Stream Chicago Online
Mardi, septembre 14th, 2010 |
Stream Chicago Online.
Movie Title: Chicago Chicago is available for streaming or downloading. |
As a musical theater purist, I was concerned that a movie musical with 3 of Hollywoods A list stars would be a hinderance rather than a help in the “revival” of the genre. I must say that I was blown away by the sheer genius and excellence of the film.
Catherine Zeta-Jones’ Velma was equal to, if not better than Bebe Neuwerth’s ( Brodway revival). Her beautiful voice and masterful dance skill is worthy of the great white way. A Tony may have been a more appropriate award as opposed to her much deserved Oscar. Although Rene Zellwegers voice was a little shaky in the begining she brought out a tough side in Roxy that was not there in neither the original nor the revival stage versions. Then my biggest fear, Richard Gere as Billy Flinn, was in a word perfect. You can’t ask for a better fit, and what a shocker to see that wonderful tapdance!
With great costumes,Fosse-like choreography, expert lighting and singing (by many broadway veterans in the chours as extras) this dark comedy shines. Also with great cameos and supporting performances by the great Chita Rivera ( original broadway cast),John C. Reily (oscar nominated),Lucy Liu, and Christine Baranski this film shines as one of the greatest ever made, not just as a musical, but as a film. Rob Marshall’s directorial debut deserves all of it’s accolades…and all that jazz.
It is the 1920s in Chicago and we enter this musical film through a saucy nightclub to see Velma Kelly (Catherine Zeta-Jones) performing a duo act of All that Jazz on her own. Only later is it revealed what happened to her sister who was supposed to be the second half of the act. Next we meet Roxie Hart (Renée Zellweger) who is a naive girl with big dreams of stardom who goes to the slammer for killing her lover. From the moment she enters and we see a brief flash of her imagining herself on stage, we are aware that this film is half reality and half Roxie’s dream. Ambitious Roxie has to find a way to get herself out of prison and onto the stage. To do this she creates an innocent persona that is designed by her smooth talking lawyer Billy Flynn (Richard Gere) for the media to bring the public to her support. With his help and the sassy matron of the women’s prison ‘Mama’ Morton (Queen Larifah) Roxie eclipses Velma Kelly’s prison girl fame. Her matronly values and repentant attitude have the public enthralled and the jury in tears. But with her newfound celebrity Roxie’s head is sent spinning again with plans of musical fame. However, it becomes increasingly obvious that her popularity will be dreadfully short lived if she doesn`t craft a way to remain in the spotlight. Teetering on the brink of superstar celebrity and death row, Roxie will have to give the performance of her life if she wants to save her neck. Filled with beautifully choreographed catchy musical numbers and a pleasing sweep of fast dramatic action, there is never a dull moment in this film. It’s a triumphantly enjoyable thing to watch.
The greatest reason for this film’s success is due to the stunning ensemble of actors many of whom (with the exception of Queen Larifah) we aren’t familiar with hearing sing. The cast all excel in both in their musical numbers and acting performances. Catherine Zeta-Jones looks stunning and is fun in her catty diva role. Renée Zellweger is perfect for her part of the innocent, but still determined and quietly vicious, Roxie who will stop at nothing to become a star. Like in the striking film Nurse Betty, Zellweger’s character again confuses reality with her dreams and her subtle facial shifts and movement meaningfully represent her psychological conflict. Most surprisingly, Richard Gere delivers a fantastic performance as the slimy lawyer proving that this actor can really do comedy well. Then there are notable performances in minor roles that leave an impact such as Queen Latifah`s sultry money-hungry matron, Christine Baranski as the hilarious news reporter Mary Sunshine, John C Reilly as Roxie’s neglected but still loving husband Amos Hart and Lucy Liu as the vicious ball-busting heiress Kitty.
Those familiar with the famous stage show of Chicago will not be disappointed because this film maintains its focus on the musical and dance numbers as the centerpiece. In fact, the meaning of Roxie’s psychological confusion between reality and fantasy is wonderfully accentuated by the film’s ability to quickly cut between the drab, harsh reality and the glamorous, jazzy corners of Roxie’s imagination. The director Rob Marshall excellently filmed all the dance numbers to focus on particular moves as well as capture the full action of the performances for the fullest effect. This movie is a fine example of how a musical film can succeed where its pertinent counterpart (as both films focus on a female on death row) Dancer in the Dark failed. The musical numbers all take a vital role in both accentuating plot detail and enjoyably moving the film along. Likewise, the story does not take itself too seriously preferring to revel in the fantastic music and thrilling story rather than focus on any specific moral meaning. That isn’t to say that this film isn’t emotionally engaging. It excels in its ability to entertain you as well as draw you into an exciting story of fame, glamour and death.
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