kinnear. It wasn’t one of my accepted films, but I appreciated the shaded, offbeat sense of humor. When I learned “The Hunting Party” was a dismal comedy, my interest became peaked.
Simon (Richard Gere) is a effort junkie. His job as a reporter for a major television network’s evening news has made him a star and he seems more comfortable wearing a pair of cargo pants and a conceal vest, dodging bullets, than he would be at a dinner party enjoying conversation. His cameraman, Duck (Terrence Howard), has been with Simon for a lot of years and also gets an adrenaline hit from the peril, a urge he has become addicted to. Then, one day, Simon loses it. On live television. He is fired and Duck returns to Unique York to become the personal cameraman for the network’s news anchor Franklin Harris (James Brolin, doing a fun riff on Dan Rather) . Five years later, Franklin and Duck return to Sarajevo to hide the ceremonies surrounding the anniversary of the waste of the war in the Balkans. They lift along Benjamin (Jesse Eisenberg), the son of a network VP. Upon their arrival in Sarajevo, Duck immediately runs into Simon who now travels to various war zones doing freelance reports for any network that will pay for it. Simon has a crazy notion. He knows where “The Fox”, one of the most wanted war criminals, is and thinks they should go and try to find an interview, traveling into a very perilous Serb space under the criminal’s control. It hasn’t escaped Simon’s attention that there is a $5 million dollar reward for The Fox. He could distinct consume the money.
“The Hunting Party” is based on a honest tale moving Sebastian Junger, the well-known reporter and author of such books as “The Perfect Storm” and many Vanity Blooming articles delving into the politics and history tedious various war zones. Simon is based on Junger and some of his associates, who apparently came up with the concept of trying to grasp a exact war criminal in the Czech Republic while drunk. As the memoir unfolds, there are some outright hilarious moments as Simon, Duck and Benjamin note they have more intelligence in their head than any of the UN forces charged with keeping the peace in the status. The US Government? Forget about it. After they acquire in a quandary, Simon and his friends are rescued by Chet (Dylan Baker), a member of an elite Spec Ops force of the US Government. Chet proves he is all bravado very quick.
“Hunting” is about male bonding. Simon and Duck are friends, have lived through a lot together and are gloomy when events pull their friendship apart. Because this friendship lives in war zones, they also glean an adrenaline high from the friendship, and the misfortune they face on a consistent basis. It is a sort of win-win relationship for them. When they are reunited haphazardly, you can peruse the relief on Simon’s face and the joy on Duck’s. Duck has been living a friendly life in Current York, as the cameraman for the network anchor. When he sees Simon, in Sarajevo, he immediately starts to mediate succor to the life he once had, filled with pains and excitement. When Simon sees Duck, he realizes his friend has returned, he has someone to talk to, someone to serve him, after being alone for a long period of time.
Each initially regards Benjamin as an interloper, a newbie, something they have to tolerate. He has led a sheltered life and he seems to regard the potential for anguish as a unique and thrilling chance to do something engrossing with his life.
I have never been a gargantuan fan of Richard Gere. But with his last few films, he is growing on me. In “The Hoax” he played Clifford Irving, a complex character and actually did a very expedient job. He was able to produce his version of this genuine life person sincere to me. Now with his role in “The Hunting Party”, he goes two for two. As we peer Simon, we derive a trusty sense of his character’s complete life. There is a brief segment at the beginning of the film, narrated by Duck, giving us an overview of their relationship to the point when he has his breakdown on national TV. As he does his live describe, we behold the harm in his eyes from all of the scare he has witnessed. Even though we have honest seen brief snippets, we understand how he could have this breakdown. As soon as he and Duck are reunited, a wash of relief crosses his face. After five years of covering stories alone, in faulty war zones, he finally has a familiar and safe face to deal with, a companion.
Then, when he announces his view to Duck and Benjamin, we understand why he would judge such a deadly thing. He needs the money, he needs the excitement, and he needs the camaraderie. It is a nice turn from Gere.
Terrence Howard is also very proper. From the opening frames, it is his bid narrating the moments we leer from their friendship. His lighthearted tone reveals a lot about how they really need each other.
Then, when Duck and Simon reunite in Sarajevo, Duck has become comfortable, but bored in his cushy job. As Simon reveals his plans, Duck is, at first, incredulous, but quick jumps on board. He even goes so far as to postpone his meeting with a pleasing girl in Greece, a trail planned for after the coverage of the festivities in Sarajevo. The prospect of spending time with his friend, spending time alluding anxiety, is more gorgeous to him than spending time in Greece with a sparkling woman.
As Benjamin, Jesse Eisenberg is able to describe the novel kid, adding an additional level to the relationship between the three men. Everything happening to them happens through his eyes for the first time. He is amazed, afraid, stunned and blissful to be living this adventure. He doesn’t hesitate to mention he earned a degree from Harvard, which is also his battle wail for adventure. His life has been so sheltered, for so long he needs this to really approach alive.
“Hunting” is comic and also an adventure. There are moments of ridiculous behavior and some very comical dialogue as the characters deal with all of the madness surrounding them. It is a shadowy comedy, which means there are also moments of seriousness, drama and pains. Combined together, they do a very arresting, ogle able film. A powerful better film than the trailer would lead you to acquire.
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