Watch Pom Poko Movie Online
Samedi, septembre 18th, 2010 |
Watch Pom Poko Movie Online.
Movie Title: Pom Poko Pom Poko is available for streaming or downloading. |
I just had the opportunity to finally see “Pom Poko,” thanks to Disney’s stateside DVD release. Fortunately, the dub is fantastic — any qualms about “confusing” Japanese folktales and such seem to have been taken care of with the quality translation. The voice actors (only one “name” actor, a very fine/unrecognizable Jonathan Taylor Thomas) acquit themselves quite nicely, and it might be one of the best dubs I’ve ever heard.
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The infamous enlarged scrotums, I’m happy to report, are such a small part of the entire experience that the fact that it was so dwelled on by dozens upon dozens of people for years prior to domestic DVD release is saddening. At first, yes, when a “pouch” is magically (and humorously) transformed into a red rug, it’s amusing and a bit shocking. But that feeling wears off almost instantly.
Even though they changed the references of “scrotum” to “pouch,” I’m still surprised Disney had the balls (pun intended) to release it, given their standards for “family”-esque (safe and arguably predictable) entertainment. There are a couple glimpses of actual nudity (breasts) and some humans die in rather morbid ways. I’m not inferring that I wish they hadn’t released it, for if they had not I would have never seen it. I’m just happy with their decision. For once, at least in recent times, I feel the need to thank Disney whole heartedly.
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The film itself is such a pleasure. It moves briskly, contains *beautiful* images and is endlessly entertaining. A large part of it’s success is due to the constant narration; as others have noted, it almost seems like an exquisite documentary at times.
The story is simple yet effective: humans are destroying a community of tanukis, and the tanukis do everything they can to help preserve their home in way of transformation. It’s often funny and adorable, but what’s somewhat unexpected is the amount you’ll be moved by their struggle. The ending, criticized by some, almost moved me to tears. I won’t explain what happens, but some wise things are said.
As you probably know, the tanukis are somewhat distractingly called “raccoons” in the dub. I’m willing to forgive Disney for this obvious error, though, as they resemble the latter to a pretty high degree. And I’m sure it made it easier on the translators for lip synchronization (two syllables).
Not so surprising: “Pom Poko” was the top box office smash in Japan the year it came out (and Japan’s own submission for best foreign film Oscar). Regardless of the minor violence/nudity/inflated scrotums (ahem), this film will appeal to anyone with a heart and a brain. It’s not some minor little piece about tanukis humorously fending off humans, even if it sometimes appears to be. It’s a major statement about man vs. nature, and it’s often beautiful and witty and intelligent, the sort of thing most non-animated films aspire to be.
I know this might sound rash and pretentious, but I watched two films tonight: “Laputa” (Japanese with subtitles) and “Pom Poko” (English dub). Oddly, I liked this film more. Here’s hoping that master director Takahata’s underrated treasure will win over more viewers, thanks to Disney’s recent bare-bones DVD release and the eventual airing on Turner Classic Movies this January.
Fans who remember Isao Takahata best for his relentless tearjerker, GRAVE OF THE FIREFLIES, could very well react with surprise and shock upon viewing POM POKO. This lavishly animated tale about raccoons battling for their homeland (which was the biggest hit of 1994 in Japan) isn’t so much a heartwrenching tragedy as it is an interesting amalgam of humor, drama, and action–all delivered in a way that is daringly original for animation. At times, the viewer gets treated to scenes which recall the one-two-three emotional punch of GRAVE OF THE FIREFLIES, but even though the tone of the movie is somber, a handful of lighthearted moments elevate the overall production out of depression.
As this is a Studio Ghibli film, production values are spectacular. Backgrounds are painted with a tasteful mixture of simplicity and art, and the raccoons are as cuddlesome as you would expect–especially when they shape-shift from “ordinary” animals to Saturday-morning-cartoon style critters in the style of shows such as CARE BEARS. (If you’re scratching your head while reading this, don’t be alarmed–according to Japanese folklore, raccoons have the power to transform into anything–including human beings!) The actual animation is as colorful and imaginative as you might expect from a Ghibli movie–and there is one scene where we are treated to cameo appearances by Porco Rosso, Kiki, and Totoro.
While POM POKO has a story to tell and a meaningful message for one to think about, its character and plot aspects may come across as a bit off-putting to viewers expecting a typical animated feature. Indeed, while some raccoons identify themselves with distinguishable names and/or personalities (for example, Gonta is a burly, rough-and-ready raccoon who is always looking for a fight, while Oroku is the “wise woman” of the tribe), the story offers little in the way of character development. In fact, most of the action in the story is narrated (by Maurice LaMarche in English, Kokondei Shinchou in Japanese), which elevates the overall effect of the movie to that of a semi-documentary. For the most part, this approach works to a very interesting degree and is a refreshing change of pace. However, there were some scenes in the movie where I wished the narration could have been reduced a little bit, as it sometimes gets in the way of appreciating the beauty of the visuals onscreen.
Aside from this, the biggest controversy about POM POKO seems to be centered on several scenes where the raccoons can inflate and/or transform their testicles(!) for multiple purposes. One particular scene involves a raccoon flattening his testicles against a truck, causing its driver to crash. Such moments may be alarming to children, but it is important to remember that while we see the testicles at times, the movie is, after all, animated. Even still, while a Japanese audience may take such scenes naturally, squeamish viewers in America could react differently. In fact, as a solution to handling this kind of translation issue, the English language version (produced once again by Disney) refers to the testicles as “pouches”. That’s a somewhat awkward decision, but it sure beats digitally removing the testicles from the scenes they’re in.
POM POKO was obviously a nightmare for English dub writers Cindy and Donald Hewitt to translate (especially since much of the movie is rooted in Japanese culture), but I really have to commend them for their efforts. There is some Americanizing here and there, but there was little, if any, that I could find missing in their script. In fact, I was most impressed at how they handled the songs; while at least two of them come across as a little contrived and/or corny, others flow so naturally that you never would have sworn that these were originally Japanese folksongs.
Another interesting aspect of the dub is the voice acting. With the exception of Jonathan Taylor Thomas (star of TV’s HOME IMPROVEMENT), the cast consists of veteran performers who are known for cartoon voice work; Tress MacNeille, John DiMaggio, Russi Taylor, Andre Stojka, and Clancy Brown, to name a few. Whether this was done to cut down on costs for big-name stars or for avoiding aural distraction is unclear, but when listening to the spirit and energy that the aforementioned voice artists give their characters, it really doesn’t matter. For purists, though, the original Japanese language track IS included on the DVD, as is a gorgeous visual transfer (and a disappointingly skimpy supply of extras–the only low point of this otherwise top-notch presentation from Disney).
POM POKO may be an unusual entry from Isao Takahata, and its foreign aspects may not appeal to everyone, but if given a chance, the film offers a colorful display of imagination and pathos as well as an experience unlike many that one will find from ordinary cartoons.
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