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Stream Ginger Snaps Back - The Beginning Movie Online

Mardi, août 17th, 2010
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Movie Title: Ginger Snaps Back - The Beginning
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Once again we are treated to the lycanthropic likes of Ginger (Katharine Isabelle) and her sister Brigitte (Emily Perkins), and are not disappointed. This time, Ginger and Brigitte are travelling alone in the snow in the 1800’s after their boat was sunk and their parents drowned. An older Indian woman, a seer, warns them to “kill the boy or one sister kills the other.” Without thinking too much about the warning, they move along on their path through the woods. As chance, and a bear trap, would have it, the two end up in the hands of a hunter (Nathaniel Arcand) who leads them to an outpost where things are clearly not going as well as they could.

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The girls are informed that a hunting party set off to collect supplies and rations, but has yet to return. Furthermore, strange animals have been attacking the outpost. Animals that bear some resemblance (via tattoos and other discernable markings) to the members of the hunting party that had left months ago. In addition, the leader of this outpost has his own secret that will place Ginger and Brigitte in a less-than-desirable position that will test the bounds of their sisterly love for one another.

Yes, the same actresses return for this film, and yes, they bear the same names as the sisters in the previous films. Is there some kind of time warp or reincarnation tale at work here? No. I suppose the viewer is supposed to take the coincidences as merely that. Coincidences. As odd as this sounds, it really does work quite well, and makes this movie a stand-alone addition to the trilogy.

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The sets are highly atmospheric, haunting, and sinister. The costumes are just as well done, and only add to the creepy, gothic feel of the film, as does the score. I really loved the combination of these elements. If you’ve seen the previous two films, then I need not even discuss the talent these two actresses possess. The whole feel of this film is very different than that of the previous two films. Different, but still equally as dark and brooding. If you have already seen Ginger Snaps: Unleashed, and were somewhat disappointed with it in comparison to the first film, fear not. Ginger Snaps Back redeems the vitality and originality of the first film. If you have yet to see any of the Ginger Snaps films, then you are missing out on some excellent werewolf movies. In a genre strewn with cheesy cliches and over-done make-up, Ginger Snaps is a breath of fresh air.

Overall, this is a great film that really shouldn’t be missed. One needn’t view the previous two tales in order to understand and appreciate this film, though it of course doesn’t hurt! This is an outstanding end to the memorable trilogy, and belongs in every horror collection.

It is winter the early part of the 1800s on the outskirts of the Canadian frontier. Orphan sisters Ginger and Brigitte Fitzgerald find themselves lost in the woods when a native young man rescues them and brings them to a nearby fort, the last remains of a settlement of fur traders. It seems its population has been cut down quite a bit by dangerous creatures roaming the wilderness. But there’s also a dark secret within its walls that most of the men themselves are not even aware of.

The original film used lycanthropy as a metaphor for growing up, while the second alluded to drug addiction. This film is a straight-ahead horror movie (or a dark fairy tale, if you like.) It’s a disappointment, especially considering the second film was exceptionally good. It should have stopped there. I give the filmmakers credit for choosing not to continue the story in a traditional fashion, but the story they came up with is completely uninteresting. It could have been kept afloat by the two heroines of the film if only they had any of the personality they possessed previously, but they are given very little to do or say this time around. Emily Perkins is reduced to glaring at everything, a mannerism that was endearing before but now is simply irritating. Katie Isabelle’s role is even further diminished. Except for a nice comeback in the final act, she barely seems to be there at all. There was more substance to her role in the second film even though she only appeared as a shade. The clever and witty dialogue we used to hear is forsaken for a lot of mystical mumbo-jumbo about dreams and visions. The film takes itself entirely too seriously.

It’s a shame because it’s easily the best looking film of the three. The photography is beautiful and the production quality is top notch. There’s just nothing to hang it all on.

You don’t necessarily need to have seen the other films to understand this one, but if you haven’t then you’ll likely wonder what all the fuss has been about since this probably isn’t going to impress anyone. See the first and second for sure, but consider passing on this one.
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