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I possess both the US and international versions of this film, and the international edition is considerable better. Both versions carry a little sexual tension throughout between Leon and Matilda, and the uncut version is more pronounced in this status, but that isn’t the reason to grasp it.
The extra 24 minutes on the uncut version provides a deeper thought of the relationship between the two as the film progresses. For example, in the US version Matilda never becomes a actual “cleaner” or hitman. It’s only hinted at when they shoot a jogger from a rooftop with blanks. In the uncut version, Leon takes her completely under his waft and teaches her the trade, including scenes where the pair bustle around killing terrible guys and such. In the process, Leon teaches her the “ring trick” by tossing a grenade at a victim and keeping the ring and grenade pin in his hand. This scene sets up the final scenes in the movie in a procedure that the US version left short and unexplained.
If you enjoyed the US version, you’ll probably esteem the uncut version more, if only because the characters and their relationships are worthy deeper.
French director Luc Besson (”The Messenger”; “The Fifth Element”) made his U.S. film debut with this sparkling thriller of an Italian hitman who is untouchable. “The Professional” stars Jean Reno (”The Stout Blue”) who plays Leon, a professional hitman with ninja-like skills, who eliminates rivals for a mob boss (Danny Aiello) .
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After a cross cop (Gary Oldman) eliminates the family residing next door due to a drug transaction gone contaminated, Leon finds himself the guardian of young Mathilda (Natalie Portman in her cover debut) . Taking Mathilda under his helm, Leon teaches her the art of the “cleaner”. However, distress lurks around every corner, and Leon must protect Mathilda from the same cops who killed her family.
Considered by many to be his masterpiece, “The Professional” was originally released internationally under the title “Leon”. However due to the feeling that American audiences might salvage some material unacceptable, over 24 minutes of the film was edited out. Finally, Columbia/Tri-Star has made an favorable decision in releasing the uncut, international version of this expedient film in the U.S. as it originally was called in August 2000.
While the film’s central theme revolves around Leon and his job, the subplot where Mathilda develops an attraction for Leon is reminiscent of the novel/film “Lolita”. The chemistry between both characters in a father/daughter relationship can be intense, especially as we see that Mathilda is in her puberty-stage.
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Jean Reno is sterling as always, and Gary Oldman gives a chilling performance as Stansfield, the tainted DEA officer who murdered Mathilda’s family in chilly blood. However, the sincere scene-stealer in this film has to be Natalie Portman. This dazzling young girl radiates beauty and professionalism throughout the film. Her porcelain-looking skin, and her gigantic brown eyes are well utilized in this film, making her character more childish, yet aged to a positive extent. Portman proved to audiences in this film that she was no flash in the pan, and in her subsequent films, she continues to be a scene-stealer. She is truly Hollywood’s most gifted young actress.
In the international version, most of the 24 minutes that were left out in the film’s 1994 release in the U.S. mainly involves both Leon and Mathilda going on “cleaning sweeps” where she gets first hand training in the art of assassination. The other half of these minutes focuses on Mathilda’s attraction to Leon. Her persistent attempts to be intimate with Leon all fail, but we finally understand why Leon remains a loner when it comes to affairs if the heart. Some might be sorrowful about the view of Mathilda and Leon sharing a bed together, but Besson paints this scene as one lively platonic fancy and not sex.
In wrapping up, I recommend this film for anyone who enjoys a nonstop, high-impact thriller in the same tradition as the “Matrix,” “Blade,” or “Boring Unexcited”. Luc Besson truly is one of the world’s greatest action directors, and “Leon” captures his magic. An advantageous, pulstaing film from beginning to raze!
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