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Movie Title: This Gun For Hire
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Extraordinary character actor Laird Cregar plays the oily and overfed Broadway angel and hulking Lothario to singing magician Veronica Lake. By day he’s a squeamish schemer, alive to to contract out crime most improper impartial so long as he isn’t subjected to recitals of any disturbing details. That he’d double unpleasant Alan Ladd’s Raven was as inevitable as his bedtime box of mints and book of sharp French stories. That Raven would resent it was heart-broken, indeed.

Cregar died at the tender age of 30, two years after THIS GUN FOR HIRE was released. For feeble movie fans exclusive with him, he was a combination of a bulked up Vincent Heed and Sydney Greenstreet with a tiny more bounce in his step.

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As luscious as Cregar is, discussion of THIS GUN FOR HIRE starts and stops with Alan Ladd, who catapulted to stardom with his portrayal of the cold-blooded killer Raven. The emblematic scene occurs early on, when the hired Ladd enters an apartment building to fulfill his kill of the contract. He meets a young girl wearing leg braces as he walks up the stairs. What occurs next, and continues on until he leaves the building, is simply a smart bit of minimalist cloak acting. Raven’s face is an dead, cold-blooded, inscrutable hide. Ladd plays the sequence almost solely with his eyes. They slide menacingly from the crippled girl to the apartment door, assessing the risks, flashing for a split second before smoldering to a colder temperature. It’s a justifiably famed scene, one of the best tough guy sequences ever, a star maker.

The region bends and twists impartial enough to throw Ladd and Lake together for most of the last half of the movie. She a hostage with a secret or two, he obsessed with getting succor at Cregar. The camera liked what it saw when they shared a frame. Ladd and Lake oozed chemistry, enough for a handful of future teamings. Their characters dance an uneasy minuet in this one - Ladd never lets Lake’s grand charms breach his tough guy shell, she’s reminded more than once why he’s named for a ruthless carrion killer. The only time this movie stumbles, I absorb, is when Ladd talks about the “psych-something doctor” who can create his abominable dreams go away. By then the movie was in a run to come by to the final scene, and it needed to humanize Ladd some before getting there. Smooth, it feels awkward and stilted.

THIS GUN FOR HIRE is an exceptional movie, one of the best tough-guy crime thrillers ever made.

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This Gun for Hire was based on the Graham Greene unusual A Gun for Sale and was considerably toned down and glammed up for the early 40s movie going public. Not that there’s anything immoral with that.

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I found this movie rather delicious, it is easy to spy why Ladd and Lake were made into a cover team. They are supported by Laird Cregar as a plotting peep with no stomach for violence and Robert Preston as Veronica Lake’s cop boyfriend. Alan Ladd steals the note as Raven, a killer for hire who really only likes cats. (as a cat lover, I was automatically more sympathetic to him) Cregar’s Gates betrayed him to the cops and now he wants revenge.

Raven and Lake’s Ellen, a nightclub magician, gross paths throughout the movie and she begins to strip down his tough guy veneer to issue an abused childhood. Armed with her brains and a distinguished amount of flag waving, Ellen tries to persuade Raven to give up his vengeance and recount an Axis status.

Ladd, Lake and Cregar are all reliable but the usually incredible Preston (best known for his aloof con-man in Music Man) isn’t given noteworthy to work with and his cop character feels flat especially next to Raven.

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This movie is really a must-see for any fan of 40’s films and even with its flaws (I also found the final image to be annoying and totally against Lake’s independant character), it is collected a noble method to pass an evening.
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