Yo-Yo Girl Cop Streaming
Samedi, mai 8th, 2010 |
Yo-Yo Girl Cop Streaming.
Movie Title: Yo-Yo Girl Cop Yo-Yo Girl Cop is available for streaming or downloading. |
YO YO GIRL COP is the English language release title for SUKEBAN DEKA: CODENAME ASAMIYA SAKI, a 2006 Japanese movie based on the unusual “Sukeban Deka” series detailing the exploits of female special agents operating undercover in high school. The unique film is something of a sequel to the 1985 TV series, insofar as the main character, Saki Asamiya, is presented as the daughter of the current “Sukeban Deka” (delinquent girl cop), also codenamed Saki Asamiya, and played in this film by the TV actress who played the share in 1985, Yuki Saito.
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What’s special about this film version is the casting of four Japanese female pop singers from Hello! Project in the main roles, all of whom do incredible jobs. Solo artist Aya Matsuura, one of H!P’s greatest talents, plays Saki, while Rika Ishikawa, formerly of Morning Musume and original lead singer of the trio, Biyuuden, plays Saki’s chief antagonist, Reika Akiyama. The two girls generally exhibit adorably sweet and sunny dispositions in their J-pop day jobs and have appeared together in games, contests and fun bits over the years on Morning Musume’s TV note, “Hello Morning,” but are called on here to play unrelenting tough girls, complete with climactic yo-yo battle, and do so with utmost spirit and conviction. The supporting roles of Tae and Kotomi, two girls bullied by Reika and her gang, are filled by Rika’s sidekicks in Biyuuden, Yui Okada and Erika Miyoshi, both appearing in their very first film. They provide the film’s emotional core by playing wounded souls whose victimization brings to the fore the criminal space unhurried a website ominously named “Enola Blissful” and designed to attract suicidal teens and promote a wave of suicide bombings. It’s Saki’s job to regain to the bottom of all this and she takes the two bullied girls under her hover in a series of extremely touching scenes.
The heavy melodramatic tone (which matches that of the unique TV series) may achieve off viewers expecting a more tongue-in-cheek, over-the-top style of anime-inspired Japanese action a la CUTIE HONEY, a live-action silly book superhero spectacle from 2004. This one is grand more somber and a bit tedious in getting to the far-fetched fight scenes that a film like this needs. The final yo-yo battle between Aya and Rika, filmed on spot in a sprawling abandoned factory in winter weather, is quite a spy to search for, but one wishes a Hong Kong action director with a more imaginative touch and greater experience with female fighters (paging Corey Yuen!), had been brought in for the action scenes.
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Still, if one feels sympathy for the basic station of a damaged soul like Saki pulling herself together to encourage a greater top-notch and redeem herself by smashing a cynical station to manipulate vulnerable teens, one can secure this a reasonably entertaining high school-themed thriller. And those who are already fans of Aya Matsuura and Rika Ishikawa can simply sit encourage and marvel at this whole recent side of them.
One of the gigantic attractions of this DVD is the inclusion of a special 41-minute feature, “Yo Yo Girl Mission,” which chronicles the making of the film and the process by which two endearing J-pop idols are transformed into karate-kicking unpleasant girls and mortal enemies. One can glimpse their normal “amiable” selves in conflict with the “menacing” behavior required of the characters, leading to frequent breakups into laughter during shooting, leading to a charming bit at a press conference where Aya cutely chides Rika for such laughter. And when the slight and eager-to-please Aya insists on doing her believe stunts and is seen getting rigged with cables for a wire-fu maneuver, it unbiased increases our high regard and admiration for her. She’s also seen in a dual interview alongside Yuki Saito, who plays her mother in the film, but shares no scenes with her. The two even compare their yo-yos.
Aya is heard on the soundtrack singing two songs with Miki Fujimoto, another ex-member of Morning Musume and Aya’s partner in the H!P duo, GAM.
Who can the police turn to when a website urge by an underground terrorist group that calls itself “Enola Happy” pops up bearing a skull and nasty bones and a mysterious timer counting down to an unknown event? What about the teenage girl who honest got deported benefit to Japan and who’s mother is facing a trial where she is positive to be found guilty and sent to prison? Yeah, estimable call. Thus is born Asamiya Saki, the fourth rendition of the noxious Japanese crime fighter known as Yo-Yo Girl Cop. Played by pop star Aya Matsuura, this recent cop is a hardcore, battle-ready action hero.
The film is filled with explosions of action… literally and figuratively. As Asamiya Saki races against the clock to witness who the terrorists are and establish a halt to their disagreeable concept, she constantly finds herself in situations where the only option is to fight her intention out. In incompatibility, her fresh friend Taie Kono (delicately played by Yui Okada in her acting debut) is constantly running away and hiding from the many bullies that rule the private academy where Asamiya is working undercover. Reika, the worst of the bullies (played by Rika Ishikawa) is clear to fabricate Asamiya Saki’s undercover station as difficult as possible. As more bombs retain turning up, and the terrorist spot begins to near distinct, Asamiya Saki readies herself for an intense showdown with the suspected head of the organization.
Yo-Yo Girl Cop is a fast-paced, beat-em-up, blow-em-up rocket shot of a movie. At times it almost feels like an anime arrive to life. Unfortunately, the cartoonish dialogue and status tend to beget the movie succor at times when it should be flying. When the film is heading fat tilt towards the target, with time running out and action sequences shooting out one after the other, it’s the best sort of suited girl vs. awful girl amusing book action. Unfortunately, the action comes to a finish a runt too often as the aid sage is slowly revealed through online chat room discussions and text messages that lead into voice-over.
Ultimately, the position begins to unravel and what seemed so account at the beginning starts to feel a puny more contrived and unimportant. The transition that Asimaya Saki makes from bumbling yo-yo tosser (hitting a wall and then knocking herself out in an early scene) to intense heroine sending her yo-yo flying and wearing what the featurette describes as a “bondage inspired battlesuit” seems too rapid and unrealistic. Especially since the entire film takes spot over a 72 hour period.
What adds a touch of class to the flm is that Yuki Saito, the fresh Asimaya Saki from the 1980’s Japanese television series, makes a provocative and effective cameo as Asimaya’s mother, the primitive Asimaya Saki. Over twenty years after Saito immortalized the character on television, and three reincarnations later, she’s attend to succor usher the super-heroine into the 21st century.
For those who esteem japanimation and borderline-nonsensical plotlines enthralling explosions, martial art fight scenes, and of course characters running unscathed through streams of machine-gun fire armed solely with a metal yo-yo, this is the film for you. For anyone else, it might be best to let this one pass by, for although this action feature, directed by Kenta Fukasaku (Battle Royale 2) has all the honest intentions, it ends up pulling in a itsy-bitsy short of the enact line.
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