Verdi: La Traviata Streaming
Lundi, avril 12th, 2010 |
Verdi: La Traviata Streaming.
Movie Title: Verdi: La Traviata Verdi: La Traviata is available for streaming or downloading. |
I ragged to have the DVD of Decca version of La Traviata featuring Angela Gheorghiu. I liked it but this blu-ray provides a whole unusual experience with its gigantic high definition vision and audio. Ms. Gheorghiu, as Violetta, performs amazingly in both singing and acting. It’s enormous to see all the details of the singer’s facial expressions and gestures in hi-def. Mr. Vargas, as Alfredo, performs very well even though his acting is rather clumsy. The baritone, as the father, sings flawlessly. I idea the production was also genuine. I expected more from the Gypsy’s dance/song but all in all this title deserves five stars.
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This blu-ray is my very first opera title and I’m more falling in adore with blu-ray after watching this Verdi’s masterpiece. I know I’ll be watching it over and over again especially the first act.
Technically, it was shot in 1080i and features PCM 2.0 & DTS HDMA 7.1 audio track. No extras.
“La Traviata” is probably Verdi’s most well-liked opera, despite the fact that the leading role, Violetta, is notoriously difficult to advise. I’ve seen Traviata in the house maybe 4 or 5 and have walked away unsatisfied each time. And it was always because I found the Violetta dearly wanting in some aspect.
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On paper, this video, released by La Scala, should leap to the very top of mammoth Traviatas on video. Angela Gheorghiu became a star in the 1994 Covent Garden production of Traviata and 13 years later, she’s composed one of the world’s leading Violettas. Ramon Vargas has exactly the lawful type of say for Alfredo — warm, ardent, youthful (even though by now he looks rather portly and middle-aged) . Roberto Frontali does no pain as Germont. The production is blooming — very aged, but not tacky. The costumes are lavish and seize the wasteful, decadent life of the Parisian demi-monde.
Yet Gheorghiu’s Violetta has, unfortunately, not really deepened over the years. The 1994 production of Traviata was caught on video and Gheorghiu’s Violetta aid then serene had an inspiring air of youthful innocence, which added immeasurably to her portrayal. Her naturally smoky, gloomy lisp gave her Violetta the honest amount of downhearted. Her snow-white skin and shaded hair made her gawk disconcertingly like the portraits of the right life Violetta, a French courtesan named Marie Duplessis. Most of all, her Violetta was unexcited a young lady who seemed to sincerely crave romantic fancy. The Alfredo (Frank Lopardo) and the Germont (Leo Nucci) were not on the level of Vargas or Filanoti, but Gheorghiu’s Violetta was so compelling it didn’t matter.
Thirteen years later, Gheorghiu’s philosophize is smooth enchantingly smoky and dim, but she’s a Diva, and her portrayal has hardened. She has become a rather calculating performer. It’s unreasonable to ask her Violetta to mild have the youthful freshness of her 1994 portrayal, but I wish she projected more estimable vulnerability. Her immense gestures and facial expressions obtain it definite that she considers herself as Tragedienne, but in the ruin it’s not particularly affecting.
There are positives to her portrayal. For one, she and Ramon Vargas have now sung together in quite a few productions and they have that intangible chemistry that was so lacking between her and Lopardo. And although her accuracy in florid passage may not match Maria Callas or Joan Sutherland, she gets through “Sempre libera” great better than most sopranos today. Moreover, her thunder is not colossal, but to her credit she seems to know this and never tries to oversing. This is clearly a soprano who knows her vocal strengths and weaknesses, and seeks to maximize the used and minimize the latter.
Yet at the demolish of the day a Violetta should crash your heart, not simply ticket you. I found Gheorghiu more impressive than affecting, and so I don’t judge I’ll be returning to this video anytime soon.
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