Archive for the ‘Crossroads’ Category

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Watch Crossroads Movie Online

Samedi, septembre 4th, 2010
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Movie Title: Crossroads
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CROSSROADS (Walter Hill’s Blues film, NOT Britney Spears’ self-indulgent 2002 fluff) is a terrific introduction to a uniquely American musical genre, with a remarkable cast and a dead-on southern ‘atmosphere’. It has always astonished me that when released, critics were unable to look past Ralph Macchio’s previous film work, and accept this gem on it’s own merits, but it’s subsequent status as a cult classic is certainly well-deserved, with films such as the Coens’ O BROTHER, WHERE ART THOU? utilizing the Robert Johnson subplot and borrowing many of CROSSROAD’s visual elements. Perhaps the film, with a magnificent Ry Cooder score, was just too far ahead of it’s time, a strange criticism to apply to a Blues movie!

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The tale involves young Long Island guitar prodigy Eugene ‘Lightning Boy’ Martone (Macchio), a rebel at the Julliard School with his passion for the Blues (”Primitive music,” one professor sneers), on a quest to recover legendary guitarist Johnson’s fabled “30th Song” of 1938. His research leads him to a NYC nursing home, where fabled harmonica player Willie Brown (the late actor/singer/songwriter Joe Seneca), a friend and collaborator of Johnson’s, is confined. Promising to ‘give’ the song to the youngster if he can be “busted out” and returned to his Mississippi home, the pair are soon on a cross-country odyssey, with Martone learning about discrimination, the darker side of humanity, and love’s loss (through a brief encounter with Jami Gertz, who was never lovelier), providing him with the core of sadness Brown says is essential to truly play the Blues.

The climax of the film is legendary; arriving home, Brown, who had ’sold his soul’ to the Devil at the ‘Crossroads’ as a young man (just as his friend, Johnson, had), attempts to get ‘Scratch’ (skeletal Robert Judd) to tear up the contract. The Devil informs him that he will, only if Martone can defeat his Champion in a ‘Guitar Duel’. If the youngster loses, his soul, as well as Brown’s, will be lost, forever. Martone rashly agrees (”I don’t believe any of this s*** anyway!”), and he and Brown find themselves in a broken-down church converted into a dance hall, with demons and lost souls cavorting to the rock strains of insanely talented Jack Butler (Frank Zappa guitarist/composer Steve Vai). With only his love of the Blues, Julliard training, and Brown’s ‘ju-ju’ to aid him, the humbled Martone must play for far more than his life, in a ‘Duel’ (with the amazing Vai actually playing both guitar parts) that is so fabulous that it is unbelievable that it was NOT included in the soundtrack album of the film!

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Walter Hill was no stranger to music-themed fantasies (he also directed another ‘ahead of it’s time’ cult film, STREETS OF FIRE), and with CROSSROADS, he took a simple storyline, and turned it into an unforgettable musical cinematic experience.

That the film is FINALLY on DVD is a MAJOR cause for celebration…now, let’s hope an expanded “Special Edition” with added bonus features, will follow!

The film “Crossroads” was a major influence on me. Of course we all heard rock music based on blues music but this was my introduction to searching back and finding the roots of music. I also began to play guitar after seeing the film, it is a most inspiring movie. I disagree with the Amazon/Matlin reviews that pan the movie due to Ralph Macchio (who i feel played a fine role) or the plot (its obvious Matlin isnt even aware of the actual Robert Johnson)

I anxiously await a DVD release, my VHS is so worn….
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Stream Crossroads Movie Online

Lundi, août 9th, 2010
Stream Crossroads Movie Online. Stream Crossroads Movie Online.

Movie Title: Crossroads
Average customer review:

Crossroads is available for streaming or downloading.

Click Here to Stream or Download Crossroads

This movie has everything you could ever wish for to become an Academy Award Winner. With each passing minute, the plot thickens and leaves you wondering what will happen next. “What happens after Britney sees her long-lost mom? Who’s the real father of the baby? Why did Britney give up her virginity to that guy and not to the other one?, etc.” Such issues would have a profound impact on how the viewers would look at their own lives and would make them reflect on what they have been doing for the past 1.5 hours of watching this film. Indeed, the issues presented in this movie such as getting deflowered, getting pregnant without the guy knowing, running away from home to discover oneself and then found by dad and then to run away again to be with the boy who popped her cherry, etc. are very unique and settled in a very appropriate and convincing way as the viewers are treated to a finale of a croaking, whining, earwax splitting vocal spectacle which drills into the minds of the viewers that we should always remember to treat Britney as someone special; not a girl, but not yet a woman. Britney drives home the message that she’s a little girl trapped in a woman’s body; which of course makes pathetic, lifeless, looser men like me want her more. It’s like reaching out to something so near yet so far away but then I just can’t keep my eyes off her navel. I’m sure that Britney would surpass her mentor Mariah Carey in terms of acting talent and would get the recognition she deserves. With her starry-eyes transfixed on everything and everyone at the same time, she makes acting look so easy and dumb. Of course, it’s not surprising because it seems so natural for her to look like that. All said, this film thrives on Britney’s charm and persona, and nothing else, which is enough to make me patronize every move she makes and consequently, pour more money into her deep pockets so that she could pay her house, while I watch her from my trailer.

First of all I want to say that I have been a Britney Spears fan from before she became god’s gift to pop music, so my view is fairly objective. Secondly, if I could give this film 0 stars, I would. The acting in this film is deplorable, the characters are a bunch of talking heads, and the story is far past the point of ridiculous. Britney and Anson Mount have zero chemistry in the love scene in the film. Perhaps the best part of the movie is in the beginning when virginal Lucy (Britney’s character) and the scared high school boy (obviously also a virgin) who wanted to sleep with her after the prom were fumbling around in a hotel bedroom. At least that part came off as funny, because the rest of the film was trite.
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