Archive for the ‘Femme Fatale’ Category

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Watch Femme Fatale Movie Online

Mercredi, juillet 28th, 2010
Watch Femme Fatale Movie Online. Watch Femme Fatale Movie Online.

Movie Title: Femme Fatale
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The new film by Brian De Palma is what all of his fans have been waiting for. A return to his themes and form of early 80’s.
Yes there are echoes of Hitchcock in this film but not only in the casting of lead actress and the opening with a diamond heist during Cannes film festival on the French Riviera. It seems that with this Film De Palma appropriates the whole tradition of European baroque and surreal thrillers from Dario Argento and Alain Corneaux. Use of a European cinematographer certainly helped. It would be simple to say that this film combines parts of various plots from his earlier films as well as all the visual skills of Blow Out, Mission Impossible, Carlito’s Way and The Untouchables. The warm colors bring memories of sun drenched Miami of Scarface, the lead actress those of Body Double etc…
The problem of this film for some people might be it’s completely invented story i.e. the kind you do not expect in life but then cinema is larger than life and by using classical means of storytelling and visual narration De Palma has created a morality play that revives what was best in Hitchcock and cinema of the 50’s with a thoroughly modern sensibility. Rebecca Romijn is perfectly cast and will surprise many.
It seems that the less money De Palma has to play with the better his films get. It could have something to do with the producers but he also wrote the screenplay on this one.
A modern classic.

Mr. De Palma is not a critics’ darling, and as such his latest, Femme Fatale, has come in for his usual roasting. Is it deserved? Not if you love a film that embraces the visual splendour and techniques that make cinema a unique art form. Not if you love the medium. Not if you love film.

Femme Fatale sees De Palma returning to his forte and his professed preferred genre: the suspense thriller. It is a welcome return considering his recent fare have seen him straying to more mainstream efforts - Mission to Mars, Mission: Impossible - that were shells of his virtuoso films of the late 70s and early 80s.

The film leads off with a stunning 20-minute Jewel heist sequence that takes place during the Cannes film festival of 2001. Completely bereft of dialogue, a la Topkapi, Rebecca Romijn-Stamos’s character has the enviable task of lifting a diamond dress from Rie Rasmussun in a bathroom encounter. His first original screenplay in 10 years, De Palma writes a tightly-plotted tale that certainly does not lead the audience by the hand, and the resulting twists it provides will allow different perspectives on the film’s events with repeat viewings. It’s not passive cinema; too often a film will guide the audience by the hand like a child. De Palma’s direction and script respects the audience’s intelligence, and it is indeed satisfying.

Antonio Banderas - usually lost without cause if not working with Robert Rodriguez - does what he needs to do with efficiency; Romijn-Stamos, the Femme Fatale of the title, provides the eye candy. The acting is not top drawer, but it does not need to be: we’re here to see an auteur in his element: De Palma delivers. I must clarrify that what we are watching is not top-drawer talent - De Palma’s stature in Hollywood today means that whenever he takes on personal projects, his funding will not allow access to actors that he may have pursued in days gone by - but they do deliver, and it’s not the actors we came to see.

Cinema is more than a stage with a camera - De Palma uses his camera and cinema technique to brilliant effect. Huge swooping camera movements, split-screen, slow motion sequences, no dialogue and an enveloping orchestral score; De Palma’s signature is prevalent. And that is good: a director should never be an autonomous entity, happy to turn out derivative drivel that get the masses in and out - directors for hire are too commonplace in Hollywood today - and that is something that De Palma could never be accused of.

Femme Fatale is a great example of a director working in a genre he loves and understands, and given the freedom to create. Total cinema? Indeed, and its smell is sure intoxicating. Welcome back, Mr. De Palma.
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