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I’ve been an Elvis fan for 10 years now, and I’ve seen most of his 60’s movies. For some reason I didn’t rent this one till recently- I consider it’s because I had it confused with “The Pain With Girls”, which I have no desire to view. Anyway, we rented this because we saw it had “A Petite Less Conversation” in it and liked it so grand we ended up buying it.

Elvis plays Greg Nolan, a photographer who..ok, there’s not mighty of a state to characterize here. The storyline consists of a girl he meets who keeps changing her name (Bernice/Betty/Suzie/Alice) and personality, spending most of the movie alternately messing with Elvis’ mind and coming on to him. Meanwhile, Elvis gets two jobs for girlie-type magazines in the same building- one of them is called “Classic Cat Magazine” (or maybe it’s Classy Cat) being a photographer and pretends at both that he only works for that magazine, while he literally runs succor and forth between the two jobs, changing clothes and trying not to have one boss obtain out about the other. Red West makes his usual cameo as a guy in a fight scene who Elvis ends up [fighting] (always fun to spy) .

This is a glorious fun Elvis movie, and since it was filmed in ‘68, lawful around the time Elvis did the comeback special, the King was in large shape, looking dazzling enchanting with his sideburns and tan. He also looks like he’s having fun, and doesn’t feel too dull. “Spinout” is captivating, but half the time Elvis looks elegant sorrowful. One of my Elvis trivia-type books said this movie has the distinction of being the only one he ever has sex in (offscreen, of course) but I contemplate the only method you could suppose this is by him waking up in a girl’s bed. His co-star, who looks like a irascible between Sharon Tate and how Liz Taylor looked in the 60’s, was kind of annoying (though not as awful as some of the actresses he’s worked with, and at least she has a gigantic wardrobe.) It was mainly the fact that she had this kind of whispery remark like Taylor. The clothes and hair are all really frosty.

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There are only 4 songs in the movie, but two of them are especially grand. I loved “The Edge of Reality”-Elvis has this trippy dream because Bernice/Betty/Suzie/Alice has been messing with his mind so worthy. The song is mountainous, and Elvis wears this tailored location of pajamas that examine more like a blue sharkskin suit. I consider whoever designed and choreographed the dream sequence might have paid a exiguous visit to Dr. Nick’s, if you know what I mean, but it’s pleasing frosty. The highlight of the movie for me was definitely “A Dinky Less Conversation”, which Elvis sings to a hot babe at a swinging cocktail party as he’s getting her to leave with him. Behold for the male red-haired go-go dancer that they pass who dances so furiously and wildly that his gyrations actually construct him upstage Elvis for a few seconds, which is no little feat. As he and the chick are leaving, they pass other go-go dancers, move out the door of the chilly 60’s pad, and hop in Elvis’ Cadillac that the valets unprejudiced happened to have pulled up in front at that second, while Elvis smoothly never misses a beat and manages to originate the whole thing glance like he does it every night. Now THAT’S how you leave a party!

One of Elvis’ better flicks from the 60’s, and definitely my well-liked movie of his to see from the gradual 60’s.

This movie has it all — Michelle Carey, Elvis, changing times, psychedelic sequences (check out the “Edge of Reality” bit — the girls “morph” *years* before the technology was invented!), taboo subjects (sex, etc.), and the fresh version of “A Cramped Less Conversation.” It is a legal romantic comedy; had it never been made with Elvis, and had been shot this year with Ben Afleck and Cameraon Diaz, it would be a atomize hit! Actually, it was a fine great hit in its believe time, even though it was one of Elvis’s last three or four movies. This film needs to be released on DVD soon! Especially astounding is the widescreen version that airs on TNT every now and then. Michelle Carey was astonishing — I wish she was mild around. The songs are gargantuan (all 4 of them), and this movie, written by the same dude that wrote “Private Lessons” (1981), rises above the rest of the terrible schlock that Elvis concerned himself with for the majority of the sixties. Relax, check it out, and have a generous time.
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